<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/css" media="screen" href="http://s2.wp.com/wp-content/themes/vip/newyorkobserver/stylesheets/rss.css"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
	>

<channel>
	<title>Observer &#187; The Semiotics of Sparks</title>
	<atom:link href="http://observer.com/2010/03/the-semiotics-of-sparks/feed/" rel="self" type="application/rss+xml" />
	<link>http://observer.com</link>
	<description></description>
	<lastBuildDate>Fri, 24 May 2013 15:19:03 +0000</lastBuildDate>
	<language></language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
<cloud domain='observer.com' port='80' path='/?rsscloud=notify' registerProcedure='' protocol='http-post' />
<image>
		<url>http://1.gravatar.com/blavatar/dac0f3722a48a53be75eb06c0c4f5119?s=96&#038;d=http%3A%2F%2Fs2.wp.com%2Fi%2Fbuttonw-com.png</url>
		<title>Observer &#187; The Semiotics of Sparks</title>
		<link>http://observer.com</link>
	</image>
	<atom:link rel="search" type="application/opensearchdescription+xml" href="http://observer.com/osd.xml" title="Observer" />
	<atom:link rel='hub' href='http://observer.com/?pushpress=hub'/>
		<item>
				
		<title>The Semiotics of Sparks</title>

		<comments>http://observer.com/2010/03/the-semiotics-of-sparks/#comments</comments>
		<pubDate>Wed, 31 Mar 2010 15:01:58 -0400</pubDate>
					<link>http://observer.com/2010/03/the-semiotics-of-sparks/</link>
			<dc:creator>Irina Aleksander</dc:creator>
				
		<guid isPermaLink="false">http://www.observer.com/2010/03/the-semiotics-of-sparks/</guid>
		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/2010_the_last_song_005.jpg?w=300&h=198" />This week, the Nicholas Sparks movie <em>The Last Song,</em> starring Miley Cyrus, arrives in theaters-just a month after his <em>Dear John.</em> The plot includes divorce, piano-playing, a distant father, a small Georgia beach town, stained-glass windows and, well, more letter-writing.&nbsp;</p>
<p>Mr. Sparks, 44, has written 15 novels, six of which have been made into movies-rather surprisingly embraced by many New Yorkers of the Transom's acquaintance eager for a good in-the-dark cry (also widely imitated; see films like <em>Remember Me</em>,<em> </em>with Robert Pattinson).</p>
<p>At its most basic, his formula involves two lovers running on a beach somewhere, separating due to a complication and later realizing their great affection for each another. But other factors also come into play. Herein, we break it down.</p>
<p>&nbsp;</p>
<p align="left"><strong>Dear John</strong><strong> </strong>(2010)</p>
<p align="left"><strong>The coupling:</strong> Channing Tatum and Amanda Seyfried</p>
<p align="left"><strong>Beach setting:</strong> Charleston, South Carolina</p>
<p align="left"><strong>Bonus elements:</strong> Long-distance letters, cancer, death, autism, war</p>
<p align="left"><em>&nbsp;</em></p>
<p align="left"><strong>Nights in Rodanthe</strong> (2008)</p>
<p align="left"><strong>The coupling:</strong> Richard Gere and Diane Lane</p>
<p align="left"><strong>Beach setting:</strong> Rodanthe, North Carolina</p>
<p align="left"><strong>Bonus elements:</strong> Long-distance letters, storm, wild horses, death</p>
<p align="left">&nbsp;</p>
<p align="left"><strong>The Notebook</strong> (2004)</p>
<p align="left"><strong>Coupling:</strong> Ryan Gosling and Rachel McAdams</p>
<p align="left"><strong>Beach setting:</strong> Seabrook Island, South Carolina, circa 1940s</p>
<p align="left"><strong>Bonus elements:</strong> Long-distance letters, war, Alzheimer's, death</p>
<p align="left"><strong>&nbsp;</strong></p>
<p align="left"><strong>Message in a Bottle </strong>(1999)</p>
<p align="left"><strong>Coupling:</strong> Kevin Costner and Robin Wright Penn</p>
<p align="left"><strong>Beach setting:</strong> Cape Cod</p>
<p align="left"><strong>Bonus elements:</strong> Love letters, death at sea, sailing, boat-building</p>
<p>&nbsp;</p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/2010_the_last_song_005.jpg?w=300&h=198" />This week, the Nicholas Sparks movie <em>The Last Song,</em> starring Miley Cyrus, arrives in theaters-just a month after his <em>Dear John.</em> The plot includes divorce, piano-playing, a distant father, a small Georgia beach town, stained-glass windows and, well, more letter-writing.&nbsp;</p>
<p>Mr. Sparks, 44, has written 15 novels, six of which have been made into movies-rather surprisingly embraced by many New Yorkers of the Transom's acquaintance eager for a good in-the-dark cry (also widely imitated; see films like <em>Remember Me</em>,<em> </em>with Robert Pattinson).</p>
<p>At its most basic, his formula involves two lovers running on a beach somewhere, separating due to a complication and later realizing their great affection for each another. But other factors also come into play. Herein, we break it down.</p>
<p>&nbsp;</p>
<p align="left"><strong>Dear John</strong><strong> </strong>(2010)</p>
<p align="left"><strong>The coupling:</strong> Channing Tatum and Amanda Seyfried</p>
<p align="left"><strong>Beach setting:</strong> Charleston, South Carolina</p>
<p align="left"><strong>Bonus elements:</strong> Long-distance letters, cancer, death, autism, war</p>
<p align="left"><em>&nbsp;</em></p>
<p align="left"><strong>Nights in Rodanthe</strong> (2008)</p>
<p align="left"><strong>The coupling:</strong> Richard Gere and Diane Lane</p>
<p align="left"><strong>Beach setting:</strong> Rodanthe, North Carolina</p>
<p align="left"><strong>Bonus elements:</strong> Long-distance letters, storm, wild horses, death</p>
<p align="left">&nbsp;</p>
<p align="left"><strong>The Notebook</strong> (2004)</p>
<p align="left"><strong>Coupling:</strong> Ryan Gosling and Rachel McAdams</p>
<p align="left"><strong>Beach setting:</strong> Seabrook Island, South Carolina, circa 1940s</p>
<p align="left"><strong>Bonus elements:</strong> Long-distance letters, war, Alzheimer's, death</p>
<p align="left"><strong>&nbsp;</strong></p>
<p align="left"><strong>Message in a Bottle </strong>(1999)</p>
<p align="left"><strong>Coupling:</strong> Kevin Costner and Robin Wright Penn</p>
<p align="left"><strong>Beach setting:</strong> Cape Cod</p>
<p align="left"><strong>Bonus elements:</strong> Love letters, death at sea, sailing, boat-building</p>
<p>&nbsp;</p>
]]></content:encoded>
		<wfw:commentRss>http://observer.com/2010/03/the-semiotics-of-sparks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://2.gravatar.com/avatar/becf95fa833b8aeb13f7720732bd6dc6?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">jhanasobserver</media:title>
		</media:content>

		<media:content url="http://nyoobserver.files.wordpress.com/2011/06/2010_the_last_song_005.jpg?w=300&#38;h=198" medium="image" />
	</item>
	</channel>
</rss>
