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	<title>Observer &#187; No Regrets</title>
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		<title>Observer &#187; No Regrets</title>
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		<title>No Regrets</title>

		<comments>http://observer.com/2007/06/no-regrets/#comments</comments>
		<pubDate>Fri, 08 Jun 2007 12:55:57 -0400</pubDate>
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<h2 class="subhead"><a href="/2007/little-sparrow-soars-j-aime-beaucoup-new-edith-piaf-film">The Little Sparrow Soars! J’Aime Beaucoup New Edith Piaf Film</a></h2>
<p>BY REX REED
<p>Imitation isn’t always the sincerest form of flattery. This is why Marion Cotillard’s sensational performance as Edith Piaf in the awesome new film <em>La Vie en Rose </em>is so unforgettable. Like Stephen Fry’s Oscar Wilde in <em>Wilde</em> and Toby Jones’ memorable Truman Capote in <em>Infamous</em> (light years ahead of Philip Seymour Hoffman), Ms. Cotillard doesn’t try to imitate Piaf, the greatest French chanteuse of all time. She channels Piaf. “The little sparrow” comes to life before the camera in this long, exhilarating and dazzling movie masterpiece, while Ms. Cotillard delivers one of the most inspired and breathtaking performances in film history. <em>La Vie en Rose</em> left me devastated. <a href="/2007/little-sparrow-soars-j-aime-beaucoup-new-edith-piaf-film">READ MORE ...</a></p>
<h2 class="subhead"><a href="/2007/no-regrets-piaf-picture-may-not-be-great-full-feeling">Piaf Picture May Not Be Great, But Full of Feeling</a></h2>
<p>BY ANDREW SARRIS
<p> Olivier Dahan’s <em>La Vie En Rose</em>, from a screenplay by Mr. Dahan and Isabelle Sobelman (in French with English subtitles), moved me as no other musical biopic has ever moved me—which is not to say that this overlong French production is a good, much less great, movie (soap opera, some might say). <a href="/2007/no-regrets-piaf-picture-may-not-be-great-full-feeling">READ MORE ...</a></p>
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<h2 class="subhead"><a href="/2007/little-sparrow-soars-j-aime-beaucoup-new-edith-piaf-film">The Little Sparrow Soars! J’Aime Beaucoup New Edith Piaf Film</a></h2>
<p>BY REX REED
<p>Imitation isn’t always the sincerest form of flattery. This is why Marion Cotillard’s sensational performance as Edith Piaf in the awesome new film <em>La Vie en Rose </em>is so unforgettable. Like Stephen Fry’s Oscar Wilde in <em>Wilde</em> and Toby Jones’ memorable Truman Capote in <em>Infamous</em> (light years ahead of Philip Seymour Hoffman), Ms. Cotillard doesn’t try to imitate Piaf, the greatest French chanteuse of all time. She channels Piaf. “The little sparrow” comes to life before the camera in this long, exhilarating and dazzling movie masterpiece, while Ms. Cotillard delivers one of the most inspired and breathtaking performances in film history. <em>La Vie en Rose</em> left me devastated. <a href="/2007/little-sparrow-soars-j-aime-beaucoup-new-edith-piaf-film">READ MORE ...</a></p>
<h2 class="subhead"><a href="/2007/no-regrets-piaf-picture-may-not-be-great-full-feeling">Piaf Picture May Not Be Great, But Full of Feeling</a></h2>
<p>BY ANDREW SARRIS
<p> Olivier Dahan’s <em>La Vie En Rose</em>, from a screenplay by Mr. Dahan and Isabelle Sobelman (in French with English subtitles), moved me as no other musical biopic has ever moved me—which is not to say that this overlong French production is a good, much less great, movie (soap opera, some might say). <a href="/2007/no-regrets-piaf-picture-may-not-be-great-full-feeling">READ MORE ...</a></p>
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