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	<title>Observer &#187; Roberta Smith and Holland Cotter Named Co-Chief Art Critics of The New York Times</title>
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		<title>Observer &#187; Roberta Smith and Holland Cotter Named Co-Chief Art Critics of The New York Times</title>
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		<title>Roberta Smith and Holland Cotter Named Co-Chief Art Critics of The New York Times</title>

		<comments>http://observer.com/2011/09/roberta-smith-and-holland-cotter-named-co-chief-art-critics-of-the-new-york-times/#comments</comments>
		<pubDate>Wed, 14 Sep 2011 17:14:31 -0400</pubDate>
					<link>http://observer.com/2011/09/roberta-smith-and-holland-cotter-named-co-chief-art-critics-of-the-new-york-times/</link>
			<dc:creator>Andrew Russeth</dc:creator>
				
		<guid isPermaLink="false">http://www.observer.com/?p=184064</guid>
		<description><![CDATA[<p><div id="attachment_184078" class="wp-caption alignleft" style="width: 259px"><a href="http://nyoobserver.files.wordpress.com/2011/09/critics.png"><img class="size-full wp-image-184078" title="Roberta Smith and Holland Cotter, the new co-chief art critics of The New York Times. (Photo: New York Times)" src="http://nyoobserver.files.wordpress.com/2011/09/critics.png" alt="" width="249" height="193" /></a><p class="wp-caption-text">Roberta Smith and Holland Cotter, the new co-chief art critics of The New York Times. (Photo: The New York Times)</p></div></p>
<p>The recent series of <a href="http://www.observer.com/2011/09/former-critic-sam-sifton-bites-into-new-gig-as-new-york-times%E2%80%99-national-editor/">job changes at the <em>The New York Times</em></a> now includes the normally sedate visual arts section, where critics Holland Cotter and Roberta Smith have just been named co-chief art critics. Artnet first <a href="http://twitter.com/#!/artnetdotcom/status/113680168844922880">reported the news on Twitter</a>, and a <em>Times </em>representative confirmed the promotions to <em>The Observer</em>.<!--more--></p>
<p>"When you have two of the best art critics on earth and when you need a chief art critic, you know what to do," <em>Times </em>culture editor Jonathan Landman wrote in a memo announcing the appointments. "You make both of them chief art critic."</p>
<p>Ms. Smith has been a staff critic at<em> The Times</em> for 20 years, and is the first woman to hold the chief art critic title. Mr. Cotter joined the staff in 1998. He won a Pulitzer Prize for distinguished criticism in 2009.</p>
<p>The chief art critic slot had previously been held by Michael Kimmelman, who was tapped for it in 1990. Mr. Kimmelman was recently named chief architecture critic at the paper, a move that <a href="http://www.observer.com/2011/08/times-art-critic-michael-kimmelman-to-take-over-as-papers-architecture-critic/"><em>The Observer</em> analyzed last month</a>. Prior to Mr. Kimmelman's reign, the chief art critic position had been held by Hilton Kramer, John Russell and John Canaday.</p>
<p>Mr. Landman noted that the two critics have "been effectively leading our art coverage for several years already." Indeed, with Mr. Kimmelman writing a column from Europe since 2007, the pair have regularly reviewed New York's most high profile exhibitions.</p>
<p>"Is it weird to have two chief critics?" Mr. Landsman asked in his memo. "Maybe a little, but skeptics should consult Tony Scott and Manohla Dargis, our other two-headed chief." (Mr. Scott and Ms. Dargis write about film for the paper.) He added, "Or their readers. Why be embarrassed by an embarrassment of riches?"</p>
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		<content:encoded><![CDATA[<p><div id="attachment_184078" class="wp-caption alignleft" style="width: 259px"><a href="http://nyoobserver.files.wordpress.com/2011/09/critics.png"><img class="size-full wp-image-184078" title="Roberta Smith and Holland Cotter, the new co-chief art critics of The New York Times. (Photo: New York Times)" src="http://nyoobserver.files.wordpress.com/2011/09/critics.png" alt="" width="249" height="193" /></a><p class="wp-caption-text">Roberta Smith and Holland Cotter, the new co-chief art critics of The New York Times. (Photo: The New York Times)</p></div></p>
<p>The recent series of <a href="http://www.observer.com/2011/09/former-critic-sam-sifton-bites-into-new-gig-as-new-york-times%E2%80%99-national-editor/">job changes at the <em>The New York Times</em></a> now includes the normally sedate visual arts section, where critics Holland Cotter and Roberta Smith have just been named co-chief art critics. Artnet first <a href="http://twitter.com/#!/artnetdotcom/status/113680168844922880">reported the news on Twitter</a>, and a <em>Times </em>representative confirmed the promotions to <em>The Observer</em>.<!--more--></p>
<p>"When you have two of the best art critics on earth and when you need a chief art critic, you know what to do," <em>Times </em>culture editor Jonathan Landman wrote in a memo announcing the appointments. "You make both of them chief art critic."</p>
<p>Ms. Smith has been a staff critic at<em> The Times</em> for 20 years, and is the first woman to hold the chief art critic title. Mr. Cotter joined the staff in 1998. He won a Pulitzer Prize for distinguished criticism in 2009.</p>
<p>The chief art critic slot had previously been held by Michael Kimmelman, who was tapped for it in 1990. Mr. Kimmelman was recently named chief architecture critic at the paper, a move that <a href="http://www.observer.com/2011/08/times-art-critic-michael-kimmelman-to-take-over-as-papers-architecture-critic/"><em>The Observer</em> analyzed last month</a>. Prior to Mr. Kimmelman's reign, the chief art critic position had been held by Hilton Kramer, John Russell and John Canaday.</p>
<p>Mr. Landman noted that the two critics have "been effectively leading our art coverage for several years already." Indeed, with Mr. Kimmelman writing a column from Europe since 2007, the pair have regularly reviewed New York's most high profile exhibitions.</p>
<p>"Is it weird to have two chief critics?" Mr. Landsman asked in his memo. "Maybe a little, but skeptics should consult Tony Scott and Manohla Dargis, our other two-headed chief." (Mr. Scott and Ms. Dargis write about film for the paper.) He added, "Or their readers. Why be embarrassed by an embarrassment of riches?"</p>
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