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	<title>Observer &#187; A Photo Finish: Lillian Bassman&#8217;s UES Carriage House Sells Fast, For $14.9 M. </title>
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		<title>Observer &#187; A Photo Finish: Lillian Bassman&#8217;s UES Carriage House Sells Fast, For $14.9 M. </title>
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		<title>A Photo Finish: Lillian Bassman&#8217;s UES Carriage House Sells Fast, For $14.9 M.</title>

		<comments>http://observer.com/2013/01/a-photo-finish-lillian-bassmans-ues-carriage-house-sells-fast-for-14-9-m/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 13:24:16 -0400</pubDate>
					<link>http://observer.com/2013/01/a-photo-finish-lillian-bassmans-ues-carriage-house-sells-fast-for-14-9-m/</link>
			<dc:creator>Kim Velsey</dc:creator>
				
		<guid isPermaLink="false">http://observer.com/?p=284858</guid>
		<description><![CDATA[<p>With all of its stiff upper lips and even stiffer hairdos, it can be hard to remember that the Upper East Side has long been a haunt of artists. To wit: Andy Warhol, <a href="http://observer.com/2012/07/a-polaroid-purchase-avedon-townhouse-back-on-the-market-for-12-5-six-months-after-purchase/">Richard Avedon and</a> Lillian Bassman.</p>
<p>Now, it's still a popular space for working artists, but they had better be amazingly successful working artists if they hope to buy a studio/living space in the neighborhood. The carriage house and studio of fine art and fashion photographer Lillian Bass, who died last February at age 94, has sold in less than a month for its full <strong>$14.9 million </strong>asking price.<!--more--></p>
<p>It's a pity that the buyers of <strong>117 East 83rd Street</strong>, developer <strong>David Edelstein </strong>and wife <strong>Sarah</strong>, won't be carrying on the artistic traditions of the charming carriage house, which has served as a studio for Bassman and her late documentary photographer husband <strong>Paul Himmel</strong>, since 1959. Painter Helen Frankenthaler also worked there for 15 years.</p>
<p>But, hey, Richard Prince, who is building a <a href="http://observer.com/2012/11/did-richard-price-just-buy-an-ues-townhouse-signs-point-to-yes/">mini artistic empire on East 78th Street</a>, can only buy <a href="http://observer.com/2009/07/richard-prince-spends-115-m-on-upper-east-side-mansion/">so many houses each year</a>. And the space, located between Park and Lexington, is hardly an example of another starving artist's aerie sold to a wealthy developer. Bassman still used the 5,ooo square foot space as a studio until she died, but she experienced considerable commercial success in her lifetime, a success reflected in several beautifully renovated rooms.</p>
<p>"Carriage houses are wonderful spaces. Unlike townhouses, the architectural possibilities are almost unlimited," said Stribling's <strong>Kirk Henckels</strong>, who shared the listing with Douglas Elliman broker <strong>Michael Kafka.</strong></p>
<p>The carriage house is 25-feet wide, with 13-feet windows and an open facade on the West Side, allowing for that rarity in townhouses: windows on the side. But the Edelsteins didn't quibble with the asking price: the property went into contract almost immediately after hitting the market in early December. (It also spent a week on the market in September before it was pulled temporarily.)</p>
<p>The price, Mr. Henckels noted, at around $3,000 per square foot, is basically unheard of for an unrenovated townhouse. The new owners, he said, were planning to convert it to a single family home.  By comparison, the <a href="http://observer.com/2012/07/a-polaroid-purchase-avedon-townhouse-back-on-the-market-for-12-5-six-months-after-purchase/">Avedon townhouse on East 75th Street </a>is only asking $1,474 per square foot (the total price tag is $12.5 million). And it's had two renovations in the last decade!</p>
<p>Will the Edelsteins renovate and move on, as they've done before—their last flip of a townhouse on 122 East 70th Street was so impressive it could put Olympic gymnast Gabby Douglas to shame. After buying the townhouse for $12 million in 2010 (<a href="http://observer.com/2012/06/upper-eastside-townhouse-tries-for-twice-the-price/">to the horror of the neighbors</a>), they<a href="http://observer.com/2013/01/rich-developer-david-edelstein-gets-even-richer-makes-9-45-m-profit-on-townhouse-sale/"> sold it for $21.45 million</a>. Or could they finally be playing for keeps?</p>
<p><em>kvelsey@observer.com</em></p>
]]></description>
		<content:encoded><![CDATA[<p>With all of its stiff upper lips and even stiffer hairdos, it can be hard to remember that the Upper East Side has long been a haunt of artists. To wit: Andy Warhol, <a href="http://observer.com/2012/07/a-polaroid-purchase-avedon-townhouse-back-on-the-market-for-12-5-six-months-after-purchase/">Richard Avedon and</a> Lillian Bassman.</p>
<p>Now, it's still a popular space for working artists, but they had better be amazingly successful working artists if they hope to buy a studio/living space in the neighborhood. The carriage house and studio of fine art and fashion photographer Lillian Bass, who died last February at age 94, has sold in less than a month for its full <strong>$14.9 million </strong>asking price.<!--more--></p>
<p>It's a pity that the buyers of <strong>117 East 83rd Street</strong>, developer <strong>David Edelstein </strong>and wife <strong>Sarah</strong>, won't be carrying on the artistic traditions of the charming carriage house, which has served as a studio for Bassman and her late documentary photographer husband <strong>Paul Himmel</strong>, since 1959. Painter Helen Frankenthaler also worked there for 15 years.</p>
<p>But, hey, Richard Prince, who is building a <a href="http://observer.com/2012/11/did-richard-price-just-buy-an-ues-townhouse-signs-point-to-yes/">mini artistic empire on East 78th Street</a>, can only buy <a href="http://observer.com/2009/07/richard-prince-spends-115-m-on-upper-east-side-mansion/">so many houses each year</a>. And the space, located between Park and Lexington, is hardly an example of another starving artist's aerie sold to a wealthy developer. Bassman still used the 5,ooo square foot space as a studio until she died, but she experienced considerable commercial success in her lifetime, a success reflected in several beautifully renovated rooms.</p>
<p>"Carriage houses are wonderful spaces. Unlike townhouses, the architectural possibilities are almost unlimited," said Stribling's <strong>Kirk Henckels</strong>, who shared the listing with Douglas Elliman broker <strong>Michael Kafka.</strong></p>
<p>The carriage house is 25-feet wide, with 13-feet windows and an open facade on the West Side, allowing for that rarity in townhouses: windows on the side. But the Edelsteins didn't quibble with the asking price: the property went into contract almost immediately after hitting the market in early December. (It also spent a week on the market in September before it was pulled temporarily.)</p>
<p>The price, Mr. Henckels noted, at around $3,000 per square foot, is basically unheard of for an unrenovated townhouse. The new owners, he said, were planning to convert it to a single family home.  By comparison, the <a href="http://observer.com/2012/07/a-polaroid-purchase-avedon-townhouse-back-on-the-market-for-12-5-six-months-after-purchase/">Avedon townhouse on East 75th Street </a>is only asking $1,474 per square foot (the total price tag is $12.5 million). And it's had two renovations in the last decade!</p>
<p>Will the Edelsteins renovate and move on, as they've done before—their last flip of a townhouse on 122 East 70th Street was so impressive it could put Olympic gymnast Gabby Douglas to shame. After buying the townhouse for $12 million in 2010 (<a href="http://observer.com/2012/06/upper-eastside-townhouse-tries-for-twice-the-price/">to the horror of the neighbors</a>), they<a href="http://observer.com/2013/01/rich-developer-david-edelstein-gets-even-richer-makes-9-45-m-profit-on-townhouse-sale/"> sold it for $21.45 million</a>. Or could they finally be playing for keeps?</p>
<p><em>kvelsey@observer.com</em></p>
]]></content:encoded>
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