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Can't Anybody Here Play This Game

The Biggest Losers: Looking Back at Jimmy Breslin’s Mets Bible

In the summer of 1962, New York fell in love with a man named Marvin Throneberry. A subpar first baseman who had washed out with the Yankees, he was sliding toward early retirement when he was rescued by the fledgling New York Mets. As thanks, he played worse than ever before—once getting called out on a triple for failing to step on first and second base—but each time “Marvelous” Marv came to the plate, the city chanted: “cranberry, strawberry, we love Throneberry!”

It was a third-rate chant for a third-rate player, but in the Mets’ first season, it didn’t take much to make the fans cheer. The team was on its way to 120 losses—a baseball record that stands to this day—but with the Dodgers and Giants five years gone, New York was desperate for something to scream about. Throneberry’s Mets were more than lovable losers—they were spectacular. “Name one loyal American,” writes Jimmy Breslin, in Can’t Anybody Here Play This Game? (Ivan R. Dee, 128 pp., $12.95) “who can say he does not love a team which loses 120 games in one season.” Published 50 years ago this week, this beautiful little book remains the ur-text for Metsian blundering. Here is the franchise’s origin story, writ in Mr. Breslin’s trademark barroom prose and cast with enough devils, heroes and clowns to fill out a pantomime of Faust. They are gamblers, toughs and crusty baseball lifers whom Mr. Breslin rallies in opposition to “the era of the businessman in sports,” when America’s postwar success led to a “dry and agonizing” focus on the bottom line. Read More

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adler

No Longer Gone: After 20 years, Renata Adler Is Back In Print

“I guess I felt—and now feel—as though I was 19 when I wrote it,” Renata Adler said of her first novel Speedboat. “And maybe still am. And by Pitch Dark, I was maybe 19-and-a-half.”

In fact, Ms. Adler, a slight, bespectacled woman who was seated across from me a few weeks ago at a café near Grand Central, was turning 38 when Speedboat was published in 1976. Pitch Dark came out seven years later. Both, long out of print, have just been reissued by NYRB Classics, but not before other writers drummed up interest about Ms. Adler’s work. The National Book Critics Circle campaigned for Speedboat to be reissued, and David Shields, whose 2010 book Reality Hunger helped introduce a new generation of readers to Ms. Adler’s debut, wrote in an email to me, “A crucial part of the performance of her literary persona—in Speedboat and Pitch Dark and elsewhere—is how resolutely un-nice she is while remaining deeply civilized.”

In person, she’s friendly, occasionally pausing mid-thought, hooking her left thumb into the black belt of her blue jeans while she chooses her next words. On the page, she is calm, observant and logical; she is funny, with an eye for the ridiculous; she is rigorous and intelligent. And she is unabashedly honest. Read More

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pickingup

Trashy Reading: New Book Is an Anthropological Study of the Sanitation Department

Once upon a time, in a world before the Department of Sanitation, New York City’s streets flowed with raw sewage. Slaughterhouses and farms dumped animal waste in the drinking water, and the number of yellow fever-driven deaths and exiles stretched into the tens of thousands. By the 1850s, New Yorkers were up to their necks in an accumulation of rot and bodies that became known as “corporation pudding.”

That’s the cautionary tale behind a new book out this month, Picking Up: On the Streets and Behind the Trucks With the Sanitation Workers of New York City, in which author Robin Nagle reminds readers that we ought to be a little more appreciative of the men and women who clean up after us, lest we tempt such a fate—or, God forbid, have to deal with our own trash. Read More

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Building-Home-cover

On the Page: Urban Planning Edition

Given our familiarity with the terrors of the housing crisis, it can be hard to read about the evolution of mortgage finance and the conflation of home ownership and the American Dream with anything other than a sense of dread.

Building Home (University of California Press, 368 pp., $34.95), which tells the story of Howard Read More

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Anne Carson

Poet Goes to Building on Fire: Anne Carson’s Beautiful, Wacky, Heroic New Book

The Canadian poet and classics scholar Anne Carson began her 1998 “novel in verse” Autobiography of Red with the line “He came after Homer and before Gertrude Stein, a difficult interval for a poet.” That is a perfect sentence. Its built-in double take is typical of Carson’s straight-faced comedy. Red Doc> (Knopf, 192 pp., $24.95), Ms. Carson’s new “sequel” to Autobiography, begins like this:

goodlooking boy wasn’t he / yes / blond /

                                                  yes / I do vaguely

                                                  / you never liked

                                                  him / bit of a

                                                                                                              rebel / so you

                                                                                                              said / he’s the

                                                                                                             one wore lizard

                                                                                                                                                                                   pants and

No, there aren’t any words missing, nothing to orient you—just this weirdly spaced dialogue. So Anne Carson might be a little crazy. I’ve suspected this for some time, but her new book confirms it. Not that I’m complaining. Read More

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Gass jkt

On the Page: William H. Gass and Michael Moss

Middle C

William H. Gass

(Knopf, 395 pp., 28.95)

As a writer of fiction, William H. Gass is not exactly prolific—his new novel Middle C is his third in about 45 years—but at least he’s consistent. His first novel, Omensetter’s Luck, was about a man living in Ohio whose existence takes on a kind of Read More

books

prince

Preacher Prince: ‘I Am Something That You’ll Never Comprehend’

“I can’t recall the first time I heard Prince,” Touré, author of the new book I Would Die 4 U: Why Prince Became an Icon, said in a recent interview. “He seems to have always been part of my life.” The product of about two years of work, the book is, first and foremost, a love letter, as heartfelt as it is exhaustively researched. It is less a biography than an explanation of Prince’s power to speak to and for a generation. What is it, precisely, that makes “When Doves Cry” both danceable and poignant? Read More

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Sam Lipsyte. (Photo by Ceridwen Morris)

Beautiful Losers: Sam Lipsyte’s Literature of Lowered Expectations

It was snowing, big wet chunks falling everywhere. Morningside Avenue and Morningside Drive are two different things, and this particular afternoon in February was a bad time to realize that, because they’re separated by a park with a steep cliff that drops off sharply, and I was at the bottom of the cliff. I believe I already mentioned the snow. By the time I arrived at the writer Sam Lipsyte’s apartment—40 minutes late—at the higher point of the journey, my clothes were soaked through with cold water and sweat and the sole of my right shoe had fallen off. Mr. Lipsyte answered the door looking surprised. I coughed twice.

This wasn’t the graceful entrance I was hoping for, but there was something appropriate about it; Mr. Lipsyte’s fiction is about lowered expectations. In his 2010 novel The Ask, the middle-aged protagonist, Milo Burke, a failed idealist and former artist who’s recently been fired from his job asking people whose lives worked out better than his to donate money to a university, thinks to himself, “How little I resembled the man I figured for the secret chief of my several selves.” The novel is a comedic masterpiece, but depending on where the reader is in life, it can seem much less funny. Read More

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Jonathan Dee.

So Sorry! Jonathan Dee’s Abundantly Apologetic New Novel

In Jonathan Dee’s 2010 novel The Privileges, a secondary character named Marietta works in media relations, rehabilitating the public images of drunken heiresses and scandalous politicians.

“It’s a lot like being a lawyer,” she explains. “Or a lot like advertising. It’s a lot like most things, actually.” That might sound glib, but when Marietta gets drunk enough, she tends to start “talking in dead earnest about her job in terms of second chances and the desire to repent.” Read More

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How to get

On the Page: Mohsin Hamid and Rebecca Miller

How to Get Filthy Rich in Rising Asia

Mohsin Hamid

(Riverhead Books, 228 pp., $27)

The nearly banal truth that “a self-help book is an oxymoron” is where Mohsin Hamid launches his effervescent third novel, a narrative of individual striving in the subcontinent, gesturing beyond the vagaries of self-betterment to something all-encompassing, at once recalling Read More