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	<title>Observer &#187; Local Yoko! John Lennon’s Widow Gives Upper East Side A Chance</title>
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		<title>Observer &#187; Local Yoko! John Lennon’s Widow Gives Upper East Side A Chance</title>
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		<title>Local Yoko! John Lennon’s Widow Gives Upper East Side A Chance</title>

		<comments>http://observer.com/2007/06/local-yoko-john-lennons-widow-gives-upper-east-side-a-chance/#comments</comments>
		<pubDate>Wed, 20 Jun 2007 00:27:32 -0400</pubDate>
					<link>http://observer.com/2007/06/local-yoko-john-lennons-widow-gives-upper-east-side-a-chance/</link>
			<dc:creator>David Foxley</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/transom-yokoono1v.jpg" />On Monday, June 18, The Transom curled <span style="letter-spacing: 0.1pt">up with artist and activist </span><strong><span style="letter-spacing: -0.15pt;font-family: 'Exchange Text Bold'">Yoko Ono</span></strong><span style="letter-spacing: 0.1pt"> on a loveseat in her dressing room at the 92nd Street </span>Y, where she had just finished a question-and-answer session with <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Anthony DeCurtis</span></strong>, music critic and <em>Rolling Stone</em> contributing editor, before a nearly sold-out auditorium.
<p class="text">Ms. Ono, a spry 74, was discussing—rather optimistically—the current state of<span>  </span>politics. “One side of what’s happening to America is really sad,” she said. “But actually there are many, many people standing up now to really say that we want world peace …. The opposition is voicing—very loudly—and I think that we should be proud of that.”</p>
<p class="text">Wearing a tilted fedora and bejeweled tinted glasses that hovered near the tip of<span>  </span>her nose, Ms. Ono was bathed in a saffron fog from a wall full of vanity lights—better than Botox, if you ask us. “I think that our globe is definitely going to survive and we’re going to make it survive,” she said, pausing to take a few slow breaths. “I really believe in the survival instinct of the human race, and I’m sure that we’re going to—in the last moment, in the last minute—we’re going to stand up and do it!” You go, sister girlfriend!</p>
<p class="text">Ms. Ono’s most recent work was called <em>IMAGINE PEACE</em>—a <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Christo</span></strong>-like multimedia extravaganza that involved distributing posters around Washington, D.C., and planting 10 “wish trees”—cherry trees on whose branches passers-by are encouraged to tie pieces of paper inscribed with their innermost yearnings. Next up: <em>Imagine Peace Tower</em> in Iceland, featuring a column that will stand some 80 feet tall, engraved with the lyrics of her late husband <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">John Lennon</span></strong>’s famous song, “Imagine.”</p>
<p class="text">She also recently collaborated with contemporary artists—the <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Flaming Lips</span></strong>, <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Felix Da Housecat</span></strong>, <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">D.J. Spooky</span></strong> and the <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Polyphonic Spree</span></strong>, among others—on the albums <em>Yes I’m a Witch</em> and <em>Open Your Box</em>, which contain remixes of her old songs. “These are, as you know, the stars of the indie music, so I’m really honored that they wanted to do it,” Ms. Ono said, adding with a sheepish shrug: “Making art, making music—for me it’s almost like life itself. It’s like breathing, so I just have to keep on doing.”</p>
<p class="text">Although there is no imminent project with her son, musician <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Sean Ono Lennon</span></strong>, 31. “We’re just kind of moving parallel to each other at this point,” she whispered.</p>
<p class="text">&nbsp;</p>
<p class="text">&nbsp;</p>
<p class="text">&nbsp;</p>
<p class="text">&nbsp;</p>
<p class="text">&nbsp;</p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/transom-yokoono1v.jpg" />On Monday, June 18, The Transom curled <span style="letter-spacing: 0.1pt">up with artist and activist </span><strong><span style="letter-spacing: -0.15pt;font-family: 'Exchange Text Bold'">Yoko Ono</span></strong><span style="letter-spacing: 0.1pt"> on a loveseat in her dressing room at the 92nd Street </span>Y, where she had just finished a question-and-answer session with <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Anthony DeCurtis</span></strong>, music critic and <em>Rolling Stone</em> contributing editor, before a nearly sold-out auditorium.
<p class="text">Ms. Ono, a spry 74, was discussing—rather optimistically—the current state of<span>  </span>politics. “One side of what’s happening to America is really sad,” she said. “But actually there are many, many people standing up now to really say that we want world peace …. The opposition is voicing—very loudly—and I think that we should be proud of that.”</p>
<p class="text">Wearing a tilted fedora and bejeweled tinted glasses that hovered near the tip of<span>  </span>her nose, Ms. Ono was bathed in a saffron fog from a wall full of vanity lights—better than Botox, if you ask us. “I think that our globe is definitely going to survive and we’re going to make it survive,” she said, pausing to take a few slow breaths. “I really believe in the survival instinct of the human race, and I’m sure that we’re going to—in the last moment, in the last minute—we’re going to stand up and do it!” You go, sister girlfriend!</p>
<p class="text">Ms. Ono’s most recent work was called <em>IMAGINE PEACE</em>—a <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Christo</span></strong>-like multimedia extravaganza that involved distributing posters around Washington, D.C., and planting 10 “wish trees”—cherry trees on whose branches passers-by are encouraged to tie pieces of paper inscribed with their innermost yearnings. Next up: <em>Imagine Peace Tower</em> in Iceland, featuring a column that will stand some 80 feet tall, engraved with the lyrics of her late husband <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">John Lennon</span></strong>’s famous song, “Imagine.”</p>
<p class="text">She also recently collaborated with contemporary artists—the <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Flaming Lips</span></strong>, <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Felix Da Housecat</span></strong>, <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">D.J. Spooky</span></strong> and the <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Polyphonic Spree</span></strong>, among others—on the albums <em>Yes I’m a Witch</em> and <em>Open Your Box</em>, which contain remixes of her old songs. “These are, as you know, the stars of the indie music, so I’m really honored that they wanted to do it,” Ms. Ono said, adding with a sheepish shrug: “Making art, making music—for me it’s almost like life itself. It’s like breathing, so I just have to keep on doing.”</p>
<p class="text">Although there is no imminent project with her son, musician <strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Sean Ono Lennon</span></strong>, 31. “We’re just kind of moving parallel to each other at this point,” she whispered.</p>
<p class="text">&nbsp;</p>
<p class="text">&nbsp;</p>
<p class="text">&nbsp;</p>
<p class="text">&nbsp;</p>
<p class="text">&nbsp;</p>
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