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	<title>Observer &#187; Kiki and Herb Massacre Music</title>
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		<title>Observer &#187; Kiki and Herb Massacre Music</title>
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		<title>Kiki and Herb Massacre Music</title>

		<comments>http://observer.com/2007/05/kiki-and-herb-massacre-music/#comments</comments>
		<pubDate>Tue, 15 May 2007 19:30:52 -0400</pubDate>
					<link>http://observer.com/2007/05/kiki-and-herb-massacre-music/</link>
			<dc:creator>Tom McGeveran</dc:creator>
				
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		<description><![CDATA[<p><span style="letter-spacing: 0.15pt">Kiki and Herb, the downtown cabaret duo that has been massacring old standards and current pop tunes with equal rigor for about a decade, are not a drag show, though of the two male performers, one inhabits a female character.</span>
<p style="text-align: justify" class="NewYorkeratortext"><span style="letter-spacing: -0.35pt">Herb (Kenny Mellman) bangs at the piano in stagey, gray-dyed hair and wrinkles that look like they were drawn on with a Sharpie; Kiki (Justin Bond) sits on a stool before a microphone, looking like something that Oscar de la Renta and the hairdresser Kenneth might have devised together on a peyote trip.</span></p>
<p style="text-align: justify" class="NewYorkeratortext">It’s a send-up of the whole cabaret-banter ethos, and its ultimately repressive language of vapid concern, that we all secretly accrue as the hapless victims of the 24-hour news cycle.</p>
<p style="text-align: justify" class="NewYorkeratortext"><span style="letter-spacing: -0.25pt">I think I first fell in love with Kiki and Herb shortly after the shootings at Columbine  High School in 1999. Kiki’s reflections on the event—delivered in the stylized-casual patter that has sold so many albums for Barbra and her ilk—led her into a long and hyperventilating rendition of “I Don’t Like Mondays,” which seemed, in the context, to cast the Trenchcoat Mafia as its protagonists.</span></p>
<p style="text-align: justify" class="NewYorkeratortext"><span style="letter-spacing: -0.1pt">She’d gotten it wrong, as she always does. But her implicit question was a real one—it would become the dominant one, once the grief had passed—and somehow, in Kiki’s withered hands, it was also hysterically funny.</span></p>
<p style="text-align: justify" class="NewYorkeratortext">I don’t know—and, in fact, nobody but she and Herb <em>do</em> know—whether this routine will be a part of the duo’s Thursday-night performance at the Knitting Factory, which will be recorded for a live Kiki and Herb DVD.</p>
<p style="text-align: justify" class="NewYorkeratortext">But their shows are getting rarer, and as Kiki likes to say, “<em>Everybody dies.</em>” So go see them now.</p>
<p class="MsoNormal"><em>The Knitting Factory is at 74 Leonard Street. More info at www.knittingfactory.com.</em></p>
]]></description>
		<content:encoded><![CDATA[<p><span style="letter-spacing: 0.15pt">Kiki and Herb, the downtown cabaret duo that has been massacring old standards and current pop tunes with equal rigor for about a decade, are not a drag show, though of the two male performers, one inhabits a female character.</span>
<p style="text-align: justify" class="NewYorkeratortext"><span style="letter-spacing: -0.35pt">Herb (Kenny Mellman) bangs at the piano in stagey, gray-dyed hair and wrinkles that look like they were drawn on with a Sharpie; Kiki (Justin Bond) sits on a stool before a microphone, looking like something that Oscar de la Renta and the hairdresser Kenneth might have devised together on a peyote trip.</span></p>
<p style="text-align: justify" class="NewYorkeratortext">It’s a send-up of the whole cabaret-banter ethos, and its ultimately repressive language of vapid concern, that we all secretly accrue as the hapless victims of the 24-hour news cycle.</p>
<p style="text-align: justify" class="NewYorkeratortext"><span style="letter-spacing: -0.25pt">I think I first fell in love with Kiki and Herb shortly after the shootings at Columbine  High School in 1999. Kiki’s reflections on the event—delivered in the stylized-casual patter that has sold so many albums for Barbra and her ilk—led her into a long and hyperventilating rendition of “I Don’t Like Mondays,” which seemed, in the context, to cast the Trenchcoat Mafia as its protagonists.</span></p>
<p style="text-align: justify" class="NewYorkeratortext"><span style="letter-spacing: -0.1pt">She’d gotten it wrong, as she always does. But her implicit question was a real one—it would become the dominant one, once the grief had passed—and somehow, in Kiki’s withered hands, it was also hysterically funny.</span></p>
<p style="text-align: justify" class="NewYorkeratortext">I don’t know—and, in fact, nobody but she and Herb <em>do</em> know—whether this routine will be a part of the duo’s Thursday-night performance at the Knitting Factory, which will be recorded for a live Kiki and Herb DVD.</p>
<p style="text-align: justify" class="NewYorkeratortext">But their shows are getting rarer, and as Kiki likes to say, “<em>Everybody dies.</em>” So go see them now.</p>
<p class="MsoNormal"><em>The Knitting Factory is at 74 Leonard Street. More info at www.knittingfactory.com.</em></p>
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