The Week in DVR: We Heart The Girl Next Door! Plus, Community, Vertigo, Edward Norton and West Anderson

darjeelinglimited3 1024 The Week in DVR: We Heart The Girl Next Door! Plus, Community, Vertigo, Edward Norton and West Anderson Monday: Vertigo

Halloween might be over, but that doesn’t mean the scares have to stop. We wouldn’t go so far as to call Vertigo a “horror movie,” but Master of Suspense Alfred Hitchcock ratchets the tension to such unbearable levels that parts of it are more terrifying than anything you’d see in whatever torture porn is defiling theaters in a given week. Of course you’ve watched Vertigo before, so we aren’t going to tell you anything new—Bernard Hermann’s score is fantastic, Jimmy Stewart is perfectly obsessive, Kim Novak is the epitome of cold, blah, blah, blah—but did you know that Turner Classic Movies is now available in HD for Time Warner subscribers? It’s true! If you thought Vertigo looked great before, wait until you see it now. [TCM, 8 p.m.]

Tuesday: By the People
Because what you need is more opportunities to watch Barack Obama on television, here comes By the People, a new HBO documentary produced by Edward Norton (who presumably took time out his busy schedule of Modern Family watching and New York City marathon preparation to do so.) By the People is a behind the scenes look at the 2008 presidential campaign, which should be fun, if only to remind us that just a year ago we were so much more optimistic than we are now about the future of America. It’ll be nice to see now-president Obama once again telling us that yes, we can. [HBO, 9 p.m.]

Wednesday: The Girl Next Door
If a movie came out today starring Emile Hirsch and Paul Dano, chances are you would expect it to be some serious indie drama directed by Sean Penn. But back in 2004, the movie they co-starred in was a teen sex comedy about a high school senior dating a porn star, and it did so poorly at the box office, you probably forgot it even existed. Not us though! You can write off The Girl Next Door as trite and silly, but Luke Greenfield’s film is kinda brilliant—funny, smart, poignant and raucous. And if nothing else, you can just watch for the music cues. Does anything go better with coming of age angst than “Baba O’Riley” and “Under Pressure?” We didn’t think so. [FX, 8 p.m.]

Thursday: Community
And now we interrupt our regularly scheduled programming to bring you a weekly plea to watch Community. For reasons that we cannot figure out, this show hasn’t caught on the way it should. The ratings are poor (despite a full season order from NBC, Community averages just under 6 million viewers per episode) and, worse, there seems to be quite the negative stigma attached to the series. People don’t want to like! When we tell friends it’s funny, they get a look on their face like we’re telling them to watch Family Guy. Wake up, everyone! Whether or not Community makes it longer than one season remains to be seen, but what we have on our hands is the quickest and snarkiest show on network television since Arrested Development. Seriously, the jokes fly out at a clip that would make even 30 Rock jealous. That you aren’t watching this on a weekly basis is borderline criminal. [NBC, 8 p.m.]

Friday: The Darjeeling Limited
Wes Anderson made quite a stink in the blog world last week when he (facetiously?) wondered to the New Yorker why Slumdog Millionaire was the India-based movie that hit with the populace and not his 2007 travelogue of ennui, drugs and broken familial bonds. And as you read that description, perhaps you can figure out the answer. In the oeuvre of Mr. Anderson, The Darjeeling Limited sits somewhere towards the bottom, but it’s never terrible thanks almost totally to Adrian Brody, Owen Wilson and Jason Schwartzman who play the least believable-looking set of brothers we’ve ever seen. Whenever the three are allowed to riff off each other, The Darjeeling Limited is quite fun; when it bogs down with sentimentality and spirituality, it’s not. Still, the real problem is that unlike Slumdog Millionaire, there isn’t a dance number during the credits. Next time, Wes. Next time. [More Max, 4:15 a.m.]