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	<title>Observer &#187; 3 Other Directors That Should Find Their Way to HBO</title>
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		<title>Observer &#187; 3 Other Directors That Should Find Their Way to HBO</title>
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		<title>3 Other Directors That Should Find Their Way to HBO</title>

		<comments>http://observer.com/2010/07/3-other-directors-that-should-find-their-way-to-hbo/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 21:16:26 -0400</pubDate>
					<link>http://observer.com/2010/07/3-other-directors-that-should-find-their-way-to-hbo/</link>
			<dc:creator>Christopher Rosen</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/wes-anderson1.jpg?w=300&h=228" />Remember that logjam of likely never happening film projects that Martin Scorsese had waiting for him on his Google Calendar? Well you can cross one off the list: Scorsese and Mick Jagger are <a href="http://www.deadline.com/2010/07/martin-scorsese-mick-jagger-terence-winter-to-develop-hbo-rock-n-roll-drama/">teaming</a> up for a new HBO series that would chronicle the lives of two friends through 40 years of the music business. It's the second HBO project for Martin Scorsese -- the first being <em>Boardwalk Empire</em> -- and shows the further thawing between movie directors and series television. In addition to Scorsese, HBO has Michael Mann on board for <em>Luck</em>, Bill Condon for <em>Tilda</em> and they just finished airing <em>The Pacific </em>from executive producer Steven Spielberg (who is also producing the upcoming Fox series, <em>Terra Nova</em>). But which three other directors should try plying their craft on the pay cable network? The <em>Observer</em> makes some suggestions below.</p>
<p><strong>Wes Anderson</strong></p>
<p>People criticize Wes Anderson for always doing the same thing, but give credit where credit is due: So do plenty of other directors. Anderson had what many felt was a creative renaissance with the fantastic <em>Fantasic Mr. Fox</em> and if he can conquer stop-motion animation, why not cable? Desn't his brand of off-kilter characterizations and hipster tweeness lend itself well to something spread out over the life of a series. His movies feel like truncated novels anyway -- HBO would let him explore the space even further.</p>
<p><strong>J.J. Abrams</strong></p>
<p>OK, this is kind of a cheat, since J.J. Abrams started on television and still has two series on the schedule for the fall (<em>Fringe</em> and the upcoming NBC show <em>Undercovers</em>). But now that he's a big-time movie director, maybe he should give HBO a try. Think about it: An Abrams-produced weekly series that combines elements of <em>Tales from the Crypt</em> and <em>The Twilight Zone</em>, with Abrams as the de facto Rod Serling. You can even set the show in the '50s to make it have even more of a retro feel.</p>
<p><strong>Francis Ford Coppola</strong></p>
<p>Be honest: Francis Ford Coppola hasn't been relevant for decades, so what place better than HBO to reignite the brand? Give the winemaker 13 episodes to create a family drama set in the warm glow of the California sun and let him go nuts. Just don't let him cast Vincent Gallo in anything again.</p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/wes-anderson1.jpg?w=300&h=228" />Remember that logjam of likely never happening film projects that Martin Scorsese had waiting for him on his Google Calendar? Well you can cross one off the list: Scorsese and Mick Jagger are <a href="http://www.deadline.com/2010/07/martin-scorsese-mick-jagger-terence-winter-to-develop-hbo-rock-n-roll-drama/">teaming</a> up for a new HBO series that would chronicle the lives of two friends through 40 years of the music business. It's the second HBO project for Martin Scorsese -- the first being <em>Boardwalk Empire</em> -- and shows the further thawing between movie directors and series television. In addition to Scorsese, HBO has Michael Mann on board for <em>Luck</em>, Bill Condon for <em>Tilda</em> and they just finished airing <em>The Pacific </em>from executive producer Steven Spielberg (who is also producing the upcoming Fox series, <em>Terra Nova</em>). But which three other directors should try plying their craft on the pay cable network? The <em>Observer</em> makes some suggestions below.</p>
<p><strong>Wes Anderson</strong></p>
<p>People criticize Wes Anderson for always doing the same thing, but give credit where credit is due: So do plenty of other directors. Anderson had what many felt was a creative renaissance with the fantastic <em>Fantasic Mr. Fox</em> and if he can conquer stop-motion animation, why not cable? Desn't his brand of off-kilter characterizations and hipster tweeness lend itself well to something spread out over the life of a series. His movies feel like truncated novels anyway -- HBO would let him explore the space even further.</p>
<p><strong>J.J. Abrams</strong></p>
<p>OK, this is kind of a cheat, since J.J. Abrams started on television and still has two series on the schedule for the fall (<em>Fringe</em> and the upcoming NBC show <em>Undercovers</em>). But now that he's a big-time movie director, maybe he should give HBO a try. Think about it: An Abrams-produced weekly series that combines elements of <em>Tales from the Crypt</em> and <em>The Twilight Zone</em>, with Abrams as the de facto Rod Serling. You can even set the show in the '50s to make it have even more of a retro feel.</p>
<p><strong>Francis Ford Coppola</strong></p>
<p>Be honest: Francis Ford Coppola hasn't been relevant for decades, so what place better than HBO to reignite the brand? Give the winemaker 13 episodes to create a family drama set in the warm glow of the California sun and let him go nuts. Just don't let him cast Vincent Gallo in anything again.</p>
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