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	<title>Observer &#187; W.G.A. Writers Facing &#8216;Faceless&#8217; Enemy?</title>
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		<title>Observer &#187; W.G.A. Writers Facing &#8216;Faceless&#8217; Enemy?</title>
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		<title>W.G.A. Writers Facing &#8216;Faceless&#8217; Enemy?</title>

		<comments>http://observer.com/2007/12/wga-writers-facing-faceless-enemy/#comments</comments>
		<pubDate>Wed, 26 Dec 2007 16:25:00 -0400</pubDate>
					<link>http://observer.com/2007/12/wga-writers-facing-faceless-enemy/</link>
			<dc:creator>Gillian Reagan</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/122607_wasserman_web.jpg?w=300&h=158" />In past writers' strikes, there were clear villians. It was a studio head: Walt Disney or <a href="http://en.wikipedia.org/wiki/Lew_Wasserman">Lew Wasserman</a> (of MCA). But today, the writers strike itself (and follow-up clashes) are being fueled not by studios making movies or TV shows, but by the money and power of the corporate &quot;congloms&quot; (The Walt Disney Co., News Corp., Time Warner Inc. and Viacom Inc.) and by their potential stranglehold over future technologies, <a href="http://www.variety.com/article/VR1117978127.html?categoryid=2821&amp;cs=1&amp;nid=2631">according to <em>Variety</em></a>. </p>
<div class="oldbq">
<p>All this carries a degree of culture shock for the town's older writers and artisans. They can remember when Hollywood was a town built around its Dream Factories. Film was its economic base and, despite ties to New York bankers, its management base was in Hollywood.</p>
<p>Today, as the events of '07 remind us, Hollywood is a mere plaything of the international congloms, and Hollywood product represents a relatively minor sector of the product line. Today's managers are a far cry from the Louis B. Mayers or Lew Wassermans of old. Indeed, to a growing degree, they don't even want to be part of the scene.</p>
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		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/122607_wasserman_web.jpg?w=300&h=158" />In past writers' strikes, there were clear villians. It was a studio head: Walt Disney or <a href="http://en.wikipedia.org/wiki/Lew_Wasserman">Lew Wasserman</a> (of MCA). But today, the writers strike itself (and follow-up clashes) are being fueled not by studios making movies or TV shows, but by the money and power of the corporate &quot;congloms&quot; (The Walt Disney Co., News Corp., Time Warner Inc. and Viacom Inc.) and by their potential stranglehold over future technologies, <a href="http://www.variety.com/article/VR1117978127.html?categoryid=2821&amp;cs=1&amp;nid=2631">according to <em>Variety</em></a>. </p>
<div class="oldbq">
<p>All this carries a degree of culture shock for the town's older writers and artisans. They can remember when Hollywood was a town built around its Dream Factories. Film was its economic base and, despite ties to New York bankers, its management base was in Hollywood.</p>
<p>Today, as the events of '07 remind us, Hollywood is a mere plaything of the international congloms, and Hollywood product represents a relatively minor sector of the product line. Today's managers are a far cry from the Louis B. Mayers or Lew Wassermans of old. Indeed, to a growing degree, they don't even want to be part of the scene.</p>
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