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	<title>Observer &#187; From The Simon Archives: In The New Yorker, Wire Creator Remembers The Late William Zantzinger</title>
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		<title>Observer &#187; From The Simon Archives: In The New Yorker, Wire Creator Remembers The Late William Zantzinger</title>
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		<title>From The Simon Archives: In The New Yorker, Wire Creator Remembers The Late William Zantzinger</title>

		<comments>http://observer.com/2009/01/from-the-simon-archives-in-ithe-new-yorkeri-iwirei-creator-remembers-the-late-william-zantzinger/#comments</comments>
		<pubDate>Mon, 19 Jan 2009 16:52:41 -0400</pubDate>
					<link>http://observer.com/2009/01/from-the-simon-archives-in-ithe-new-yorkeri-iwirei-creator-remembers-the-late-william-zantzinger/</link>
			<dc:creator>Matt Haber</dc:creator>
				
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		<description><![CDATA[<p>What do you do after co-creating a television series so critically praised, Slate's then-editor Jacob Weisberg called it &quot;<a href="http://www.slate.com/id/2149566/">the best show on television</a> and which prompted <em>The New York Times</em> editorial page's Nicholas Kulish to write, &quot;<a href="http://www.nytimes.com/2006/09/10/opinion/10sun3.html">If Charles Dickens were alive today, he would watch 'The Wire,' unless, that is, he was already writing for it</a>&quot;?</p>
<p>Well, you can write a Talk of the Town for <em>The New Yorker</em>, which is what David Simon, <a href="http://www.theatlantic.com/doc/200801/bowden-wire"><em>Baltimore Sun</em> reporter</a>&ndash;turned&ndash;executive producer of <a href="http://www.hbo.com/thewire/"><em>The Wire</em></a> and <a href="http://www.hbo.com/generationkill/"><em>Generation Kill</em></a>, did this week. </p>
<p>Mr. Simon's <a href="http://www.newyorker.com/talk/2009/01/26/090126ta_talk_simon">A Lonesome Death</a> takes the recent passing of <a href="http://www.rollingstone.com/rockdaily/index.php/2009/01/08/man-bob-dylan-made-infamous-with-the-lonesome-death-of-hattie-carroll-dies/%22">William Zantzinger</a>, whose conviction for manslaughter and assault in the death of a hotel barmaid named Hattie Carroll inspired Bob Dylan's 1963 song &quot;<a href="http://www.youtube.com/watch?v=pFlSWztZBj4">The Lonesome Death of Hattie Carroll</a>,&quot; as an opportunity to look back at an interview he attempted to hold with Mr. Zantzinger 25 years after the incident. </p>
<p>Mr. Simon found Mr. Zantzinger to be &quot;a disappointing lump of a man, with small dark eyes and black hair thinning from behind.&quot; Furthermore, Mr. Zantzinger didn't prove the easiest interview subject: he mostly told Mr. Simon that &quot;The song was a lie. Just a damned lie&quot; and spoke of his respect for Ms. Carroll's 11 children. But Mr. Simon did bring one interesting detail to the meeting that piqued his interviewee's interest: </p>
<div class="oldbq">I told Zantzinger about a note I had found in the old homicide file: 'Attached is correspondence from . . . a folksinger in New York who seeks information about the aforementioned case, which was investigated by your agency.' But Dylan’s letter wasn’t attached—snatched, perhaps, as a souvenir, from the police files. But the cover sheet, dated months after the release of 'Hattie Carroll,' was telling. Dylan was apparently writing too late to improve his song’s accuracy; his letter was the reaction of a worried young man.
<p>Zantzinger enjoyed that immensely</p>
</div>
]]></description>
		<content:encoded><![CDATA[<p>What do you do after co-creating a television series so critically praised, Slate's then-editor Jacob Weisberg called it &quot;<a href="http://www.slate.com/id/2149566/">the best show on television</a> and which prompted <em>The New York Times</em> editorial page's Nicholas Kulish to write, &quot;<a href="http://www.nytimes.com/2006/09/10/opinion/10sun3.html">If Charles Dickens were alive today, he would watch 'The Wire,' unless, that is, he was already writing for it</a>&quot;?</p>
<p>Well, you can write a Talk of the Town for <em>The New Yorker</em>, which is what David Simon, <a href="http://www.theatlantic.com/doc/200801/bowden-wire"><em>Baltimore Sun</em> reporter</a>&ndash;turned&ndash;executive producer of <a href="http://www.hbo.com/thewire/"><em>The Wire</em></a> and <a href="http://www.hbo.com/generationkill/"><em>Generation Kill</em></a>, did this week. </p>
<p>Mr. Simon's <a href="http://www.newyorker.com/talk/2009/01/26/090126ta_talk_simon">A Lonesome Death</a> takes the recent passing of <a href="http://www.rollingstone.com/rockdaily/index.php/2009/01/08/man-bob-dylan-made-infamous-with-the-lonesome-death-of-hattie-carroll-dies/%22">William Zantzinger</a>, whose conviction for manslaughter and assault in the death of a hotel barmaid named Hattie Carroll inspired Bob Dylan's 1963 song &quot;<a href="http://www.youtube.com/watch?v=pFlSWztZBj4">The Lonesome Death of Hattie Carroll</a>,&quot; as an opportunity to look back at an interview he attempted to hold with Mr. Zantzinger 25 years after the incident. </p>
<p>Mr. Simon found Mr. Zantzinger to be &quot;a disappointing lump of a man, with small dark eyes and black hair thinning from behind.&quot; Furthermore, Mr. Zantzinger didn't prove the easiest interview subject: he mostly told Mr. Simon that &quot;The song was a lie. Just a damned lie&quot; and spoke of his respect for Ms. Carroll's 11 children. But Mr. Simon did bring one interesting detail to the meeting that piqued his interviewee's interest: </p>
<div class="oldbq">I told Zantzinger about a note I had found in the old homicide file: 'Attached is correspondence from . . . a folksinger in New York who seeks information about the aforementioned case, which was investigated by your agency.' But Dylan’s letter wasn’t attached—snatched, perhaps, as a souvenir, from the police files. But the cover sheet, dated months after the release of 'Hattie Carroll,' was telling. Dylan was apparently writing too late to improve his song’s accuracy; his letter was the reaction of a worried young man.
<p>Zantzinger enjoyed that immensely</p>
</div>
]]></content:encoded>
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