On Art’s To-Do List: Climate Change

Before Norwegian businessman Petter Olsen sent his version of Edvard Munch’s The Scream to the auction block at Sotheby’s New York in May, where it sold for $120 million, he spoke to the press about what he thought the work meant. At the time, Mr. Olsen’s pronouncements sounded, at least to me, a little bit off. The Scream, we’re all taught, is about existential angst, the individual crying out, alone in the universe, but Mr. Olsen, who’d lived with the work his entire life, had a more expansive view.
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