Years in the making, the Guggenheim’s retrospective of Italian artist Maurizio Cattelan has finally arrived.
About 130 of his works are now hanging, immaculately and elegantly, from a circular metal rack at the top of the Frank Lloyd Wright’s rotunda, like sausages, laundry or, to quote the Guggenheim’s rather bravely worded press materials, “a mass execution.” (We counted two of the artist’s sculptures of young boys hanging by their necks.)
Mr. Cattelan, as many have pointed out, is a master of the one liner. His works are designed to fill a room, to be photographed. They are short jokes we can tell each other. “I asked Maurizio to make a portrait of my grandmother,” one can hear a collector telling his house guest. “And shoved a sculpture of her in a refrigerator!” Then they laugh. Read More