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	<title>Observer &#187; NYFF Announces Its Galas: A Dangerous Method, The Skin I Live In</title>
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		<title>Observer &#187; NYFF Announces Its Galas: A Dangerous Method, The Skin I Live In</title>
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		<title>NYFF Announces Its Galas: A Dangerous Method, The Skin I Live In</title>

		<comments>http://observer.com/2011/08/nyff-announces-its-galas-a-dangerous-method-the-skin-i-live-in/#comments</comments>
		<pubDate>Mon, 15 Aug 2011 13:38:44 -0400</pubDate>
					<link>http://observer.com/2011/08/nyff-announces-its-galas-a-dangerous-method-the-skin-i-live-in/</link>
			<dc:creator>Daniel D'Addario</dc:creator>
				
		<guid isPermaLink="false">http://www.observer.com/?p=176308</guid>
		<description><![CDATA[<p><div id="attachment_176326" class="wp-caption alignleft" style="width: 161px"><a href="http://nyoobserver.files.wordpress.com/2011/08/120044680.jpg"><img class="size-medium wp-image-176326" title="Pedro Almodovar (Getty Images)" src="http://nyoobserver.files.wordpress.com/2011/08/120044680.jpg?w=151&h=300" alt="Pedro Almodovar (Getty Images)" width="151" height="300" /></a><p class="wp-caption-text">Pedro Almodovar (Getty Images)</p></div></p>
<p>The New York Film Festival is ready to party. On top of its opening night, centerpiece, and closing gala, the Festival is to throw itself two additional galas: for Pedro Almodovar's sci-fi-noir-ish reunion with Antonio Banderas, <em>The Skin I Live In</em> [<em>The Skin in Which I Live</em>? --ed.] on October 12, and for David Cronenberg's Freud/Jung drama <em>A Dangerous Method </em>on October 5. In Film Society of Lincoln Center's press release, Executive Director Rose Kuo said: "This year  has seen a great deal of growth for us with the opening of our new Film  Center and we are thrilled to continue that expansion at this year’s  NYFF."</p>
<p>The growth, <a href="http://www.observer.com/2011/07/nyff-math-carnage-as-opening-night-film-how-does-it-stack-up/">as we previously pointed out</a>, seems to be in the wattage of films NYFF can attract: opening nights have become major screenings for highly anticipated films, and have become something like victims of their own success as NYFF attracts more and more heavily-hyped films, each deserving or desiring a spotlight of its own.</p>
<p>ddaddario@observer.com :: @DPD_</p>
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		<content:encoded><![CDATA[<p><div id="attachment_176326" class="wp-caption alignleft" style="width: 161px"><a href="http://nyoobserver.files.wordpress.com/2011/08/120044680.jpg"><img class="size-medium wp-image-176326" title="Pedro Almodovar (Getty Images)" src="http://nyoobserver.files.wordpress.com/2011/08/120044680.jpg?w=151&h=300" alt="Pedro Almodovar (Getty Images)" width="151" height="300" /></a><p class="wp-caption-text">Pedro Almodovar (Getty Images)</p></div></p>
<p>The New York Film Festival is ready to party. On top of its opening night, centerpiece, and closing gala, the Festival is to throw itself two additional galas: for Pedro Almodovar's sci-fi-noir-ish reunion with Antonio Banderas, <em>The Skin I Live In</em> [<em>The Skin in Which I Live</em>? --ed.] on October 12, and for David Cronenberg's Freud/Jung drama <em>A Dangerous Method </em>on October 5. In Film Society of Lincoln Center's press release, Executive Director Rose Kuo said: "This year  has seen a great deal of growth for us with the opening of our new Film  Center and we are thrilled to continue that expansion at this year’s  NYFF."</p>
<p>The growth, <a href="http://www.observer.com/2011/07/nyff-math-carnage-as-opening-night-film-how-does-it-stack-up/">as we previously pointed out</a>, seems to be in the wattage of films NYFF can attract: opening nights have become major screenings for highly anticipated films, and have become something like victims of their own success as NYFF attracts more and more heavily-hyped films, each deserving or desiring a spotlight of its own.</p>
<p>ddaddario@observer.com :: @DPD_</p>
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