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	<title>Observer &#187; Single Person&#8217;s Movie: The Devil&#8217;s Advocate</title>
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		<title>Observer &#187; Single Person&#8217;s Movie: The Devil&#8217;s Advocate</title>
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		<title>Single Person&#8217;s Movie: The Devil&#8217;s Advocate</title>

		<comments>http://observer.com/2009/01/single-persons-movie-ithe-devils-advocatei/#comments</comments>
		<pubDate>Thu, 08 Jan 2009 13:43:18 -0400</pubDate>
					<link>http://observer.com/2009/01/single-persons-movie-ithe-devils-advocatei/</link>
			<dc:creator>Christopher Rosen</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/devil.jpg?w=300&h=203" /><em>It's 2 AM and you awake with a jerk, alone in your fully-lit apartment and still on the couch. On TV, the credits of some movie you've already seen a billion times are scrolling by. It feels like rock bottom. And we know, because we're just like you: single.</em></p>
<p><em>Need a movie to keep you company until you literally can't keep your eyes open? Join us tonight when we pass out to </em><a href="http://www.youtube.com/watch?v=mf-biN6ZYAM">The Devil's Advocate</a><em> </em>[<em>starting @ 10:50 p.m. on</em> Encore]</p>
<p><em>Why we'll try to stay up and watch it: </em>Winning an Academy Award is a tricky thing. If an actor gets it too early in their career, chances are they'll never live up to it again. But if they get it too late--for the wrong performance--it winds up validating all their negative habits. So when Al Pacino finally won his Oscar for <em>Scent of a Woman</em>, it wasn't as a make-up for all the times that he deserved the trophy but lost; it was the warm embrace by Hollywood for the over-the-top ham he had become since <em>Scarface</em>. It was a statement: &quot;Sure we liked your subtle Strasbergian work in the 70s, but we <em>really</em> love your screaming in the 90s!&quot; And so that brings us to <em>The Devil's Advocate</em>, a movie that must have been pitched with four simple words: Al Pacino is Satan.</p>
<p><em>The Devil's Advocate</em> is a Frankenstein monster of a film, combining elements of <em>The Firm</em>, <em>Rosemary's Baby</em> and, the aforementioned <em>Scarface, </em>into an overstuffed 2-hour-and-20-minute package--we have to wonder if director Taylor Hackford yelled, &quot;it's alive!&quot; when the editing process was finally completed. Everything about the film<em> </em>is so unbelievably gratuitous and grotesquely overboard that it wouldn't surprise us to learn there was a deleted scene featuring Mr. Pacino and a group of pigs literally wallowing in their own filth. And yet! <em>The Devil's Advocate </em>is hilariously fun, just so long as you don't take anything about it seriously. This is easily the closest movie Mr. Pacino has ever made that resembles a straight-up comedy. To wit: A young hotshot defense attorney from the south (Keanu Reeves with a southern accent; need we say more) gets called to New York at the behest of big time lawyer named John Milton (get it?), a mysterious man who ends up being... Lucifer. If you aren't laughing yet, wait until you see the final act.</p>
<p><em>When we'll probably fall asleep:</em> <a href="http://www.youtube.com/watch?v=mVHdPAXR9m8&amp;feature=related">The third act of <em>The Devil's Advocate</em></a> is, for lack of a better word, bananas. Here is just some of what you can expect: Mr. Pacino lip-syncing to the Frank Sinatra song &quot;It Happened in Monterey&quot;; Connie Nielsen's breasts; more drive-by incest than an episode of <em>Gossip Girl</em>; and a nearly 14-minute monologue that ranges from the absurd to the truly absurd. It's like the script is just a pure stream of consciousness. Pacino-as-Satan utters howlers like, &quot;I'm a fan of man&quot;, &quot;We're gonna come out, guns blazin'&quot; and &quot;I'm peaking; it's my time now&quot; with such passion and fire that you can't help but be wildly entertained. So we'll stay up until 12:50 a.m., two hours into the film, to see Mr. Pacino do his song and dance routine. The sad part is that he's better in the last twenty minutes of <em>The Devil's Advocate</em> than he was in all two hours of <em>Scent of a Woman</em>. One performance got him an Oscar... the other got him derision. The Academy Awards giveth and the Academy Awards taketh away.</p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/devil.jpg?w=300&h=203" /><em>It's 2 AM and you awake with a jerk, alone in your fully-lit apartment and still on the couch. On TV, the credits of some movie you've already seen a billion times are scrolling by. It feels like rock bottom. And we know, because we're just like you: single.</em></p>
<p><em>Need a movie to keep you company until you literally can't keep your eyes open? Join us tonight when we pass out to </em><a href="http://www.youtube.com/watch?v=mf-biN6ZYAM">The Devil's Advocate</a><em> </em>[<em>starting @ 10:50 p.m. on</em> Encore]</p>
<p><em>Why we'll try to stay up and watch it: </em>Winning an Academy Award is a tricky thing. If an actor gets it too early in their career, chances are they'll never live up to it again. But if they get it too late--for the wrong performance--it winds up validating all their negative habits. So when Al Pacino finally won his Oscar for <em>Scent of a Woman</em>, it wasn't as a make-up for all the times that he deserved the trophy but lost; it was the warm embrace by Hollywood for the over-the-top ham he had become since <em>Scarface</em>. It was a statement: &quot;Sure we liked your subtle Strasbergian work in the 70s, but we <em>really</em> love your screaming in the 90s!&quot; And so that brings us to <em>The Devil's Advocate</em>, a movie that must have been pitched with four simple words: Al Pacino is Satan.</p>
<p><em>The Devil's Advocate</em> is a Frankenstein monster of a film, combining elements of <em>The Firm</em>, <em>Rosemary's Baby</em> and, the aforementioned <em>Scarface, </em>into an overstuffed 2-hour-and-20-minute package--we have to wonder if director Taylor Hackford yelled, &quot;it's alive!&quot; when the editing process was finally completed. Everything about the film<em> </em>is so unbelievably gratuitous and grotesquely overboard that it wouldn't surprise us to learn there was a deleted scene featuring Mr. Pacino and a group of pigs literally wallowing in their own filth. And yet! <em>The Devil's Advocate </em>is hilariously fun, just so long as you don't take anything about it seriously. This is easily the closest movie Mr. Pacino has ever made that resembles a straight-up comedy. To wit: A young hotshot defense attorney from the south (Keanu Reeves with a southern accent; need we say more) gets called to New York at the behest of big time lawyer named John Milton (get it?), a mysterious man who ends up being... Lucifer. If you aren't laughing yet, wait until you see the final act.</p>
<p><em>When we'll probably fall asleep:</em> <a href="http://www.youtube.com/watch?v=mVHdPAXR9m8&amp;feature=related">The third act of <em>The Devil's Advocate</em></a> is, for lack of a better word, bananas. Here is just some of what you can expect: Mr. Pacino lip-syncing to the Frank Sinatra song &quot;It Happened in Monterey&quot;; Connie Nielsen's breasts; more drive-by incest than an episode of <em>Gossip Girl</em>; and a nearly 14-minute monologue that ranges from the absurd to the truly absurd. It's like the script is just a pure stream of consciousness. Pacino-as-Satan utters howlers like, &quot;I'm a fan of man&quot;, &quot;We're gonna come out, guns blazin'&quot; and &quot;I'm peaking; it's my time now&quot; with such passion and fire that you can't help but be wildly entertained. So we'll stay up until 12:50 a.m., two hours into the film, to see Mr. Pacino do his song and dance routine. The sad part is that he's better in the last twenty minutes of <em>The Devil's Advocate</em> than he was in all two hours of <em>Scent of a Woman</em>. One performance got him an Oscar... the other got him derision. The Academy Awards giveth and the Academy Awards taketh away.</p>
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