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	<title>Observer &#187; Asking Price for Variety? $30 Million or Less</title>
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		<title>Observer &#187; Asking Price for Variety? $30 Million or Less</title>
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		<title>Asking Price for Variety? $30 Million or Less</title>

		<comments>http://observer.com/2012/09/asking-price-for-variety-30-million-or-less/#comments</comments>
		<pubDate>Mon, 10 Sep 2012 10:41:31 -0400</pubDate>
					<link>http://observer.com/2012/09/asking-price-for-variety-30-million-or-less/</link>
			<dc:creator>Daniel D'Addario</dc:creator>
				
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		<description><![CDATA[<p><a href="http://observer.com/2012/09/asking-price-for-variety-30-million-or-less/variety-cover/" rel="attachment wp-att-261755"><img class="alignleft size-medium wp-image-261755" title="Variety" src="http://nyoobserver.files.wordpress.com/2012/09/variety-cover.jpg?w=233" alt="" width="233" height="300" /></a><a href="http://www.nypost.com/p/news/business/variety_race_day_Rz32ze4gmPgaMSNTkAYYrN">Keith Kelly at the <em>Post </em>reports</a> that Reed Elsevier has cut the asking price for Hollywood trade rag <em>Variety </em>to under $30 million, from over $40 million. The leading bidders include Jay Penske's Penske Media Corporation, which owns Nikki Finke's Deadline and Bonnie Fuller's Hollywood Life, and would, Mr. Kelly speculates, benefit from ensuring no rival can revamp the attenuated, paywall-restricted <em>Variety.</em></p>
<p><em>Variety </em>and <em>The Hollywood Reporter</em> historically battled as the movie industry's two top trades, but <em>THR</em>, in the era of editor Janice Min, has become a more general-interest magazine, while sites like Deadline garner the scoops that the trades once received. <em>Variety </em>has valuable real estate but a precarious position--it's the last of its kind.</p>
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		<content:encoded><![CDATA[<p><a href="http://observer.com/2012/09/asking-price-for-variety-30-million-or-less/variety-cover/" rel="attachment wp-att-261755"><img class="alignleft size-medium wp-image-261755" title="Variety" src="http://nyoobserver.files.wordpress.com/2012/09/variety-cover.jpg?w=233" alt="" width="233" height="300" /></a><a href="http://www.nypost.com/p/news/business/variety_race_day_Rz32ze4gmPgaMSNTkAYYrN">Keith Kelly at the <em>Post </em>reports</a> that Reed Elsevier has cut the asking price for Hollywood trade rag <em>Variety </em>to under $30 million, from over $40 million. The leading bidders include Jay Penske's Penske Media Corporation, which owns Nikki Finke's Deadline and Bonnie Fuller's Hollywood Life, and would, Mr. Kelly speculates, benefit from ensuring no rival can revamp the attenuated, paywall-restricted <em>Variety.</em></p>
<p><em>Variety </em>and <em>The Hollywood Reporter</em> historically battled as the movie industry's two top trades, but <em>THR</em>, in the era of editor Janice Min, has become a more general-interest magazine, while sites like Deadline garner the scoops that the trades once received. <em>Variety </em>has valuable real estate but a precarious position--it's the last of its kind.</p>
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