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	<title>Observer &#187; A House Tour To Die For: Liz Goldwyn Visits Tony Duquette&#039;s Manse</title>
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		<title>Observer &#187; A House Tour To Die For: Liz Goldwyn Visits Tony Duquette&#039;s Manse</title>
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		<title>A House Tour To Die For: Liz Goldwyn Visits Tony Duquette&#039;s Manse</title>

		<comments>http://observer.com/2008/01/a-house-tour-to-die-for-liz-goldwyn-visits-tony-duquettes-manse/#comments</comments>
		<pubDate>Fri, 11 Jan 2008 18:39:50 -0400</pubDate>
					<link>http://observer.com/2008/01/a-house-tour-to-die-for-liz-goldwyn-visits-tony-duquettes-manse/</link>
			<dc:creator>David Foxley</dc:creator>
				
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		<description><![CDATA[<p class="MsoNormal">Before <strong>Simon Hammerstein</strong>’s The Box, there was <strong>Liz Goldwyn</strong>’s <em>Pretty Things</em>, a documentary about the “long-forgotten queens of Burlesque.” But whatever this-‘n’-that the movie heiress has been up to since her 2005 HBO film debuted, IMDB doesn’t know about it.</p>
<p class="MsoNormal">We do know that she recently took a tour of late design legend <strong>Tony Duquette</strong>’s Beverly Hills manse. Her guide: Author and estate manager <strong>Hutton Wilkinson</strong>, a man who looks like a cross between <strong>Wayne Newton</strong> and <strong>Pierce Brosnan</strong>. Watching him float gracefully through the home’s well-marbled halls and gilt salons, it becomes clear that Mr. Wilkinson—a veritable walking-talking version of <strong>Vivaldi</strong>’s <em>Four Seasons</em>—needs a video of his own. After all, in his Qing Dynasty-style <strong>Liberace</strong> robe, Mr. Wilkinson easily steals the show from Mr. Duquette’s featured baubles—gorgeous pieces reduced to Nature Company check-out knickknacks in his overwhelming presence. </p>
<p class="MsoNormal">The home, built in 1949, is lovely. But all that glitters is not gold. Mr. Wilkinson is quick to show Ms. Goldwyn the building’s quirky imperfections: the “tiny” entry hall; the drinking glasses from Pick ‘n Save that act as shades on an electrified candelabra; some water stains on the damask-covered walls that had to be concealed by tassels. In short, surprises lurk behind every corner in Mr. Duquette’s estate, which, as Ms Goldwyn points out, “is like stepping into a fantasy.”</p>
]]></description>
		<content:encoded><![CDATA[<p class="MsoNormal">Before <strong>Simon Hammerstein</strong>’s The Box, there was <strong>Liz Goldwyn</strong>’s <em>Pretty Things</em>, a documentary about the “long-forgotten queens of Burlesque.” But whatever this-‘n’-that the movie heiress has been up to since her 2005 HBO film debuted, IMDB doesn’t know about it.</p>
<p class="MsoNormal">We do know that she recently took a tour of late design legend <strong>Tony Duquette</strong>’s Beverly Hills manse. Her guide: Author and estate manager <strong>Hutton Wilkinson</strong>, a man who looks like a cross between <strong>Wayne Newton</strong> and <strong>Pierce Brosnan</strong>. Watching him float gracefully through the home’s well-marbled halls and gilt salons, it becomes clear that Mr. Wilkinson—a veritable walking-talking version of <strong>Vivaldi</strong>’s <em>Four Seasons</em>—needs a video of his own. After all, in his Qing Dynasty-style <strong>Liberace</strong> robe, Mr. Wilkinson easily steals the show from Mr. Duquette’s featured baubles—gorgeous pieces reduced to Nature Company check-out knickknacks in his overwhelming presence. </p>
<p class="MsoNormal">The home, built in 1949, is lovely. But all that glitters is not gold. Mr. Wilkinson is quick to show Ms. Goldwyn the building’s quirky imperfections: the “tiny” entry hall; the drinking glasses from Pick ‘n Save that act as shades on an electrified candelabra; some water stains on the damask-covered walls that had to be concealed by tassels. In short, surprises lurk behind every corner in Mr. Duquette’s estate, which, as Ms Goldwyn points out, “is like stepping into a fantasy.”</p>
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