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	<title>Observer &#187; No Pay to Play</title>
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		<title>Observer &#187; No Pay to Play</title>
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		<title>No Pay to Play</title>

		<comments>http://observer.com/2007/08/no-pay-to-iplayi/#comments</comments>
		<pubDate>Thu, 16 Aug 2007 17:08:59 -0400</pubDate>
					<link>http://observer.com/2007/08/no-pay-to-iplayi/</link>
			<dc:creator>Felix Gillette</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/play.jpg?w=300&h=194" />Back in April, the <em>New York Times&#039; </em>glossy sports magazine <em>Play</em>, which appears as a Sunday insert four times a year, rolled out a weekly e-mail newsletter.</p>
<p>The newsletter, which is delivered to the readers’ inboxes for free, includes a weekly batch of brief, original items.</p>
<p>At the time, we noted that <em>Play </em>would be paying its contributors significantly less for e-mail pieces than for those appearing in the magazine. Would that make it difficult to recruit writers? </p>
<p><em>Play </em>managing editor Bill Brink told us that in order to attract e-mail contributors, he was considering reaching out to untapped sports fans writing for non-sporty sections of the <em>Times</em>. </p>
<p>Over the summer, Mr. Brink has apparently been testing out an additional strategy. </p>
<p>In mid June, he sent an e-mail to potential contributors, explaining that in lieu of an actual paycheck, he could offer writers a slightly less tangible form of remuneration: an author bio, mentioning any books they’ve written and the address of their personal web sites. </p>
<p>Apparently, not everyone is psyched by the offer. </p>
<p>One <em>Play </em>freelancer who has seen the email wrote to us today.</p>
<p>&quot;I wonder whether Brink&#039;s superiors know that he&#039;s actually asked writers to work for FREE…,” wrote the freelancer. “And promising to plug a writer&#039;s other work as a quid pro quo is unethical, in my opinion. At the very least, it puts the editor in a compromised position, and as an editorial practice, it makes the Times look like podunk.com.&quot;</p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/play.jpg?w=300&h=194" />Back in April, the <em>New York Times&#039; </em>glossy sports magazine <em>Play</em>, which appears as a Sunday insert four times a year, rolled out a weekly e-mail newsletter.</p>
<p>The newsletter, which is delivered to the readers’ inboxes for free, includes a weekly batch of brief, original items.</p>
<p>At the time, we noted that <em>Play </em>would be paying its contributors significantly less for e-mail pieces than for those appearing in the magazine. Would that make it difficult to recruit writers? </p>
<p><em>Play </em>managing editor Bill Brink told us that in order to attract e-mail contributors, he was considering reaching out to untapped sports fans writing for non-sporty sections of the <em>Times</em>. </p>
<p>Over the summer, Mr. Brink has apparently been testing out an additional strategy. </p>
<p>In mid June, he sent an e-mail to potential contributors, explaining that in lieu of an actual paycheck, he could offer writers a slightly less tangible form of remuneration: an author bio, mentioning any books they’ve written and the address of their personal web sites. </p>
<p>Apparently, not everyone is psyched by the offer. </p>
<p>One <em>Play </em>freelancer who has seen the email wrote to us today.</p>
<p>&quot;I wonder whether Brink&#039;s superiors know that he&#039;s actually asked writers to work for FREE…,” wrote the freelancer. “And promising to plug a writer&#039;s other work as a quid pro quo is unethical, in my opinion. At the very least, it puts the editor in a compromised position, and as an editorial practice, it makes the Times look like podunk.com.&quot;</p>
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