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		<title>What I Ate That Was Great in 2008</title>

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		<pubDate>Tue, 09 Dec 2008 17:24:15 -0400</pubDate>
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/moira_9.jpg?w=300&h=223" />&ldquo;Dining out is a vice, a dissipation of spirit punished by remorse,&rdquo; wrote the literary critic Cyril Connolly in 1945. &ldquo;We eat, drink and talk a little too much, abuse all our friends, belch out our literary preferences and are egged on by accomplices in the audience to acts of mental exhibitionism. Such evenings cannot fail to diminish those who take part in them. They end up on Monkey Hill.&rdquo;</p>
<p class="text">This was in The Unquiet Grave, a book of musings that made a deep and lasting impression on me as a teenager. Yet I ended up on Monkey Hill, I fear, since I have never tired of dining out.</p>
<p>&ldquo;Dining out is a vice, a dissipation of spirit punished by remorse,&rdquo; wrote the literary critic Cyril Connolly in 1945. &ldquo;We eat, drink and talk a little too much, abuse all our friends, belch out our literary preferences and are egged on by accomplices in the audience to acts of mental exhibitionism. Such evenings cannot fail to diminish those who take part in them. They end up on Monkey Hill.&rdquo;</p>
<p class="text">This was in The Unquiet Grave, a book of musings that made a deep and lasting impression on me as a teenager. Yet I ended up on Monkey Hill, I fear, since I have never tired of dining out. And this year, despite the recession, has been a good one for interesting new restaurants.</p>
<p class="text"><span style="letter-spacing: -0.25pt">First, the bad news. A rent hike forced beloved late-night haunt </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Florent</span></strong><span style="letter-spacing: -0.25pt"> to close after nearly 23 years in the meatpacking district. The much anticipated </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Sheridan Square</span></strong><span style="letter-spacing: -0.25pt"> in Greenwich Village lasted only a few months, not long after the chef, Gary Robins, unexpectedly pulled out. Restaurant openings were down in New York, unlike in London, where, according to <em>The Evening Standard</em>, over 100 new ones have mushroomed in just the past three months. &ldquo;Surely this record-breaking cluster of launches will end in a series of kitchen nightmares to rouse even Mr. Ramsay from his woes,&rdquo; commented journalist Richard E. Rogers. I hope he&rsquo;s wrong. </span></p>
<p class="text">Meanwhile, here&rsquo;s my list of favorites from 2008. (David Chang&rsquo;s Momofuku Ko is missing because I&mdash;like every other person in New York City without a plutonium-powered Internet connection&mdash;have yet to obtain one of those coveted online reservations. The only place in the city harder to get into is Rao&rsquo;s.)</p>
<p class="text"><span>&nbsp;</span></p>
<p class="CULTURE3linedrop"><span style="letter-spacing: -0.1pt">THE MOST EXCITING restaurant I ate in all year was </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Corton</span></strong><span style="letter-spacing: -0.1pt">, opened in September by Drew Nieporent in the space that used to be Montrachet. Paul Liebrandt&rsquo;s food is nothing short of brilliant (my three favorite dishes being the sweetbreads topped with egg yolk, the squab with chestnut cream and truffles, and pastry chef Robert Truitt&rsquo;s caramel brioche with Stilton). Corton is expensive ($76 <em>prix fixe</em>), but not wildly so considering the complexity of the food, or if you take into account the 30 bottles under $50 on its substantial wine list.</span></p>
<p class="text"><span style="letter-spacing: -0.25pt">The best Italian food in the city is being cooked by Americans. And the best new Italian restaurant is Scott Conant&rsquo;s </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Scarpetta</span></strong><span style="letter-spacing: -0.25pt">, in the meatpacking district. If you can&rsquo;t get a reservation, it&rsquo;s worth dropping in: There are unreserved tables near the bar. Conant&rsquo;s polenta with truffled mushrooms is the stuff of legend, along with his famous spaghetti with tomato and basil. L&rsquo;Impero in Tudor City, where Mr. Conant used to cook, is now </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Convivio</span></strong><span style="letter-spacing: -0.25pt">, another great restaurant, where Michael White is turning out first-rate interpretations of Italian classics, including exceptional pasta.</span></p>
<p class="text"><span style="letter-spacing: -0.1pt">In 2008, the Upper  West Side finally laid to rest its reputation as a culinary no man&rsquo;s land. At </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Eighty One</span></strong><span style="letter-spacing: -0.1pt">, near the north side of the Natural History Museum, Ed Brown&rsquo;s deceptively simple cuisine is designed to show off the very best ingredients he can buy (even the peppercorns are hand-picked). Given Mr. Brown&rsquo;s years at the Seagrill, you&rsquo;d expect the fish here to be superior, and it is. Nearby, </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Dovetail</span></strong><span style="letter-spacing: -0.1pt">, in a townhouse one block from the south side of the Natural History Museum, Jon Fraser&rsquo;s carefully crafted, complex dishes are like works of art. (For winter, please bring back that smoky clam chowder with chorizo.)</span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Alain Ducasse refused to give up on New York, where, like Gordon Ramsay, he has been treated less than kindly. This time around he opened </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Adour</span></strong><span style="letter-spacing: -0.1pt">, in the St.  Regis Hotel, a restaurant much less stiff and formal than his previous place, but with terrific food (including a tongue-in-cheek bagel &lsquo;Dubarry&rsquo; topped with cauliflower and Comt&eacute; cheese) and a wine list of around 600 bottles, 70 of which are under $50.</span></p>
<p class="text">In Chelsea, another French chef, <strong><span style="font-family: 'Exchange Text Bold'">Alain</span></strong> <strong><span style="font-family: 'Exchange Text Bold'">Allegretti</span></strong>, who is from Nice and formerly worked at Le Cirque, is serving a Proven&ccedil;al menu at his sleek eponymous restaurant, reinventing familiar regional classics.</p>
<p class="text"><span style="letter-spacing: -0.25pt">There were hopes of a restaurant revival on West Eighth   Street as its tacky shoe shops closed one after another. Perhaps it&rsquo;s the times, but so far the only noteworthy new place to open is </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Elettaria</span></strong><span style="letter-spacing: -0.25pt">, where I found good cocktails and food with an Indian accent. Further west, at </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Commerce</span></strong><span style="letter-spacing: -0.25pt">, I loved Harold Moore&rsquo;s three-star cooking, served in a setting strong on patina&mdash;Art Deco bar and wooden booths&mdash;but I couldn&rsquo;t stand the noise. Go there very early or very late or not at all.</span></p>
<p class="text"><!--nextpage--><strong><span style="font-family: 'Exchange Text Bold'">Matsugen</span></strong>, Jean Georges&rsquo; new venture in Tribeca, serves soba in a minimalist setting, and a dish you must not miss: uni with yuzu jelly. Nearby, <strong><span style="font-family: 'Exchange Text Bold'">Chanterelle</span></strong> is celebrating its 20th year. The meal I had proved the restaurant is as good as ever&mdash;and David Waltuck&rsquo;s famous seafood sausage was still on the menu.</p>
<p class="text"><span style="letter-spacing: -0.1pt">The most fun I had was at </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Yerba Buena</span></strong><span style="letter-spacing: -0.1pt">, a pan Latin restaurant on Avenue A. It looks like a dive in Old Havana and serves wonderful cocktails, paella and short ribs. Every time I came here it felt like a party.</span></p>
<p class="text">This year I also made a couple of serendipitous discoveries through friends. <strong><span style="font-family: 'Exchange Text Bold'">Zenkichi</span></strong> in Williamsburg is a quirky Japanese restaurant that looks like a set for a Kurosawa movie, with an unmarked front door, a maze of private curtained mahogany booths along narrow passageways, and an enticing omakase menu. On the Upper East Side, <strong><span style="font-family: 'Exchange Text Bold'">Shalizar</span></strong>, at Third Avenue between 80th and 81st Streets, is a charming, inexpensive Persian restaurant serving pilafs, kebabs and khoresh fesenjan (a stew made with chicken, walnuts, saffron and pomegranate).</p>
<p class="text">&nbsp;</p>
<p class="CULTURE3linedrop">SPEAKING OF INEXPENSIVE, since 2009 will doubtless be a frugal year for dining out, here are some money saving tips.</p>
<p class="text"><em><span style="font-family: 'Exchange Text Semibold'">Eat at the fancy restaurants at lunch.</span></em> Jean Georges offers a bargain&mdash;two courses for $28, another $14 if you add a third. Gramercy Tavern is serving a $14 lunch&mdash;soup and sandwich.</p>
<p class="text"><em><span style="font-family: 'Exchange Text Semibold'">Eat two first courses and skip the main.</span></em> They are often more interesting.</p>
<p class="text"><em><span style="letter-spacing: -0.15pt;font-family: 'Exchange Text Semibold'">Dine at the bar.</span></em><span style="letter-spacing: -0.15pt"> Near Lincoln  Center, you can drop in to Picholine for small bites at the wine bar, or to Bar Boulud, which has great charcuterie.</span></p>
<p class="text"><em><span style="font-family: 'Exchange Text Semibold'">Dine out on Sunday.</span></em> Some restaurants, among them Dovetail and Eighty One, serve inexpensive Sunday night suppers.</p>
<p class="text"><em>Tell the sommelier upfront how much you are willing to pay.</em> Many restaurants are now adding cheaper wines to their list; the sommelier has surely spent years looking for good deals from boutique vineyards and unexpected venues.</p>
<p class="text">And finally, a few things I don&rsquo;t want to see (or hear) in 2009:</p>
<p class="text">Kobe beef burgers</p>
<p class="text">Fake truffle oil</p>
<p class="text">Noisy restaurants<span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></p>
<p class="text">&ldquo;I&lsquo;m sorry&mdash;we can&rsquo;t seat you until your party&rsquo;s complete.&rdquo;</p>
<p class="text"><span style="letter-spacing: -0.15pt">&ldquo;How are we doing this evening?&rdquo;</span></p>
<p class="text">And once and for all, I never again want to be asked, &ldquo;Are you still working on that?&rdquo;</p>
<p class="Tagline">&nbsp;<br /><em><span style="font-size: 7pt;letter-spacing: -0.2pt">Moira Hodgson&rsquo;s memoir, </span></em><span style="font-size: 7pt;letter-spacing: -0.2pt;font-style: normal">It Seemed Like a Good Idea at the Time</span><span style="font-size: 7pt;letter-spacing: -0.2pt">, <em>will be published in January by Nan Talese/Doubleday</em></span><em>.</em></p>
<p class="Tagline"><em>mhodgson@observer.com&nbsp;</em></p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/moira_9.jpg?w=300&h=223" />&ldquo;Dining out is a vice, a dissipation of spirit punished by remorse,&rdquo; wrote the literary critic Cyril Connolly in 1945. &ldquo;We eat, drink and talk a little too much, abuse all our friends, belch out our literary preferences and are egged on by accomplices in the audience to acts of mental exhibitionism. Such evenings cannot fail to diminish those who take part in them. They end up on Monkey Hill.&rdquo;</p>
<p class="text">This was in The Unquiet Grave, a book of musings that made a deep and lasting impression on me as a teenager. Yet I ended up on Monkey Hill, I fear, since I have never tired of dining out.</p>
<p>&ldquo;Dining out is a vice, a dissipation of spirit punished by remorse,&rdquo; wrote the literary critic Cyril Connolly in 1945. &ldquo;We eat, drink and talk a little too much, abuse all our friends, belch out our literary preferences and are egged on by accomplices in the audience to acts of mental exhibitionism. Such evenings cannot fail to diminish those who take part in them. They end up on Monkey Hill.&rdquo;</p>
<p class="text">This was in The Unquiet Grave, a book of musings that made a deep and lasting impression on me as a teenager. Yet I ended up on Monkey Hill, I fear, since I have never tired of dining out. And this year, despite the recession, has been a good one for interesting new restaurants.</p>
<p class="text"><span style="letter-spacing: -0.25pt">First, the bad news. A rent hike forced beloved late-night haunt </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Florent</span></strong><span style="letter-spacing: -0.25pt"> to close after nearly 23 years in the meatpacking district. The much anticipated </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Sheridan Square</span></strong><span style="letter-spacing: -0.25pt"> in Greenwich Village lasted only a few months, not long after the chef, Gary Robins, unexpectedly pulled out. Restaurant openings were down in New York, unlike in London, where, according to <em>The Evening Standard</em>, over 100 new ones have mushroomed in just the past three months. &ldquo;Surely this record-breaking cluster of launches will end in a series of kitchen nightmares to rouse even Mr. Ramsay from his woes,&rdquo; commented journalist Richard E. Rogers. I hope he&rsquo;s wrong. </span></p>
<p class="text">Meanwhile, here&rsquo;s my list of favorites from 2008. (David Chang&rsquo;s Momofuku Ko is missing because I&mdash;like every other person in New York City without a plutonium-powered Internet connection&mdash;have yet to obtain one of those coveted online reservations. The only place in the city harder to get into is Rao&rsquo;s.)</p>
<p class="text"><span>&nbsp;</span></p>
<p class="CULTURE3linedrop"><span style="letter-spacing: -0.1pt">THE MOST EXCITING restaurant I ate in all year was </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Corton</span></strong><span style="letter-spacing: -0.1pt">, opened in September by Drew Nieporent in the space that used to be Montrachet. Paul Liebrandt&rsquo;s food is nothing short of brilliant (my three favorite dishes being the sweetbreads topped with egg yolk, the squab with chestnut cream and truffles, and pastry chef Robert Truitt&rsquo;s caramel brioche with Stilton). Corton is expensive ($76 <em>prix fixe</em>), but not wildly so considering the complexity of the food, or if you take into account the 30 bottles under $50 on its substantial wine list.</span></p>
<p class="text"><span style="letter-spacing: -0.25pt">The best Italian food in the city is being cooked by Americans. And the best new Italian restaurant is Scott Conant&rsquo;s </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Scarpetta</span></strong><span style="letter-spacing: -0.25pt">, in the meatpacking district. If you can&rsquo;t get a reservation, it&rsquo;s worth dropping in: There are unreserved tables near the bar. Conant&rsquo;s polenta with truffled mushrooms is the stuff of legend, along with his famous spaghetti with tomato and basil. L&rsquo;Impero in Tudor City, where Mr. Conant used to cook, is now </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Convivio</span></strong><span style="letter-spacing: -0.25pt">, another great restaurant, where Michael White is turning out first-rate interpretations of Italian classics, including exceptional pasta.</span></p>
<p class="text"><span style="letter-spacing: -0.1pt">In 2008, the Upper  West Side finally laid to rest its reputation as a culinary no man&rsquo;s land. At </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Eighty One</span></strong><span style="letter-spacing: -0.1pt">, near the north side of the Natural History Museum, Ed Brown&rsquo;s deceptively simple cuisine is designed to show off the very best ingredients he can buy (even the peppercorns are hand-picked). Given Mr. Brown&rsquo;s years at the Seagrill, you&rsquo;d expect the fish here to be superior, and it is. Nearby, </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Dovetail</span></strong><span style="letter-spacing: -0.1pt">, in a townhouse one block from the south side of the Natural History Museum, Jon Fraser&rsquo;s carefully crafted, complex dishes are like works of art. (For winter, please bring back that smoky clam chowder with chorizo.)</span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Alain Ducasse refused to give up on New York, where, like Gordon Ramsay, he has been treated less than kindly. This time around he opened </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Adour</span></strong><span style="letter-spacing: -0.1pt">, in the St.  Regis Hotel, a restaurant much less stiff and formal than his previous place, but with terrific food (including a tongue-in-cheek bagel &lsquo;Dubarry&rsquo; topped with cauliflower and Comt&eacute; cheese) and a wine list of around 600 bottles, 70 of which are under $50.</span></p>
<p class="text">In Chelsea, another French chef, <strong><span style="font-family: 'Exchange Text Bold'">Alain</span></strong> <strong><span style="font-family: 'Exchange Text Bold'">Allegretti</span></strong>, who is from Nice and formerly worked at Le Cirque, is serving a Proven&ccedil;al menu at his sleek eponymous restaurant, reinventing familiar regional classics.</p>
<p class="text"><span style="letter-spacing: -0.25pt">There were hopes of a restaurant revival on West Eighth   Street as its tacky shoe shops closed one after another. Perhaps it&rsquo;s the times, but so far the only noteworthy new place to open is </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Elettaria</span></strong><span style="letter-spacing: -0.25pt">, where I found good cocktails and food with an Indian accent. Further west, at </span><strong><span style="letter-spacing: -0.25pt;font-family: 'Exchange Text Bold'">Commerce</span></strong><span style="letter-spacing: -0.25pt">, I loved Harold Moore&rsquo;s three-star cooking, served in a setting strong on patina&mdash;Art Deco bar and wooden booths&mdash;but I couldn&rsquo;t stand the noise. Go there very early or very late or not at all.</span></p>
<p class="text"><!--nextpage--><strong><span style="font-family: 'Exchange Text Bold'">Matsugen</span></strong>, Jean Georges&rsquo; new venture in Tribeca, serves soba in a minimalist setting, and a dish you must not miss: uni with yuzu jelly. Nearby, <strong><span style="font-family: 'Exchange Text Bold'">Chanterelle</span></strong> is celebrating its 20th year. The meal I had proved the restaurant is as good as ever&mdash;and David Waltuck&rsquo;s famous seafood sausage was still on the menu.</p>
<p class="text"><span style="letter-spacing: -0.1pt">The most fun I had was at </span><strong><span style="letter-spacing: -0.1pt;font-family: 'Exchange Text Bold'">Yerba Buena</span></strong><span style="letter-spacing: -0.1pt">, a pan Latin restaurant on Avenue A. It looks like a dive in Old Havana and serves wonderful cocktails, paella and short ribs. Every time I came here it felt like a party.</span></p>
<p class="text">This year I also made a couple of serendipitous discoveries through friends. <strong><span style="font-family: 'Exchange Text Bold'">Zenkichi</span></strong> in Williamsburg is a quirky Japanese restaurant that looks like a set for a Kurosawa movie, with an unmarked front door, a maze of private curtained mahogany booths along narrow passageways, and an enticing omakase menu. On the Upper East Side, <strong><span style="font-family: 'Exchange Text Bold'">Shalizar</span></strong>, at Third Avenue between 80th and 81st Streets, is a charming, inexpensive Persian restaurant serving pilafs, kebabs and khoresh fesenjan (a stew made with chicken, walnuts, saffron and pomegranate).</p>
<p class="text">&nbsp;</p>
<p class="CULTURE3linedrop">SPEAKING OF INEXPENSIVE, since 2009 will doubtless be a frugal year for dining out, here are some money saving tips.</p>
<p class="text"><em><span style="font-family: 'Exchange Text Semibold'">Eat at the fancy restaurants at lunch.</span></em> Jean Georges offers a bargain&mdash;two courses for $28, another $14 if you add a third. Gramercy Tavern is serving a $14 lunch&mdash;soup and sandwich.</p>
<p class="text"><em><span style="font-family: 'Exchange Text Semibold'">Eat two first courses and skip the main.</span></em> They are often more interesting.</p>
<p class="text"><em><span style="letter-spacing: -0.15pt;font-family: 'Exchange Text Semibold'">Dine at the bar.</span></em><span style="letter-spacing: -0.15pt"> Near Lincoln  Center, you can drop in to Picholine for small bites at the wine bar, or to Bar Boulud, which has great charcuterie.</span></p>
<p class="text"><em><span style="font-family: 'Exchange Text Semibold'">Dine out on Sunday.</span></em> Some restaurants, among them Dovetail and Eighty One, serve inexpensive Sunday night suppers.</p>
<p class="text"><em>Tell the sommelier upfront how much you are willing to pay.</em> Many restaurants are now adding cheaper wines to their list; the sommelier has surely spent years looking for good deals from boutique vineyards and unexpected venues.</p>
<p class="text">And finally, a few things I don&rsquo;t want to see (or hear) in 2009:</p>
<p class="text">Kobe beef burgers</p>
<p class="text">Fake truffle oil</p>
<p class="text">Noisy restaurants<span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></p>
<p class="text">&ldquo;I&lsquo;m sorry&mdash;we can&rsquo;t seat you until your party&rsquo;s complete.&rdquo;</p>
<p class="text"><span style="letter-spacing: -0.15pt">&ldquo;How are we doing this evening?&rdquo;</span></p>
<p class="text">And once and for all, I never again want to be asked, &ldquo;Are you still working on that?&rdquo;</p>
<p class="Tagline">&nbsp;<br /><em><span style="font-size: 7pt;letter-spacing: -0.2pt">Moira Hodgson&rsquo;s memoir, </span></em><span style="font-size: 7pt;letter-spacing: -0.2pt;font-style: normal">It Seemed Like a Good Idea at the Time</span><span style="font-size: 7pt;letter-spacing: -0.2pt">, <em>will be published in January by Nan Talese/Doubleday</em></span><em>.</em></p>
<p class="Tagline"><em>mhodgson@observer.com&nbsp;</em></p>
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