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NYFF Math: Carnage As Opening Night Film–How Does It Stack Up?

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By Daniel D'Addario 7/29/11 5:27pm
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  • 2011: Carnage.      * Auteur factor: 10/10. Roman Polanski, love him or hate him, is a bit of a living legend, though recent outings have not been universally loved.     * Festival factor: 5/10. Another NYFF exclusive.     * Hype: 8/10. More than a French Cannes winner that Upper West Side people will begrudgingly see, less than The Social Network.     * Total: 23/30 NYFF points.
    Start The Slideshow

  • Back Forward The New York Film Festival has announced its opening night film this year, Roman Polanski's Carnage. The film's highly anticipated--but how does it stack up to past opening nights at the festival, using NYFF's most important metrics?

    The New York Film Festival has announced its opening night film this year, Roman Polanski's Carnage. The film's highly anticipated--but how does it stack up to past opening nights at the festival, using NYFF's most important metrics?

  • Back Forward 2001: Va Savoir.      * Auteur factor: 8/10. Jacques Rivette is a beloved French director, if not quite as well-known to festival-trolling NYU sophomores as Godard.     * Festival factor: 7/10. Played previously at Cannes, and Mr. Rivette had won two prizes for a different film at Berlin.     * Hype: 4/10. Hard to gauge a decade-old film's hype in retrospect, but this year's festival also hosted Y Tu Mama También and Mulholland Drive. Overshadowed!      * Total: 19/30 NYFF points.

    2001: Va Savoir. * Auteur factor: 8/10. Jacques Rivette is a beloved French director, if not quite as well-known to festival-trolling NYU sophomores as Godard. * Festival factor: 7/10. Played previously at Cannes, and Mr. Rivette had won two prizes for a different film at Berlin. * Hype: 4/10. Hard to gauge a decade-old film's hype in retrospect, but this year's festival also hosted Y Tu Mama También and Mulholland Drive. Overshadowed! * Total: 19/30 NYFF points.

  • Back Forward 2002: About Schmidt.      * Auteur factor: 6/10. Alexander Payne, pre-Sideways, was well-liked but not yet in the American firmament.     * Festival factor: 6/10. Played at Cannes.     * Hype: 7/10. While Mr. Payne wasn't yet the force he is today (or was in 2005--it's been a long time since Sideways!), his Election followup was highly anticipated and was tipped to win a few Oscars (which it did not do).     * Total: 19/30 NYFF points.

    2002: About Schmidt. * Auteur factor: 6/10. Alexander Payne, pre-Sideways, was well-liked but not yet in the American firmament. * Festival factor: 6/10. Played at Cannes. * Hype: 7/10. While Mr. Payne wasn't yet the force he is today (or was in 2005--it's been a long time since Sideways!), his Election followup was highly anticipated and was tipped to win a few Oscars (which it did not do). * Total: 19/30 NYFF points.

  • Back Forward 2003: Mystic River.      * Auteur factor: 9/10. This was the film that re-established Mr. Eastwood--it's only the fact that his previous film was Blood Work that keeps him from a 10.     * Festival factor: 6/10. Played at Cannes.     * Hype: 6/10. This film was a slow-burner of sorts: NYFF helped boost its cred, but it reached its critical mass only once it had opened in theaters. (Remember 2003? Sean Penn winning Best Actor was kind of an upset!)     * Total: 21/30 NYFF points.

    2003: Mystic River. * Auteur factor: 9/10. This was the film that re-established Mr. Eastwood--it's only the fact that his previous film was Blood Work that keeps him from a 10. * Festival factor: 6/10. Played at Cannes. * Hype: 6/10. This film was a slow-burner of sorts: NYFF helped boost its cred, but it reached its critical mass only once it had opened in theaters. (Remember 2003? Sean Penn winning Best Actor was kind of an upset!) * Total: 21/30 NYFF points.

  • Back Forward 2004: Look at Me.      * Auteur factor: 6/10. Agnes Jaoui is French, which counts for a bit.     * Festival factor: 7/10. Won Best Screenplay at Cannes.     * Hype: 3/10. Forgive our ignorance!     * Total: 16/30 NYFF points.

    2004: Look at Me. * Auteur factor: 6/10. Agnes Jaoui is French, which counts for a bit. * Festival factor: 7/10. Won Best Screenplay at Cannes. * Hype: 3/10. Forgive our ignorance! * Total: 16/30 NYFF points.

    2004: Look at Me. * Auteur factor: 6/10. Agnes Jaoui is French, which counts for a bit. * Festival factor: 7/10. Won Best Screenplay at Cannes. * Hype: 3/10. Forgive our ignorance! * Total: 16/30 NYFF points.

  • Back Forward 2005: Good Night, and Good Luck. # Auteur factor: 4/10. George Clooney had only made one film previous to this. A bonus point, though, for his super-fame. (A reaction against last year?) # Festival factor: 7/10. Played in Venice (marginally less important than Cannes), won a ton of prizes there. # Hype: 7/10. This was a big deal! (It was very politically resonant during the mid-Bush years, as it is very hard or very easy to recall depending on one's interest in Fox News.) # Total: 18/30 NYFF points.

    2005: Good Night, and Good Luck. # Auteur factor: 4/10. George Clooney had only made one film previous to this. A bonus point, though, for his super-fame. (A reaction against last year?) # Festival factor: 7/10. Played in Venice (marginally less important than Cannes), won a ton of prizes there. # Hype: 7/10. This was a big deal! (It was very politically resonant during the mid-Bush years, as it is very hard or very easy to recall depending on one's interest in Fox News.) # Total: 18/30 NYFF points.

  • Back Forward 2006: The Queen.      * Auteur factor: 7/10. You guys, Stephen Frears made Dangerous Liaisons!     * Festival factor: 8/10. Best Actress and Screenplay at Venice!     * Hype: 7/10. Pretty steady drumbeat through the fall     * Total: 22/30 NYFF points (if Stephen Frears were French, it'd be next to perfect!).

    2006: The Queen. * Auteur factor: 7/10. You guys, Stephen Frears made Dangerous Liaisons! * Festival factor: 8/10. Best Actress and Screenplay at Venice! * Hype: 7/10. Pretty steady drumbeat through the fall * Total: 22/30 NYFF points (if Stephen Frears were French, it'd be next to perfect!).

  • Back Forward 2007: The Darjeeling Limited.      * Auteur factor: 8/10. His films all look a certain way and follow the same conventions--even if you're not a Wes Anderson fan, you must admit, the guy's got panache.     * Festival factor: 6/10. Played in Venice.     * Hype: 8/10. This was seen as a potential return to form after The Life Aquatic.     * Total: 22/30 NYFF points.

    2007: The Darjeeling Limited. * Auteur factor: 8/10. His films all look a certain way and follow the same conventions--even if you're not a Wes Anderson fan, you must admit, the guy's got panache. * Festival factor: 6/10. Played in Venice. * Hype: 8/10. This was seen as a potential return to form after The Life Aquatic. * Total: 22/30 NYFF points.

    2007: The Darjeeling Limited. * Auteur factor: 8/10. His films all look a certain way and follow the same conventions--even if you're not a Wes Anderson fan, you must admit, the guy's got panache. * Festival factor: 6/10. Played in Venice. * Hype: 8/10. This was seen as a potential return to form after The Life Aquatic. * Total: 22/30 NYFF points.

  • Back Forward 2008: The Class.      * Auteur factor: 4/10. This was Laurent Cantet's breakout film--he previously had not been terrifically known or appreciated. The guy's French, though.     * Festival factor: 10/10. Won the Palme d'Or at Cannes!     * Hype: 10/10. Won the Palme d'Or at Cannes!     * Total: 24/30 NYFF points.

    2008: The Class. * Auteur factor: 4/10. This was Laurent Cantet's breakout film--he previously had not been terrifically known or appreciated. The guy's French, though. * Festival factor: 10/10. Won the Palme d'Or at Cannes! * Hype: 10/10. Won the Palme d'Or at Cannes! * Total: 24/30 NYFF points.

    2008: The Class. * Auteur factor: 4/10. This was Laurent Cantet's breakout film--he previously had not been terrifically known or appreciated. The guy's French, though. * Festival factor: 10/10. Won the Palme d'Or at Cannes! * Hype: 10/10. Won the Palme d'Or at Cannes! * Total: 24/30 NYFF points.

  • Back Forward 2009: Wild Grass.      * Auteur factor: 10/10. Alain Resnais!     * Festival factor: 9/10. Special prize at Cannes!     * Hype: 7/10. Lots of cred, but not exactly a seat-filler in the vein of 2010's entry...     * Total: 26/30 NYFF points.

    2009: Wild Grass. * Auteur factor: 10/10. Alain Resnais! * Festival factor: 9/10. Special prize at Cannes! * Hype: 7/10. Lots of cred, but not exactly a seat-filler in the vein of 2010's entry... * Total: 26/30 NYFF points.

    2009: Wild Grass. * Auteur factor: 10/10. Alain Resnais! * Festival factor: 9/10. Special prize at Cannes! * Hype: 7/10. Lots of cred, but not exactly a seat-filler in the vein of 2010's entry... * Total: 26/30 NYFF points.

  • Back Forward 2010: The Social Network.      * Auteur factor: 8/10. David Fincher was coming off a big Oscar-y commercial hit in The Curious Case of Benjamin Button, but the hallmarks of his work are consistent and have many fans.     * Festival factor: 5/10. Didn't play Cannes, Venice, or Berlin. But know what's cool? An NYFF exclusive. (No?)     * Hype: 9/10. Remember fall 2010? It seems so long ago. But this was a biggie.     * Total: 22/30 NYFF points.

    2010: The Social Network. * Auteur factor: 8/10. David Fincher was coming off a big Oscar-y commercial hit in The Curious Case of Benjamin Button, but the hallmarks of his work are consistent and have many fans. * Festival factor: 5/10. Didn't play Cannes, Venice, or Berlin. But know what's cool? An NYFF exclusive. (No?) * Hype: 9/10. Remember fall 2010? It seems so long ago. But this was a biggie. * Total: 22/30 NYFF points.

    2010: The Social Network. * Auteur factor: 8/10. David Fincher was coming off a big Oscar-y commercial hit in The Curious Case of Benjamin Button, but the hallmarks of his work are consistent and have many fans. * Festival factor: 5/10. Didn't play Cannes, Venice, or Berlin. But know what's cool? An NYFF exclusive. (No?) * Hype: 9/10. Remember fall 2010? It seems so long ago. But this was a biggie. * Total: 22/30 NYFF points. * Festival factor: 5/10. Didn't play Cannes, Venice, or Berlin. But know what's cool? An NYFF exclusive. (No?) * Hype: 9/10. Remember fall 2010? It seems so long ago. But this was a biggie. * Total: 22/30 NYFF points.

  • Back 2011: Carnage.      * Auteur factor: 10/10. Roman Polanski, love him or hate him, is a bit of a living legend, though recent outings have not been universally loved.     * Festival factor: 5/10. Another NYFF exclusive.     * Hype: 8/10. More than a French Cannes winner that Upper West Side people will begrudgingly see, less than The Social Network.     * Total: 23/30 NYFF points.

    2011: Carnage. * Auteur factor: 10/10. Roman Polanski, love him or hate him, is a bit of a living legend, though recent outings have not been universally loved. * Festival factor: 5/10. Another NYFF exclusive. * Hype: 8/10. More than a French Cannes winner that Upper West Side people will begrudgingly see, less than The Social Network. * Total: 23/30 NYFF points.

    2011: Carnage. * Auteur factor: 10/10. Roman Polanski, love him or hate him, is a bit of a living legend, though recent outings have not been universally loved. * Festival factor: 5/10. Another NYFF exclusive. * Hype: 8/10. More than a French Cannes winner that Upper West Side people will begrudgingly see, less than The Social Network. * Total: 23/30 NYFF points.

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