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	<title>Observer &#187; Clint Eastwood, Once More With Feeling!</title>
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		<title>Observer &#187; Clint Eastwood, Once More With Feeling!</title>
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		<title>Clint Eastwood, Once More With Feeling!</title>

		<comments>http://observer.com/2008/11/clint-eastwood-once-more-with-feeling/#comments</comments>
		<pubDate>Fri, 28 Nov 2008 14:08:17 -0400</pubDate>
					<link>http://observer.com/2008/11/clint-eastwood-once-more-with-feeling/</link>
			<dc:creator>Christopher Rosen</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/clint2.jpg?w=300&h=208" />Normally, the Best Original Song category at the Academy Awards is the bane of our existence: an overloaded mess of badness that extends an already unending night into ass numbing proportions. No matter how the producers try to gussy up the presentation--&quot;let's have Beyonce sing <em>all</em> the songs!&quot;--the performances invariably stink. Of course the exception to this happened last year when Glen Hansard and Marketa Irglova performed the ballad &quot;Falling Slowly&quot; from <em>Once</em> to beautiful perfection (<a href="http://www.youtube.com/watch?v=qx8yLvb0gZM">and also deservedly went home with the hardware</a>), but otherwise not a year goes by when we don't think that the telecast would benefit greatly from a total exclusion of the Best Original Song category. That opinion might have to change after this year. Sure, the potential nominees include the usual (boring) suspects like a Miley Cyrus song from <em>Bolt</em> and Peter Gabriel's number from <em>Wall-E</em>, but there are also original songs from <a href="http://www.youtube.com/watch?v=FBqpqg16b-4">Jenny Lewis</a> (for <em>Bolt</em> as well), <a href="http://www.youtube.com/watch?v=4OSvJvSwmd4">Bruce Springsteen's title track</a> for <em>The Wrestler</em> and the team-up of <a href="http://www.youtube.com/watch?v=78wvvIYUABE">A.R. Rahman and M.I.A.</a> for <em>Slumdog Millionaire</em>. Cool! However! The most bananas song of all might be a little duet performed by British singer-songwriter Jamie Cullum and... Clint Eastwood. Yep. <em>That</em> Clint Eastwood.</p>
<p>While precious little is known about Mr. Eastwood's <em>Gran Torino</em>, the score is available online over at the Warner Brothers awards site--<a href="http://www.observer.com/2008/o2/i-curious-case-benjamin-button-i-score-online-and-awesome">a site with which we've become mildly obsessed</a>. Buried at the bottom of that page is a song called <a href="#/movies/grantorino/score/score13">&quot;Gran Torino&quot;</a>, written by Mr. Eastwood, Mr. Cullum, Kyle Eastwood (Clint's son, who also co-wrote the entire score) and Michael Stevens (the other co-writer of the score). It's a slow and meditative number at first; all lilting piano notes and cymbal brushes. So far, so good. But then Mr. Eastwood begins singing with a voice that reminds us of Tom Waits, Leonard Cohen and Christian Bale-as-Batman in <em>The Dark Knight</em>. (We assure you, it's not as awesome as that sounds.) Hearing Mr. Eastwood growl his way through rudimentary lyrics like &quot;gentle now, the tender breeze blows, whispers through my Gran Torino&quot; is just about as terrible as you'd imagine.</p>
<p>Thankfully for Clint's sake, he only sings the first verse. When Mr. Cullum starts in verse two, the song actually starts to sound like a real song and not some spoof. So here's hoping for a Best Original Song nomination for Mr. Eastwood and a subsequent performance at the Academy Awards. At the very least, hearing &quot;Gran Torino&quot; performed live will be more exciting than watching Peter Gabriel.</p>
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		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/clint2.jpg?w=300&h=208" />Normally, the Best Original Song category at the Academy Awards is the bane of our existence: an overloaded mess of badness that extends an already unending night into ass numbing proportions. No matter how the producers try to gussy up the presentation--&quot;let's have Beyonce sing <em>all</em> the songs!&quot;--the performances invariably stink. Of course the exception to this happened last year when Glen Hansard and Marketa Irglova performed the ballad &quot;Falling Slowly&quot; from <em>Once</em> to beautiful perfection (<a href="http://www.youtube.com/watch?v=qx8yLvb0gZM">and also deservedly went home with the hardware</a>), but otherwise not a year goes by when we don't think that the telecast would benefit greatly from a total exclusion of the Best Original Song category. That opinion might have to change after this year. Sure, the potential nominees include the usual (boring) suspects like a Miley Cyrus song from <em>Bolt</em> and Peter Gabriel's number from <em>Wall-E</em>, but there are also original songs from <a href="http://www.youtube.com/watch?v=FBqpqg16b-4">Jenny Lewis</a> (for <em>Bolt</em> as well), <a href="http://www.youtube.com/watch?v=4OSvJvSwmd4">Bruce Springsteen's title track</a> for <em>The Wrestler</em> and the team-up of <a href="http://www.youtube.com/watch?v=78wvvIYUABE">A.R. Rahman and M.I.A.</a> for <em>Slumdog Millionaire</em>. Cool! However! The most bananas song of all might be a little duet performed by British singer-songwriter Jamie Cullum and... Clint Eastwood. Yep. <em>That</em> Clint Eastwood.</p>
<p>While precious little is known about Mr. Eastwood's <em>Gran Torino</em>, the score is available online over at the Warner Brothers awards site--<a href="http://www.observer.com/2008/o2/i-curious-case-benjamin-button-i-score-online-and-awesome">a site with which we've become mildly obsessed</a>. Buried at the bottom of that page is a song called <a href="#/movies/grantorino/score/score13">&quot;Gran Torino&quot;</a>, written by Mr. Eastwood, Mr. Cullum, Kyle Eastwood (Clint's son, who also co-wrote the entire score) and Michael Stevens (the other co-writer of the score). It's a slow and meditative number at first; all lilting piano notes and cymbal brushes. So far, so good. But then Mr. Eastwood begins singing with a voice that reminds us of Tom Waits, Leonard Cohen and Christian Bale-as-Batman in <em>The Dark Knight</em>. (We assure you, it's not as awesome as that sounds.) Hearing Mr. Eastwood growl his way through rudimentary lyrics like &quot;gentle now, the tender breeze blows, whispers through my Gran Torino&quot; is just about as terrible as you'd imagine.</p>
<p>Thankfully for Clint's sake, he only sings the first verse. When Mr. Cullum starts in verse two, the song actually starts to sound like a real song and not some spoof. So here's hoping for a Best Original Song nomination for Mr. Eastwood and a subsequent performance at the Academy Awards. At the very least, hearing &quot;Gran Torino&quot; performed live will be more exciting than watching Peter Gabriel.</p>
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