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	<title>Observer &#187; The Canyons Trailer—With James Deen and Lindsay Lohan—Released [Watch]</title>
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		<title>Observer &#187; The Canyons Trailer—With James Deen and Lindsay Lohan—Released [Watch]</title>
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		<title>The Canyons Trailer—With James Deen and Lindsay Lohan—Released [Watch]</title>

		<comments>http://observer.com/2012/10/the-canyons-trailer-with-james-deen-and-lindsay-lohan-released-watch/#comments</comments>
		<pubDate>Tue, 09 Oct 2012 13:05:00 -0400</pubDate>
					<link>http://observer.com/2012/10/the-canyons-trailer-with-james-deen-and-lindsay-lohan-released-watch/</link>
			<dc:creator>Daniel D'Addario</dc:creator>
				
		<guid isPermaLink="false">http://observer.com/?p=268397</guid>
		<description><![CDATA[<p>Bret Easton Ellis's new film, <em>The Canyons</em>, may just provide a little something for everyone involved: a sidestep away from porn for soft-core superstar <a href="http://observer.com/2012/03/the-boyfriend-experience-bret-easton-ellis-porn-star-james-deen-the-canynons-03072012/">James Deen</a>, a reinvention--and paying work--for Lindsay Lohan, and a platform for Mr. Ellis to promulgate his idea about "post-Empire" culture, famously put forth in a <a href="http://www.thedailybeast.com/newsweek/2011/03/13/charlie-sheen-is-winning.html"><em>Newsweek </em>article</a> and his <a href="https://twitter.com/BretEastonEllis">Twitter feed</a>. Post-Empire culture, which Mr. Ellis once described in part as "pure transparency," looks a lot like the sunlit California splatter films Quentin Tarantino lovingly lampoons! Perhaps it'll catch on--certainly <a href="http://www.huffingtonpost.com/2012/09/07/lindsay-lohan-obama-taxes-tweet_n_1864790.html">Lindsay Lohan</a>, having recently asked Barack Obama to cut her taxes as she's not a millionaire despite public perception, is an avatar of transparency.<!--more--></p>
<p><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='640' height='390' src='http://www.youtube.com/embed/hLO6FmfveQ4?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span></p>
]]></description>
		<content:encoded><![CDATA[<p>Bret Easton Ellis's new film, <em>The Canyons</em>, may just provide a little something for everyone involved: a sidestep away from porn for soft-core superstar <a href="http://observer.com/2012/03/the-boyfriend-experience-bret-easton-ellis-porn-star-james-deen-the-canynons-03072012/">James Deen</a>, a reinvention--and paying work--for Lindsay Lohan, and a platform for Mr. Ellis to promulgate his idea about "post-Empire" culture, famously put forth in a <a href="http://www.thedailybeast.com/newsweek/2011/03/13/charlie-sheen-is-winning.html"><em>Newsweek </em>article</a> and his <a href="https://twitter.com/BretEastonEllis">Twitter feed</a>. Post-Empire culture, which Mr. Ellis once described in part as "pure transparency," looks a lot like the sunlit California splatter films Quentin Tarantino lovingly lampoons! Perhaps it'll catch on--certainly <a href="http://www.huffingtonpost.com/2012/09/07/lindsay-lohan-obama-taxes-tweet_n_1864790.html">Lindsay Lohan</a>, having recently asked Barack Obama to cut her taxes as she's not a millionaire despite public perception, is an avatar of transparency.<!--more--></p>
<p><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='640' height='390' src='http://www.youtube.com/embed/hLO6FmfveQ4?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span></p>
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