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Zachary Woolfe

'Eugene Onegin' at the English National Opera. (Photo by Neil Libbert)

‘Til the Fat Lady Sings: From Anna Netrebko to Anna Nicole Smith, Crime Dramas to Fairy Tales

Evgeny Nikitin as Klingsor in Wagner’s 'Parsifal.'

With Updates, Opera Rolls the Dice: Sin City Would Have Been a Fine Setting for Rigoletto, if Rigoletto Had Showed Up

By Zachary Woolfe
Kristine Opolais as Magda in Puccini’s 'La Rondine.' (Ken Howard/Metropolitan Opera)

Crazy Good: What Makes a Diva a Diva?

By Zachary Woolfe
One Direction. (Photo by Mark Metcalfe/Getty Images)

Directionless: Shaggy, Good-Natured and Beloved by Millions, One Direction Just Can’t Dance

By Zachary Woolfe
Sondra Radvanovsky in 'Un Ballo in Maschera.' (Courtesy Met Opera)

Alden Drops the Ballo: His Milquetoast Take on Verdi’s Classic Fizzles at the Met

By Zachary Woolfe
'The Tempest.' (Ken Howard/Metropolitan Opera)

Mise en Abyme: Robert Lepage’s Concept-Production of Thomas Adès’s Tempest at the Met Disappoints

By Zachary Woolfe

You Say You Want a Revolution? Don’t Look for It in L’Elisir d’Amore

By Zachary Woolfe
Peter Gelb. (Courtesy Patrick McMullan Company)

High Drama at Season’s End: Peter Gelb Bludgeoned His Critics, and Fabio Luisi Had a Too-Light Touch

By Zachary Woolfe

School for Lovers: Christopher Alden Delivers Another Gift at City Opera With Mozart’s Cosi Fan Tutte

By Zachary Woolfe
The Orpheus Chamber Orchestra. (Photo by Larry Fink)

A Lot of Trouble for Trouble in Tahiti, and It Was Worth It: The Orpheus Chamber Orchestra Works Wonders With Bernstein’s Opera

By Zachary Woolfe
Keith Connolly, Bobby McElver (top), Brian Mendes (middle), Andrew Schneider (bottom), Ari Fliakos. (Photo by Michael Schmelling)

Wooster Group, in the Raw: For a Production of Early O’Neill, Gone Are the Usual New Media and Fancy Effects

By Zachary Woolfe
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