From Brush and Palette to Printer and Cartridge: ‘Picasso Black and White’ at the Guggenheim, ‘Wade Guyton OS’ at the Whitney

  • IN ADDITION to being the most celebrated artist of the 20th century, Picasso is also the most difficult to pin down. So it is not surprising that an austere exhibition of his paintings, sculptures and drawings, ostensibly all in black and white, actually yields smudges of color: jade, olive, lemon-meringue yellow, midnight blue. Less surprising is the fact that the pieces on view—some 118 paintings, sculptures and works on paper, including 38 being shown for the first time in the United States and five displayed for the first time in public—are full of his signature muscular shapes. The show’s curator, Carmen Giménez, brought Richard Serra to the Guggenheim Bilbao in 1999, and her taste for the sculptural is evident in this exhibition.
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