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	<title>Observer &#187; Tao Lin&#039;s &#039;Great American Dialogue&#039; about 20 Under 40</title>
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		<title>Observer &#187; Tao Lin&#039;s &#039;Great American Dialogue&#039; about 20 Under 40</title>
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		<title>Tao Lin&#039;s &#039;Great American Dialogue&#039; about 20 Under 40</title>

		<comments>http://observer.com/2010/08/tao-lins-great-american-dialogue-about-20-under-40/#comments</comments>
		<pubDate>Wed, 18 Aug 2010 16:16:52 -0400</pubDate>
					<link>http://observer.com/2010/08/tao-lins-great-american-dialogue-about-20-under-40/</link>
			<dc:creator>Molly Fischer</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/taolinbymallorywhitten_1.jpg?w=200&h=300" />"The  dialogue will begin when b. 1983, in a moment of 'vague, somewhat  drug-induced,  existential inattention,' sort of waiting for two or  three people to 'text him  back' while not completely aware whose 'turn'  it actually is to 'text [someone]  back,' mostly only aware, sort of  sleepily, though not 'feeling sleepy,' of not  being aware of anything  specific, nonsequiturly says 'the <em>New Yorker</em>&rsquo;s "20 under 40" list' a little loudly and tonelessly, like a cough or sneeze, and  while  still saying it feels that 'simply' saying it will likely cause 5&ndash;15   minutes of 'not interminable, moderately witty' conversation and being  correct:  the conversation immediately quickening, becoming louder, more  overlapped, the  disconnect between literal/'delivered' meanings re 'words spoken' suddenly  larger, eyeballs sometimes sort of 'darting  around' without exterior referents,  phrases like 'Keith Gessen,' '<em>Granta</em>&rsquo;s list,' 'David Remnick or whoever,' 'probably Karen Russell'  spoken at tones/volumes previously unused that night."</p>
<p>&nbsp;&nbsp;&nbsp; &mdash; Tao Lin, profiled in <a href="/2010/culture/tao-lin-will-have-scallops" target="_blank">this week's <em>Observer</em></a>, describes "The Great American Dialogue About <em>The New  Yorker</em>'s 2010 '<a href="/2010/culture/america%E2%80%99s-next-top-novel" target="_blank">20 Under 40</a>' List " <a href="http://canteenmag.com/i6e2.shtml" target="_blank">for <em>Canteen</em></a>.</p>
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		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/taolinbymallorywhitten_1.jpg?w=200&h=300" />"The  dialogue will begin when b. 1983, in a moment of 'vague, somewhat  drug-induced,  existential inattention,' sort of waiting for two or  three people to 'text him  back' while not completely aware whose 'turn'  it actually is to 'text [someone]  back,' mostly only aware, sort of  sleepily, though not 'feeling sleepy,' of not  being aware of anything  specific, nonsequiturly says 'the <em>New Yorker</em>&rsquo;s "20 under 40" list' a little loudly and tonelessly, like a cough or sneeze, and  while  still saying it feels that 'simply' saying it will likely cause 5&ndash;15   minutes of 'not interminable, moderately witty' conversation and being  correct:  the conversation immediately quickening, becoming louder, more  overlapped, the  disconnect between literal/'delivered' meanings re 'words spoken' suddenly  larger, eyeballs sometimes sort of 'darting  around' without exterior referents,  phrases like 'Keith Gessen,' '<em>Granta</em>&rsquo;s list,' 'David Remnick or whoever,' 'probably Karen Russell'  spoken at tones/volumes previously unused that night."</p>
<p>&nbsp;&nbsp;&nbsp; &mdash; Tao Lin, profiled in <a href="/2010/culture/tao-lin-will-have-scallops" target="_blank">this week's <em>Observer</em></a>, describes "The Great American Dialogue About <em>The New  Yorker</em>'s 2010 '<a href="/2010/culture/america%E2%80%99s-next-top-novel" target="_blank">20 Under 40</a>' List " <a href="http://canteenmag.com/i6e2.shtml" target="_blank">for <em>Canteen</em></a>.</p>
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