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Ella Fitzgerald, circa 1946. (Photo by William P. Gottlieb)

Happy Birthday, Ella Fitzgerald

Today is Ella Fitzgerald’s birthday–she would have turned 96–and there’s a lovely Google doodle up now to honor the occasion.

It seems to us, though, that the best way to pay tribute to the the great jazz singer is to listen to her music, which is what we’ve been doing, non-stop, for the past couple Read More

Music

Ives.

With Ives’s Fourth Symphony, Philharmonic Presents Poignant, Searching Questions

For the past two nights, guests arriving at Lincoln Center’s Avery Fisher Hall have found two harps and five extra music stands occupying part of the second balcony next to the stage. They sat unoccupied for the first part of the program on Wednesday and Thursday evening, as the New York Philharmonic debuted composer-in-residence Christopher Rouse’s fearsome and taut 10-minute Prospero’s Rooms (2012) and as Joshua Bell maneuvered his violin nimbly, delicately through Leonard Bernstein’s Serenade (1953–54), offering an almost jaunty feel in the piece’s jazzy closing moments. Read More

Music

renaldo

Digging Deep into Funk and Soul

The first thing you notice about the Chicago soul singer Renaldo Domino is that he sounds like a woman, which is his best quality. His voice is smooth, sweet and high-pitched, like Smokey Robinson’s, but there’s a slight quaver in it that evokes Jimmy Scott’s jazzy contralto.

Mr. Domino is in his early 60s–though he Read More

Music

One Direction. (Photo by Mark Metcalfe/Getty Images)

Directionless: Shaggy, Good-Natured and Beloved by Millions, One Direction Just Can’t Dance

The sound of 15,000 girls screaming at the top of their lungs was not what I thought it would be.

I had imagined it to be harsh and piercing, with the integrity of each individual scream maintained, like 15,000 stabbing stilettos. But it turns out there is no escaping fluid dynamics: 15,000 girls screaming turns out to be less a sound than a sensation, a molten force that surges forward in waves. Read More

Music

(Photo by Evening Standard/Getty Images)

From Me to You: John Lennon’s Letters Show a Thoughtful Writer and a Real Curmudgeon

Shortly after John Lennon was assassinated on December 8, 1980, the critic Robert Christgau printed his wife’s lament in the Village Voice: “Why is it always Bobby Kennedy or John Lennon?” she asked. “Why isn’t it Richard Nixon or Paul McCartney?”

It was a distasteful remark, but it’s hard to dispute. Paul has long been a cheerful purveyor of pleasing pop songs, but John was by far the wittiest, most audacious and most intelligent Beatle. He was also troubled, arrogant and fragile. He was a man of many moods, and those moods were always uncontainable. Even before he became famous, Lennon’s teachers and schoolmates knew him to be clever with a pen and paper, and (people sometimes forget) in the mid-’60s he wrote two well-received books: In His Own Write and A Spaniard in the Works. It is little wonder, then, that Lennon’s collected letters—285 of them, richly contextualized and handsomely presented by editor Hunter Davies in the new volume The John Lennon Letters (Little, Brown, 392 pp., $29.99)—make for fascinating reading. Read More