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	<title>Observer &#187; West Side Story Meets Wu Tang Clan in Vertigo&#8217;s Prince of Cats</title>
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		<title>Observer &#187; West Side Story Meets Wu Tang Clan in Vertigo&#8217;s Prince of Cats</title>
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		<title>West Side Story Meets Wu Tang Clan in Vertigo&#8217;s Prince of Cats</title>

		<comments>http://observer.com/2012/09/west-side-story-meets-wu-tang-clan-in-new-vertigo-comic/#comments</comments>
		<pubDate>Wed, 26 Sep 2012 17:03:31 -0400</pubDate>
					<link>http://observer.com/2012/09/west-side-story-meets-wu-tang-clan-in-new-vertigo-comic/</link>
			<dc:creator>Drew Grant</dc:creator>
				
		<guid isPermaLink="false">http://observer.com/?p=266037</guid>
		<description><![CDATA[<p><div id="attachment_266043" class="wp-caption alignleft" style="width: 239px"><a href="http://nyoobserver.files.wordpress.com/2012/09/prince_of_cats.jpg"><img class="size-medium wp-image-266043" title="prince_of_cats" src="http://nyoobserver.files.wordpress.com/2012/09/prince_of_cats.jpg?w=229" alt="" width="229" height="300" /></a><p class="wp-caption-text">Veritgo's 'Prince of Cats.'</p></div></p>
<p>When it comes to Shakespeare, there are basically two settings for an adaptation: New York City, and <a href="http://theshakespeareblog.com/tag/forbidden-planet/">outer space</a>. From Ethan Hawke's <em>Hamlet</em> to <em>Men of Honor</em> (in which John Turturro plays an Italian mobster whose rise to power resembles the story of a certain Scottish play), to <em>West Side Story</em>, the Bard's work has often been played against the backdrop of bustling NYC.</p>
<p>And while the conceit of a modern take on Shakespeare might be worn in theory (<em>O</em>, anyone?), Veritgo's new comic book, <a href="http://www.vertigocomics.com/graphic-novels/prince-of-cats"><em>Prince of Cats</em></a>, found a way to update the most cliched classic--<em>Romeo and Juliet</em>--without it coming off as kitschy.<br />
<!--more--><br />
Maybe it's the subject matter: Instead of focusing on the two lovers, <em>Prince of Cats</em> turns its eye on Tybalt, Juliet's tyrannical cousin. In the story written and illustrated by Ronald Wimberly (who has done graphic work on issues of <em>Lucifer</em>, <em>Swamp Thing</em> and <em>John Constantine, </em>among others), the story is as much about hip-hop and urban life as it is about love and different names for roses.</p>
<p>While the Montagues and Capulets fight on the tops of buildings and trains, Tybalt angrily fires off cultural allusions to Wu-Tang Clan and <em>The Warriors</em>. And the gritty, street-art inspired illustrations paired with the realistic dialogue will almost make you forget the source material.<br />
<a href="http://nyoobserver.files.wordpress.com/2012/09/prince_of_cats03.jpg"><img class="aligncenter  wp-image-266051" title="Prince_of_Cats03" src="http://nyoobserver.files.wordpress.com/2012/09/prince_of_cats03.jpg" alt="" width="443" height="580" /></a><br />
Which is good, because we're pretty much done with these adaptations until someone makes an underwater version of <em>King Lear</em>.</p>
]]></description>
		<content:encoded><![CDATA[<p><div id="attachment_266043" class="wp-caption alignleft" style="width: 239px"><a href="http://nyoobserver.files.wordpress.com/2012/09/prince_of_cats.jpg"><img class="size-medium wp-image-266043" title="prince_of_cats" src="http://nyoobserver.files.wordpress.com/2012/09/prince_of_cats.jpg?w=229" alt="" width="229" height="300" /></a><p class="wp-caption-text">Veritgo's 'Prince of Cats.'</p></div></p>
<p>When it comes to Shakespeare, there are basically two settings for an adaptation: New York City, and <a href="http://theshakespeareblog.com/tag/forbidden-planet/">outer space</a>. From Ethan Hawke's <em>Hamlet</em> to <em>Men of Honor</em> (in which John Turturro plays an Italian mobster whose rise to power resembles the story of a certain Scottish play), to <em>West Side Story</em>, the Bard's work has often been played against the backdrop of bustling NYC.</p>
<p>And while the conceit of a modern take on Shakespeare might be worn in theory (<em>O</em>, anyone?), Veritgo's new comic book, <a href="http://www.vertigocomics.com/graphic-novels/prince-of-cats"><em>Prince of Cats</em></a>, found a way to update the most cliched classic--<em>Romeo and Juliet</em>--without it coming off as kitschy.<br />
<!--more--><br />
Maybe it's the subject matter: Instead of focusing on the two lovers, <em>Prince of Cats</em> turns its eye on Tybalt, Juliet's tyrannical cousin. In the story written and illustrated by Ronald Wimberly (who has done graphic work on issues of <em>Lucifer</em>, <em>Swamp Thing</em> and <em>John Constantine, </em>among others), the story is as much about hip-hop and urban life as it is about love and different names for roses.</p>
<p>While the Montagues and Capulets fight on the tops of buildings and trains, Tybalt angrily fires off cultural allusions to Wu-Tang Clan and <em>The Warriors</em>. And the gritty, street-art inspired illustrations paired with the realistic dialogue will almost make you forget the source material.<br />
<a href="http://nyoobserver.files.wordpress.com/2012/09/prince_of_cats03.jpg"><img class="aligncenter  wp-image-266051" title="Prince_of_Cats03" src="http://nyoobserver.files.wordpress.com/2012/09/prince_of_cats03.jpg" alt="" width="443" height="580" /></a><br />
Which is good, because we're pretty much done with these adaptations until someone makes an underwater version of <em>King Lear</em>.</p>
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