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	<title>Observer &#187; Early DVD Campaigns Can Lead to Award-Show Upsets</title>
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		<title>Observer &#187; Early DVD Campaigns Can Lead to Award-Show Upsets</title>
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		<title>Early DVD Campaigns Can Lead to Award-Show Upsets</title>

		<comments>http://observer.com/2007/12/early-dvd-campaigns-can-lead-to-awardshow-upsets/#comments</comments>
		<pubDate>Fri, 21 Dec 2007 14:58:30 -0400</pubDate>
					<link>http://observer.com/2007/12/early-dvd-campaigns-can-lead-to-awardshow-upsets/</link>
			<dc:creator>Gillian Reagan</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/crashoscars.jpg?w=300&h=150" />In 2005, the early release Crash pulled off its big win in the Screen Actors Guild ensemble race — which foreshadowed its big upset on Oscar night—after ambushing Hollywood with non-watermarked DVDs. <a href="http://goldderby.latimes.com/awards_goldderby/2007/12/sag-shockeroos.html">According to Tom O'Neil at the <em>Los Angeles Times</em>' Gold Derby blog</a>, yesterday's SAG Awards nominees prove two points: &quot;how key it is to get your movie out early in theaters and then to campaign to voters with DVDs and Q&amp;A screenings.&quot; </p>
<div class="oldbq">
<p>Films like &quot;Into the Wild&quot; and even &quot;3:10 to Yuma&quot; that got screeners into the hands of voters early—after having an early theatrical release—rallied after mostly being snubbed at earlier kudos. Filmmaker Sean Penn is a four-time nominee, whose &quot;Into the Wild&quot; led the SAG derby today with three acting nods and an ensemble nomination. No small surprise that actors so enthusiastically backed a movie director and co-written by an actor.</p>
<p>Early release &quot;Hairspray,&quot; which also blitzed Hollywood with DVDs, got an ensemble bid after faring well at the Golden Globes. (But, hey, where's <strong>John Travolta</strong>?) <strong>George Clooney </strong>didn't do a SAG Q&amp;A screening till late, but &quot;Michael Clayton&quot; rolled out to theaters early and so did its campaign DVDs, resulting in recognition for the performances of Clooney, <strong>Tom Wilkinson</strong> and <strong>Tilda Swinton</strong>.</p>
<p>Late-breaking films that didn't get screeners out like &quot;There Will Be Blood&quot; (SAG fave <strong>Daniel Day-Lewis</strong> made the cut, yes, but no nom for supporting star <strong>Paul Dano</strong>) and &quot;The Great Debaters&quot; didn't fare well either. </p>
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		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/crashoscars.jpg?w=300&h=150" />In 2005, the early release Crash pulled off its big win in the Screen Actors Guild ensemble race — which foreshadowed its big upset on Oscar night—after ambushing Hollywood with non-watermarked DVDs. <a href="http://goldderby.latimes.com/awards_goldderby/2007/12/sag-shockeroos.html">According to Tom O'Neil at the <em>Los Angeles Times</em>' Gold Derby blog</a>, yesterday's SAG Awards nominees prove two points: &quot;how key it is to get your movie out early in theaters and then to campaign to voters with DVDs and Q&amp;A screenings.&quot; </p>
<div class="oldbq">
<p>Films like &quot;Into the Wild&quot; and even &quot;3:10 to Yuma&quot; that got screeners into the hands of voters early—after having an early theatrical release—rallied after mostly being snubbed at earlier kudos. Filmmaker Sean Penn is a four-time nominee, whose &quot;Into the Wild&quot; led the SAG derby today with three acting nods and an ensemble nomination. No small surprise that actors so enthusiastically backed a movie director and co-written by an actor.</p>
<p>Early release &quot;Hairspray,&quot; which also blitzed Hollywood with DVDs, got an ensemble bid after faring well at the Golden Globes. (But, hey, where's <strong>John Travolta</strong>?) <strong>George Clooney </strong>didn't do a SAG Q&amp;A screening till late, but &quot;Michael Clayton&quot; rolled out to theaters early and so did its campaign DVDs, resulting in recognition for the performances of Clooney, <strong>Tom Wilkinson</strong> and <strong>Tilda Swinton</strong>.</p>
<p>Late-breaking films that didn't get screeners out like &quot;There Will Be Blood&quot; (SAG fave <strong>Daniel Day-Lewis</strong> made the cut, yes, but no nom for supporting star <strong>Paul Dano</strong>) and &quot;The Great Debaters&quot; didn't fare well either. </p>
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