Performing Arts
With Updates, Opera Rolls the Dice: Sin City Would Have Been a Fine Setting for Rigoletto, if Rigoletto Had Showed Up
Performing Arts
Crazy Good: What Makes a Diva a Diva?
Performing Arts
Directionless: Shaggy, Good-Natured and Beloved by Millions, One Direction Just Can’t Dance
Culture
Alden Drops the Ballo: His Milquetoast Take on Verdi’s Classic Fizzles at the Met
Performing Arts
Mise en Abyme: Robert Lepage’s Concept-Production of Thomas Adès’s Tempest at the Met Disappoints
Performing Arts
You Say You Want a Revolution? Don’t Look for It in L’Elisir d’Amore
Performing Arts
High Drama at Season’s End: Peter Gelb Bludgeoned His Critics, and Fabio Luisi Had a Too-Light Touch
Culture
School for Lovers: Christopher Alden Delivers Another Gift at City Opera With Mozart’s Cosi Fan Tutte
Performing Arts
A Lot of Trouble for Trouble in Tahiti, and It Was Worth It: The Orpheus Chamber Orchestra Works Wonders With Bernstein’s Opera
Culture
Wooster Group, in the Raw: For a Production of Early O’Neill, Gone Are the Usual New Media and Fancy Effects
Performing Arts
