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	<title>Observer &#187; The Times on Franco: &#039;A Confusing Mix of the Clueless and the Halfway Promising&#039;</title>
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		<title>Observer &#187; The Times on Franco: &#039;A Confusing Mix of the Clueless and the Halfway Promising&#039;</title>
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		<title>The Times on Franco: &#039;A Confusing Mix of the Clueless and the Halfway Promising&#039;</title>

		<comments>http://observer.com/2010/08/ithe-timesi-on-franco-a-confusing-mix-of-the-clueless-and-the-halfway-promising/#comments</comments>
		<pubDate>Fri, 20 Aug 2010 13:25:41 -0400</pubDate>
					<link>http://observer.com/2010/08/ithe-timesi-on-franco-a-confusing-mix-of-the-clueless-and-the-halfway-promising/</link>
			<dc:creator>Molly Fischer</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/francoart11_0.jpg?w=300&h=222" />Today <em>The Times</em>' <a href="http://www.nytimes.com/2010/08/20/arts/design/20franco.html?pagewanted=1&amp;_r=1&amp;nl=nyregion&amp;emc=urb2" target="_blank">Roberta Smith reviews</a> James Franco's Clocktower Gallery art spectacle, "<a href="/2010/daily-transom/behold-art-franco" target="_blank">The Dangerous Book Four Boys</a>." The title, she notes, "is a slight skewing of <em>The Dangerous Book for Boys."</em></p>
<p>Despite Smith's palpable irritation with the task at hand, she is not ungenerous:</p>
<blockquote><p>Some people would probably feel better to read that Mr. Franco&rsquo;s  Clocktower effort can be dismissed as bad beyond redemption, an  outsider&rsquo;s na&iuml;ve dalliance in things he doesn&rsquo;t really understand. I  initially inclined toward that conclusion, although in the end it turned  out to be more interesting and complicated than that....</p>
<p>What made me slow down and start looking? Coming up against my own  biases that art must be a full-time obsession, that early work means  limiting constraints and that video art requires a sense of  one-artist-one-camera intimacy.</p>
<p>Still, the show is a confusing mix of the clueless and the halfway promising.</p>
</blockquote>
<p>Perhaps the review's harshest words are reserved for <a href="/2010/daily-transom/james-franco-freaks-out-new-yorker" target="_blank">a previous Franco project</a>:</p>
<blockquote><p>Mr. Franco&rsquo;s recent appearances on the soap opera &ldquo;General Hospital&rdquo; as a  handsome, enigmatic, platitude-spouting installation artist named  Franco have earned him something of a cult following, although I can&rsquo;t  be alone in feeling that their irony is outdone by their lameness.</p>
</blockquote>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/francoart11_0.jpg?w=300&h=222" />Today <em>The Times</em>' <a href="http://www.nytimes.com/2010/08/20/arts/design/20franco.html?pagewanted=1&amp;_r=1&amp;nl=nyregion&amp;emc=urb2" target="_blank">Roberta Smith reviews</a> James Franco's Clocktower Gallery art spectacle, "<a href="/2010/daily-transom/behold-art-franco" target="_blank">The Dangerous Book Four Boys</a>." The title, she notes, "is a slight skewing of <em>The Dangerous Book for Boys."</em></p>
<p>Despite Smith's palpable irritation with the task at hand, she is not ungenerous:</p>
<blockquote><p>Some people would probably feel better to read that Mr. Franco&rsquo;s  Clocktower effort can be dismissed as bad beyond redemption, an  outsider&rsquo;s na&iuml;ve dalliance in things he doesn&rsquo;t really understand. I  initially inclined toward that conclusion, although in the end it turned  out to be more interesting and complicated than that....</p>
<p>What made me slow down and start looking? Coming up against my own  biases that art must be a full-time obsession, that early work means  limiting constraints and that video art requires a sense of  one-artist-one-camera intimacy.</p>
<p>Still, the show is a confusing mix of the clueless and the halfway promising.</p>
</blockquote>
<p>Perhaps the review's harshest words are reserved for <a href="/2010/daily-transom/james-franco-freaks-out-new-yorker" target="_blank">a previous Franco project</a>:</p>
<blockquote><p>Mr. Franco&rsquo;s recent appearances on the soap opera &ldquo;General Hospital&rdquo; as a  handsome, enigmatic, platitude-spouting installation artist named  Franco have earned him something of a cult following, although I can&rsquo;t  be alone in feeling that their irony is outdone by their lameness.</p>
</blockquote>
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