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	<title>Observer &#187; The Liars&#8217; Club: An Incomplete History of Untruths and Consequences</title>
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		<title>The Liars&#8217; Club: An Incomplete History of Untruths and Consequences</title>

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		<description><![CDATA[<p>Last week, <em>Village Voice</em> senior associate editor Nick Sylvester became the latest poster boy for journalistic malfeasance when it was revealed that he had fabricated part of a cover story for <i>The Voice</i>. The paper acted swiftly, suspending Sylvester, printing a <a href="http://villagevoice.com/news/0610,news,72372,2.html">letter of apology</a>, and removing the offending story from its website. (A widely linked cached version of the story seems to no longer be available.)  <i>Voice</i> managing editor Doug Simmons has <a href="http://www.thenation.com/blogs/notion?bid=15">professed</a> his affection for Sylvester and his willingness to cut the writer some slack since "The thought of firing him is a painful one for me." (Full disclosure: I worked at the <i>Voice</i> before Sylvester arrived and was fired by Simmons.)</p>
<p>Has Sylvester ruined his career? What follows is a survey of other writers who couldn't resist going for a little something extra. Some of them fabricated, some plagiarized, some composited where they had no business doing so. Nick Sylvester's future is far from written (early retirement? a novel? a career in Hollywood? law school?), but if these writers are any guide, he'll probably be just fine. He's young, white, and Ivy League-educated, so he probably won't wind up selling shoes in Michigan like Janet Cooke. &mdash;<i>Matt Haber</i></p>
<p><b>Update: </b> <i>The Black Table</i> got there a few scandals ago. It can be found <a href="http://www.blacktable.com/gillin030520.htm">here</a>.</p>
<p><big><b>The Accused</b> Mike Barnicle</big></p>
<p><b>Crime Against Journalism</b> Fabrication; plagiarism</p>
<p><b>Rap Sheet</b> Barnicle, a columnist for <i>The Boston Globe</i>, faced accusations of plagiarism and fabrication for years before a 1995 story about two kids dying of cancer was determined to be a fraud. (See: <a href="http://www.salon.com/media/1998/08/20media.html"><b>Repeat Offender</b></a>, by Tom Mashberg, <i>Salon</i>, August 20, 1998.) Dan Kennedy of <i>The Boston Phoenix</i> unearthed <a href="http://www.bostonphoenix.com/archive/features/98/08/20/BARNICLE_VS_LIEBLING.html">similarities</a> between Barnicle's writing and A.J. Liebling's from 1986. He was also accused of borrowing <a href="http://www.boston-online.com/barnicle/">observations</a> from comedian George Carlin.</p>
<p><b>Plea</b> Sloppiness; Laziness.</p>
<p><b>Sentence</b> Resignation from <i>The Boston Globe</i> in 1998.</p>
<p><b>Afterlife</b> After a brief period, Barnicle returned to writing, first for <i>The New York Daily News</i> and then for <i>The Boston Herald</i>.</p>
<p><b>Hollywood Ending</b> None.</p>
<p><big><b>The Accused</b> Jayson Blair</big></p>
<p><b>Crime Against Journalism</b> Fabrication; Plagiarism</p>
<p><b>Rap Sheet</b> Starting in April 2003, several stories written by Blair, a <i>New York Times</i> reporter, were called into question after a reporter for <i>The San Antonio Express-News</i> noticed similarities between a piece by Blair and one of her own. After a <i>Times</i> investigation, it was revealed that Blair had fabricated details and quotes in several stories. (See: <i>Hard News: The Scandals at</i> The New York Times<i> and Their Meaning for America</i>, by Seth Mnookin.)</p>
<p><b>Plea</b> Mental health problems; exhaustion; bad diet.</p>
<p><b>Sentence</b> Fired.</p>
<p><b>Afterlife</b> Blair went on to write <i>Buring Down My Masters' House</i> and currently runs <a href="http://www.jayson-blair.com/about.htm">Azure Entertainment Corporation</a>.</p>
<p><b>Hollywood Ending</b> In 2003, Mnookin's <i>Newsweek</i> stories about Blair were optioned by Showtime for "a black comedy" to be written and produced by Jon Maas.</p>
<p><big><b>The Accused</b> Nik Cohn</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> In 1976, Cohn wrote "The Tribal Rites of the New Saturday Night" for <i>New York</i> magazine, a story about outer-borough discos and a working class young man who frequents them. In 1997, Cohn admitted he'd invented much of the story.</p>
<p><b>Plea</b> As a Brit living in America, Cohn claimed he couldn't find his story in Bay Ridge, Brooklyn, "So I faked it. I conjured up the story of the figure in the doorway, and named him Vincent... I wrote it all up. And presented it as fact." (See: <a href="http://www.eonline.com/News/Items/Pf/0,1527,2190,00.html"><b>Writer Admits Faking "Saturday Night Fever" Story</b></a>, by Marcus Errico, E! Online)</p>
<p><b>Sentence</b> None.</p>
<p><b>Afterlife</b> Cohn was caught up in a drug sting in 1983, but continued to write. His most recent book, <i>Triksta: Life and Death and New Orleans Rap</i>, came out in 2005.</p>
<p><b>Hollywood Ending</b> "The Tribal Rites of the New Saturday Night" was turned into the film <i>Saturday Night Fever</i> in 1977 and went on to <a href="http://boxofficemojo.com/movies/?id=saturdaynightfever.htm">gross</a>  $237,113,184 worldwide.</p>
<p><big><b>The Accused</b> Janet Cooke</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Cooke won a Pulitzer Prize in 1981 for "Jimmy's World," a <i>Washington Post</i> article about an 8-year-old junkie. The article caused a sensation despite the fact that Jimmy did not exist. (See: <b>Janet's World</b>, by Mike Sager, <i>GQ</i>, June 1996.)</p>
<p><b>Plea</b> Pressure</p>
<p><b>Sentence</b> Cooke resigned; <i>The Post</i> returned the Pulitzer.</p>
<p><b>Afterlife</b> Cooke left journalism and became a saleswoman in Michigan.</p>
<p><b>Hollywood Ending</b> Sager sold the film rights for his article to Columbia Tri-Star for $1.6 million.</p>
<p><big><b>The Accused</b> Michael Finkel</big></p>
<p><b>Crime Against Journalism</b> Compositing</p>
<p><b>Rap Sheet</b> Finkel, a writer for <i>The New York Times Magazine</i>, created a composite character in his November 18, 2002 story "Is Yousouf Mal&eacute; A Slave?" Some also questioned the veracity of other stories he'd written for the magazine. (See: <a href="http://www.newyorkmetro.com/nymetro/news/media/features/5740/"><b>The Great Pretender</b></a>, by Robert Kolker, <i>New York</i>, March 4, 2002.)</p>
<p><b>Plea</b> Overreaching; Literary ambition.</p>
<p><b>Sentence</b> Fired. <i>The Times</i> was forced to run an extensive correction.</p>
<p><b>Afterlife</b> Finkel went on to write <i>True Story: Murder, Memoir, Mea Culpa</i>, an autobiographical story of his career and a murderer who borrowed his identity. The book was excerpted in <i>Vanity Fair</i> in June 2005.</p>
<p><b>Hollywood Ending</b> Plan B, Brad Pitt's production company, optioned <i>True Story</i> in 2005.</p>
<p><big><b>The Accused</b> Stephen Glass</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Starting in 1996, Glass fabricated numerous subjects, situations, and details in pieces he wrote for <i>The New Republic</i> (where he was an associate editor), <i>Harper's</i>, <i>Rolling Stone</i>, <i>George</i>, and <i>Policy Review</i>. When a <i>TNR</i> story he wrote called "Hack Heaven" was called into question by an editor at <i>Forbes Digital Tool</i>, Glass went so far as to create a fake website for a company he made up and had his brother leave voice mails for his editor as one of his subjects. (See <b>Shattered Glass</b>, by Buzz Bissinger, <i>Vanity Fair</i>, September 1998.)</p>
<p><b>Plea</b> Youth. Desire to be liked.</p>
<p><b>Sentence</b> Two year suspension from <i>TNR</i> that became a de-facto firing by then editor Charles Lane.</p>
<p><b>Afterlife</b> Went to law school, wrote a novel based on his experience called <i>The Fabulist</i> in 2003.</p>
<p><b>Hollywood Ending</b> Hayden Christensen starred in <i>Shattered Glass</i> in 2003.</p>
<p><big><b>The Accused</b> Rodney Rothman</big></p>
<p><b>Crime Against Journalism</b> Fabrication.</p>
<p><b>Rap Sheet</b> In the November 27, 2000 issue of <i>The New Yorker</i>, Rothman, a former head writer for <i>Late Show with David Letterman</i>, fudged details of his experience infiltrating a dotcom in "My Fake Job." Rothman neglected to mention in the article that the company he walked into and pretended to work for employed his mother and invented details. (See: <a href="http://archives.cnn.com/2000/US/12/05/newyorker.apology.ap/"><b>Magazine apologizes for article with made-up details</b></a>, AP, December 5, 2000.)</p>
<p><b>Plea</b> The article was intended as a humor piece. </p>
<p><b>Sentence</b> <i>The New Yorker</i> was forced to issue an apology.</p>
<p><b>Afterlife</b> "My Fake Job" was included in <i>The Best American Nonrequired Reading 2002</i> (edited by Dave Eggers). Rothman went on to produce <i>Undeclared</i> and the short-lived sitcom <i>Committed</i>. He also wrote the well-received memoir <i>Early Bird</i> in 2005.</p>
<p><b>Hollywood Ending</b> UTA shopped "My Fake Job" to studios in 2000.</p>
<p><big><b>The Accused</b> Ruth Shalit</big></p>
<p><b>Crime Against Journalism</b> Plagiarism </p>
<p><b>Rap Sheet</b> Shalit, also an associate editor at <i>The New Republic</i>, used several passages of other writers' works in articles about the Justice Department.  (See: <a href="http://archives.cjr.org/year/95/4/plagiarize.asp"><b>Plagiarize, Plagiarize, Plagiarize... Only Be Sure to Call It Research</b></a>, by Trudy Lieberman, <i>CJR</i>, July/August 1995.) <i>The Washington Post</i> also accused her of playing fast and loose with facts in a story she wrote about the paper's affirmative action policies. She also may have borrowed another writer's phrasing for a <i>New York Times Magazine</i> profile of Bob Dole in 1995. (See: <b><a href="http://www.motherjones.com/news/outfront/1996/01/outfront_dole.html">Repeat Offender</a></b>, <i>Mother Jones</i>, January/February 1996.)</p>
<p><b>Plea</b> Computer malfunction, mixing up her "research" with her own writing.</p>
<p><b>Sentence</b> Fired by <i>TNR</i>.</p>
<p><b>Afterlife</b> Shalit left journalism to work in advertising for a time but returned, writing occasionally for <a href="http://dir.salon.com/topics/ruth_shalit/index.html"><i>Salon</i></a>, <i>Details</i>, and <i>Elle</i>, where according to her <a href="http://www.nytimes.com/2004/09/05/fashion/weddings/05SHAL.html?ex=1141707600&amp;en=2b790b4a2448f329&amp;ei=5070">wedding announcement</a> in <i>The New York Times</i>, she is a contributing writer.</p>
<p><b>Hollywood Ending</b> None, but according to <a href="http://www.laobserved.com/archive/002366.html">LA Observed</a>, she is married to Robertson Barrett, a producer for a company called Reality Pictures in Los Angeles.</p>
<p><big><b>The Accused</b> Patricia Smith</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Smith, a columnist for <i>The Boston Globe</i>, invented quotes and subjects in four columns in 1998. (See: <a href="http://www.cnn.com/US/9806/19/globe.columnist.resigns/"><b>Boston Globe columnist resigns, accused of fabrications</b></a>, CNN, June 19, 1998.)</p>
<p><b>Plea</b> Inability to create humans from whole cloth: "I attributed quotes to people who didn't exist," Smith wrote in her final column. "I could give them names, even occupations, but I couldn't give them what they needed most&mdash;a heartbeat."</p>
<p><b>Sentence</b> Resigned.</p>
<p><b>Afterlife</b> Smith continues to write poetry, publishing several books.</p>
<p><b>Hollywood Ending</b> None.</p>
<p><big><b>The Accused</b> Elizabeth Wurtzel</big></p>
<p><b>Crime Against Journalism</b> Plagiarism</p>
<p><b>Rap Sheet</b> In 1988, Wurtzel was accused of lifting passages from another writer's work in her work in <i>The Dallas Morning News</i>. (See: <a href="http://www.salon.com/weekly/plagiarism960722.html"><b>Beg, Borrow, Or...</b></a>, by Dwight Garner, <i>Salon</i>, July 22, 1996.)</p>
<p><b>Plea</b> None.</p>
<p><b>Sentence</b> Fired from <i>The Dallas Morning News</i>.</p>
<p><b>Afterlife</b> After her firing, Wurtzel managed to become the music critic for <i>New York</i>, <i>The New Yorker</i>, and publish the memoir <i>Prozac Nation</i> in 1997. (That book also faced accusations of fabrications). In 2004, Wurtzel was accepted by Yale Law School.</p>
<p><b>Hollywood Ending</b> The film version of Wurtzel's <i>Prozac Nation</i> was made in 2001 but didn't appear in the U.S. until 2005 when it went direct to cable.</p>
]]></description>
		<content:encoded><![CDATA[<p>Last week, <em>Village Voice</em> senior associate editor Nick Sylvester became the latest poster boy for journalistic malfeasance when it was revealed that he had fabricated part of a cover story for <i>The Voice</i>. The paper acted swiftly, suspending Sylvester, printing a <a href="http://villagevoice.com/news/0610,news,72372,2.html">letter of apology</a>, and removing the offending story from its website. (A widely linked cached version of the story seems to no longer be available.)  <i>Voice</i> managing editor Doug Simmons has <a href="http://www.thenation.com/blogs/notion?bid=15">professed</a> his affection for Sylvester and his willingness to cut the writer some slack since "The thought of firing him is a painful one for me." (Full disclosure: I worked at the <i>Voice</i> before Sylvester arrived and was fired by Simmons.)</p>
<p>Has Sylvester ruined his career? What follows is a survey of other writers who couldn't resist going for a little something extra. Some of them fabricated, some plagiarized, some composited where they had no business doing so. Nick Sylvester's future is far from written (early retirement? a novel? a career in Hollywood? law school?), but if these writers are any guide, he'll probably be just fine. He's young, white, and Ivy League-educated, so he probably won't wind up selling shoes in Michigan like Janet Cooke. &mdash;<i>Matt Haber</i></p>
<p><b>Update: </b> <i>The Black Table</i> got there a few scandals ago. It can be found <a href="http://www.blacktable.com/gillin030520.htm">here</a>.</p>
<p><big><b>The Accused</b> Mike Barnicle</big></p>
<p><b>Crime Against Journalism</b> Fabrication; plagiarism</p>
<p><b>Rap Sheet</b> Barnicle, a columnist for <i>The Boston Globe</i>, faced accusations of plagiarism and fabrication for years before a 1995 story about two kids dying of cancer was determined to be a fraud. (See: <a href="http://www.salon.com/media/1998/08/20media.html"><b>Repeat Offender</b></a>, by Tom Mashberg, <i>Salon</i>, August 20, 1998.) Dan Kennedy of <i>The Boston Phoenix</i> unearthed <a href="http://www.bostonphoenix.com/archive/features/98/08/20/BARNICLE_VS_LIEBLING.html">similarities</a> between Barnicle's writing and A.J. Liebling's from 1986. He was also accused of borrowing <a href="http://www.boston-online.com/barnicle/">observations</a> from comedian George Carlin.</p>
<p><b>Plea</b> Sloppiness; Laziness.</p>
<p><b>Sentence</b> Resignation from <i>The Boston Globe</i> in 1998.</p>
<p><b>Afterlife</b> After a brief period, Barnicle returned to writing, first for <i>The New York Daily News</i> and then for <i>The Boston Herald</i>.</p>
<p><b>Hollywood Ending</b> None.</p>
<p><big><b>The Accused</b> Jayson Blair</big></p>
<p><b>Crime Against Journalism</b> Fabrication; Plagiarism</p>
<p><b>Rap Sheet</b> Starting in April 2003, several stories written by Blair, a <i>New York Times</i> reporter, were called into question after a reporter for <i>The San Antonio Express-News</i> noticed similarities between a piece by Blair and one of her own. After a <i>Times</i> investigation, it was revealed that Blair had fabricated details and quotes in several stories. (See: <i>Hard News: The Scandals at</i> The New York Times<i> and Their Meaning for America</i>, by Seth Mnookin.)</p>
<p><b>Plea</b> Mental health problems; exhaustion; bad diet.</p>
<p><b>Sentence</b> Fired.</p>
<p><b>Afterlife</b> Blair went on to write <i>Buring Down My Masters' House</i> and currently runs <a href="http://www.jayson-blair.com/about.htm">Azure Entertainment Corporation</a>.</p>
<p><b>Hollywood Ending</b> In 2003, Mnookin's <i>Newsweek</i> stories about Blair were optioned by Showtime for "a black comedy" to be written and produced by Jon Maas.</p>
<p><big><b>The Accused</b> Nik Cohn</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> In 1976, Cohn wrote "The Tribal Rites of the New Saturday Night" for <i>New York</i> magazine, a story about outer-borough discos and a working class young man who frequents them. In 1997, Cohn admitted he'd invented much of the story.</p>
<p><b>Plea</b> As a Brit living in America, Cohn claimed he couldn't find his story in Bay Ridge, Brooklyn, "So I faked it. I conjured up the story of the figure in the doorway, and named him Vincent... I wrote it all up. And presented it as fact." (See: <a href="http://www.eonline.com/News/Items/Pf/0,1527,2190,00.html"><b>Writer Admits Faking "Saturday Night Fever" Story</b></a>, by Marcus Errico, E! Online)</p>
<p><b>Sentence</b> None.</p>
<p><b>Afterlife</b> Cohn was caught up in a drug sting in 1983, but continued to write. His most recent book, <i>Triksta: Life and Death and New Orleans Rap</i>, came out in 2005.</p>
<p><b>Hollywood Ending</b> "The Tribal Rites of the New Saturday Night" was turned into the film <i>Saturday Night Fever</i> in 1977 and went on to <a href="http://boxofficemojo.com/movies/?id=saturdaynightfever.htm">gross</a>  $237,113,184 worldwide.</p>
<p><big><b>The Accused</b> Janet Cooke</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Cooke won a Pulitzer Prize in 1981 for "Jimmy's World," a <i>Washington Post</i> article about an 8-year-old junkie. The article caused a sensation despite the fact that Jimmy did not exist. (See: <b>Janet's World</b>, by Mike Sager, <i>GQ</i>, June 1996.)</p>
<p><b>Plea</b> Pressure</p>
<p><b>Sentence</b> Cooke resigned; <i>The Post</i> returned the Pulitzer.</p>
<p><b>Afterlife</b> Cooke left journalism and became a saleswoman in Michigan.</p>
<p><b>Hollywood Ending</b> Sager sold the film rights for his article to Columbia Tri-Star for $1.6 million.</p>
<p><big><b>The Accused</b> Michael Finkel</big></p>
<p><b>Crime Against Journalism</b> Compositing</p>
<p><b>Rap Sheet</b> Finkel, a writer for <i>The New York Times Magazine</i>, created a composite character in his November 18, 2002 story "Is Yousouf Mal&eacute; A Slave?" Some also questioned the veracity of other stories he'd written for the magazine. (See: <a href="http://www.newyorkmetro.com/nymetro/news/media/features/5740/"><b>The Great Pretender</b></a>, by Robert Kolker, <i>New York</i>, March 4, 2002.)</p>
<p><b>Plea</b> Overreaching; Literary ambition.</p>
<p><b>Sentence</b> Fired. <i>The Times</i> was forced to run an extensive correction.</p>
<p><b>Afterlife</b> Finkel went on to write <i>True Story: Murder, Memoir, Mea Culpa</i>, an autobiographical story of his career and a murderer who borrowed his identity. The book was excerpted in <i>Vanity Fair</i> in June 2005.</p>
<p><b>Hollywood Ending</b> Plan B, Brad Pitt's production company, optioned <i>True Story</i> in 2005.</p>
<p><big><b>The Accused</b> Stephen Glass</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Starting in 1996, Glass fabricated numerous subjects, situations, and details in pieces he wrote for <i>The New Republic</i> (where he was an associate editor), <i>Harper's</i>, <i>Rolling Stone</i>, <i>George</i>, and <i>Policy Review</i>. When a <i>TNR</i> story he wrote called "Hack Heaven" was called into question by an editor at <i>Forbes Digital Tool</i>, Glass went so far as to create a fake website for a company he made up and had his brother leave voice mails for his editor as one of his subjects. (See <b>Shattered Glass</b>, by Buzz Bissinger, <i>Vanity Fair</i>, September 1998.)</p>
<p><b>Plea</b> Youth. Desire to be liked.</p>
<p><b>Sentence</b> Two year suspension from <i>TNR</i> that became a de-facto firing by then editor Charles Lane.</p>
<p><b>Afterlife</b> Went to law school, wrote a novel based on his experience called <i>The Fabulist</i> in 2003.</p>
<p><b>Hollywood Ending</b> Hayden Christensen starred in <i>Shattered Glass</i> in 2003.</p>
<p><big><b>The Accused</b> Rodney Rothman</big></p>
<p><b>Crime Against Journalism</b> Fabrication.</p>
<p><b>Rap Sheet</b> In the November 27, 2000 issue of <i>The New Yorker</i>, Rothman, a former head writer for <i>Late Show with David Letterman</i>, fudged details of his experience infiltrating a dotcom in "My Fake Job." Rothman neglected to mention in the article that the company he walked into and pretended to work for employed his mother and invented details. (See: <a href="http://archives.cnn.com/2000/US/12/05/newyorker.apology.ap/"><b>Magazine apologizes for article with made-up details</b></a>, AP, December 5, 2000.)</p>
<p><b>Plea</b> The article was intended as a humor piece. </p>
<p><b>Sentence</b> <i>The New Yorker</i> was forced to issue an apology.</p>
<p><b>Afterlife</b> "My Fake Job" was included in <i>The Best American Nonrequired Reading 2002</i> (edited by Dave Eggers). Rothman went on to produce <i>Undeclared</i> and the short-lived sitcom <i>Committed</i>. He also wrote the well-received memoir <i>Early Bird</i> in 2005.</p>
<p><b>Hollywood Ending</b> UTA shopped "My Fake Job" to studios in 2000.</p>
<p><big><b>The Accused</b> Ruth Shalit</big></p>
<p><b>Crime Against Journalism</b> Plagiarism </p>
<p><b>Rap Sheet</b> Shalit, also an associate editor at <i>The New Republic</i>, used several passages of other writers' works in articles about the Justice Department.  (See: <a href="http://archives.cjr.org/year/95/4/plagiarize.asp"><b>Plagiarize, Plagiarize, Plagiarize... Only Be Sure to Call It Research</b></a>, by Trudy Lieberman, <i>CJR</i>, July/August 1995.) <i>The Washington Post</i> also accused her of playing fast and loose with facts in a story she wrote about the paper's affirmative action policies. She also may have borrowed another writer's phrasing for a <i>New York Times Magazine</i> profile of Bob Dole in 1995. (See: <b><a href="http://www.motherjones.com/news/outfront/1996/01/outfront_dole.html">Repeat Offender</a></b>, <i>Mother Jones</i>, January/February 1996.)</p>
<p><b>Plea</b> Computer malfunction, mixing up her "research" with her own writing.</p>
<p><b>Sentence</b> Fired by <i>TNR</i>.</p>
<p><b>Afterlife</b> Shalit left journalism to work in advertising for a time but returned, writing occasionally for <a href="http://dir.salon.com/topics/ruth_shalit/index.html"><i>Salon</i></a>, <i>Details</i>, and <i>Elle</i>, where according to her <a href="http://www.nytimes.com/2004/09/05/fashion/weddings/05SHAL.html?ex=1141707600&amp;en=2b790b4a2448f329&amp;ei=5070">wedding announcement</a> in <i>The New York Times</i>, she is a contributing writer.</p>
<p><b>Hollywood Ending</b> None, but according to <a href="http://www.laobserved.com/archive/002366.html">LA Observed</a>, she is married to Robertson Barrett, a producer for a company called Reality Pictures in Los Angeles.</p>
<p><big><b>The Accused</b> Patricia Smith</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Smith, a columnist for <i>The Boston Globe</i>, invented quotes and subjects in four columns in 1998. (See: <a href="http://www.cnn.com/US/9806/19/globe.columnist.resigns/"><b>Boston Globe columnist resigns, accused of fabrications</b></a>, CNN, June 19, 1998.)</p>
<p><b>Plea</b> Inability to create humans from whole cloth: "I attributed quotes to people who didn't exist," Smith wrote in her final column. "I could give them names, even occupations, but I couldn't give them what they needed most&mdash;a heartbeat."</p>
<p><b>Sentence</b> Resigned.</p>
<p><b>Afterlife</b> Smith continues to write poetry, publishing several books.</p>
<p><b>Hollywood Ending</b> None.</p>
<p><big><b>The Accused</b> Elizabeth Wurtzel</big></p>
<p><b>Crime Against Journalism</b> Plagiarism</p>
<p><b>Rap Sheet</b> In 1988, Wurtzel was accused of lifting passages from another writer's work in her work in <i>The Dallas Morning News</i>. (See: <a href="http://www.salon.com/weekly/plagiarism960722.html"><b>Beg, Borrow, Or...</b></a>, by Dwight Garner, <i>Salon</i>, July 22, 1996.)</p>
<p><b>Plea</b> None.</p>
<p><b>Sentence</b> Fired from <i>The Dallas Morning News</i>.</p>
<p><b>Afterlife</b> After her firing, Wurtzel managed to become the music critic for <i>New York</i>, <i>The New Yorker</i>, and publish the memoir <i>Prozac Nation</i> in 1997. (That book also faced accusations of fabrications). In 2004, Wurtzel was accepted by Yale Law School.</p>
<p><b>Hollywood Ending</b> The film version of Wurtzel's <i>Prozac Nation</i> was made in 2001 but didn't appear in the U.S. until 2005 when it went direct to cable.</p>
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