<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xml:base="http://www.observer.com" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
 <title>NY Observer &gt; Arts &amp;amp; Culture</title>
 <link>http://www.observer.com/taxonomy/term/31417/feed</link>
 <description>Articles from Observer.com</description>
 <language>en</language>
<item>
 <title>Yo La Tengo to Once Again Rock Your Menorah</title>
 <link>http://www.observer.com/2008/arts-culture/yo-la-tengo-once-again-rock-your-menorah</link>
 <description><![CDATA[<!--paging_filter--><p>Since we’re devoting our Hot Tickets feature tomorrow to highlighting next week’s CMJ craziness, we thought we’d let you know now that Yo La Tengo have confirmed their intentions to once again blow the roof of your Hanukkah (or whatever) celebrations this year. Every December, Ira, Georgia, and James play eight consecutive nights at <a href="http://www.maxwellsnj.com/">Maxwell’s</a> in Hoboken in honor of the Jewish holiday. Sometimes writers like Sarah Vowell show up, or comedians like the Daily Show’s John Oliver. And there’s always a slew of musical guests. (See <a href="http://yolatengo.com/hanukkah2007diary.html">yolatengo.com</a> for pictures of last year’s festivities.)&#160; Though as Yo La Tengo states in a long letter posted to <a href="http://www."></a> <span class='read-more'><a href="http://www.observer.com/2008/arts-culture/yo-la-tengo-once-again-rock-your-menorah">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/arts-culture/yo-la-tengo-once-again-rock-your-menorah#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/57011">Maxwell&amp;#039;s</category>
 <category domain="http://www.observer.com/taxonomy/term/52182">Yo La Tengo</category>
 <pubDate>Wed, 15 Oct 2008 11:23:41 -0400</pubDate>
 <dc:creator>John S.W. MacDonald</dc:creator>
 <guid isPermaLink="false">77014 at http://www.observer.com</guid>
</item>
<item>
 <title>Esquire PT Anderson Profile Finally Available For Lunchtime Reading</title>
 <link>http://www.observer.com/2008/arts-culture/esquire-pt-anderson-profile-finally-available-lunchtime-reading</link>
 <description><![CDATA[<!--paging_filter--><p>Looking for something to read during your lunch hour? <a href="http://www.esquire.com/features/75-most-influential/paul-thomas-anderson-1008-4">Check out <em>Esquire</em>'s recent profile about our favorite enfant terrible</a>, director Paul Thomas Anderson. The article, which appeared in the print edition of the magazine last month, finally popped online within the last week, and since we don't know anyone who actually buys <em>Esquire</em>, we're guessing you haven't seen it, either.</p>
<p>There isn't really a whole lot of new ground traversed in the piece, as the only people interviewed are former high school friends and acquaintances of Mr. Anderson, who haven't heard from the director in years. Needless to say, their judgment about the man might be a little slanted. <span class='read-more'><a href="http://www.observer.com/2008/arts-culture/esquire-pt-anderson-profile-finally-available-lunchtime-reading">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/arts-culture/esquire-pt-anderson-profile-finally-available-lunchtime-reading#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/taxonomy/term/35884">Paul Thomas Anderson</category>
 <pubDate>Wed, 15 Oct 2008 11:03:10 -0400</pubDate>
 <dc:creator>Christopher Rosen</dc:creator>
 <guid isPermaLink="false">77011 at http://www.observer.com</guid>
</item>
<item>
 <title>Mad About the Man</title>
 <link>http://www.observer.com/2008/arts-culture/mad-about-man</link>
 <description><![CDATA[<!--paging_filter--><p>Don Draper is every Park Slope mom’s fantasy,” said Paula Bernstein, a 40-year-old author who lives in Brooklyn with her husband, a video editor, and their two children. “The fact that he is so emotionally withholding and mysterious is frustrating, but women are intrigued by men like that, and as much as they say they want a sensitive guy who’s going to let it all hang out, there is an appeal to a man with <em>secrets</em>.”</p>
<p class="text c2"><span class="c1">Ms. Bernstein was speaking about the darkly compelling protagonist of Matthew Weiner’s 1960s advertising drama <em>Mad Men</em>, which airs every Sunday on AMC, transporting scores of New York women into a haze of longing for an era they never knew and a type of man to whom they definitely aren’t married.</span> <span class='read-more'><a href="http://www.observer.com/2008/arts-culture/mad-about-man">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/arts-culture/mad-about-man#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <pubDate>Tue, 14 Oct 2008 20:10:17 -0400</pubDate>
 <dc:creator>Irina Aleksander</dc:creator>
 <guid isPermaLink="false">76996 at http://www.observer.com</guid>
</item>
<item>
 <title>Matthew Perry Moves to Rochester for The End of Steve</title>
 <link>http://www.observer.com/2008/arts-culture/matthew-perry-moves-rochester-end-steve-i</link>
 <description><![CDATA[<!--paging_filter--><p>Matthew Perry alert! <a href="http://www.variety.com/article/VR1117993934.html?categoryid=14&amp;cs=1">Showtime announced</a> that they've picked up the pilot for Mr. Perry's new series, <em>The End of Steve</em>, from <em>Rescue Me </em>creator Peter Tolan. On the show, which is described ominously as a &quot;dark comedy&quot;, Mr. Perry will star as a talk show host in Rochester,  New York trying to put both his professional and personal life back together. Sounds pretty good!</p>
<p>Of course this isn't actually news, since the network ordered the series in the spring and<a href="http://www.variety.com/article/VR1117987701.html?categoryid=14&amp;cs=1"> was set to face a &quot;significant penalty&quot; if the pilot wasn't picked up</a>. But who cares! Any excuse we have to extol the virtues of our favorite <em>Friend</em> is an opportunity we'll take. </p>]]></description>
 <comments>http://www.observer.com/2008/arts-culture/matthew-perry-moves-rochester-end-steve-i#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/39274">Matthew Perry</category>
 <category domain="http://www.observer.com/taxonomy/term/52079">Showtime</category>
 <pubDate>Tue, 14 Oct 2008 17:10:35 -0400</pubDate>
 <dc:creator>Christopher Rosen</dc:creator>
 <guid isPermaLink="false">76964 at http://www.observer.com</guid>
</item>
<item>
 <title>Boss Jim Downey</title>
 <link>http://www.observer.com/2008/arts-culture/boss-jim-downey</link>
 <description><![CDATA[<!--paging_filter--><p class="text c1">Q: <em>For years now, shows like</em> Meet the Press <em>have been broadcasting clips of an</em> SNL <em>sketch, a spoof of political reality, to have a conversation with their audience about the actual political reality. How are you getting to the core ingredients of what’s going on in a way that people like Tom Brokaw can’t seem to articulate?</em></p>
<p class="text c1">A: I think they’d like to make sarcastic comments about candidates, but their role as news people prevents that, so I think showing our clips permits them to let us make the point.</p>
<p class="text c1">I think it would be awkward for even some of the people on cable to be as out-and-out mocking as we can be, and I also think it sort of makes their shows more entertaining—they can do it for free. <span class='read-more'><a href="http://www.observer.com/2008/arts-culture/boss-jim-downey">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/arts-culture/boss-jim-downey#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/43251">Amy Poehler</category>
 <category domain="http://www.observer.com/people/barack-obama">Barack Obama</category>
 <category domain="http://www.observer.com/taxonomy/term/40931">Jim Downey</category>
 <category domain="http://www.observer.com/people/john-mccain">John McCain</category>
 <category domain="http://www.observer.com/people/lorne-michaels">Lorne Michaels</category>
 <category domain="http://www.observer.com/taxonomy/term/56988">Sarah Palin</category>
 <category domain="http://www.observer.com/taxonomy/term/49953">Saturday Night Live</category>
 <category domain="http://www.observer.com/taxonomy/term/31342">Tina Fey</category>
 <pubDate>Tue, 14 Oct 2008 15:55:18 -0400</pubDate>
 <dc:creator>George Gurley</dc:creator>
 <guid isPermaLink="false">76961 at http://www.observer.com</guid>
</item>
<item>
 <title>Starz Wins Hearts Signing Rudd, Thomas to Make Show About Regular Guys in L.A.</title>
 <link>http://www.observer.com/2008/arts-culture/starz-wins-hearts-signing-rudd-thomas-make-show-about-regular-guys-l</link>
 <description><![CDATA[<!--paging_filter--><p><a href="http://www.observer.com/2008/arts-culture/week-dvr-soapdish-john-fords-depression-bottle-rocket">Just a day after eviscerating Starz and their new dramatic series <em>Crash</em></a>, we might need to ready an apology. <a href="http://www.variety.com/article/VR1117993912.html?categoryid=14&amp;cs=1">Variety reports</a> that the network will be teaming with <em>Veronica Mars</em> creator Rob Thomas to create <em>Party Down</em>, a new half-hour comedy series set to appear during the first quarter of 2009. And it actually sounds pretty good!</p>
<p><em>Down</em> is about a group of six Los Angeles caterers who are starting to realize that their dreams of stardom have gone by the wayside. <a href="http://www.aintitcool.com/node/38721">In the press release</a>, Mr. Thomas compares his show to the BBC version of <em>The Office</em>, heady expectations to be sure; from reading the description, a better comparison might be <em>Extras</em>. <span class='read-more'><a href="http://www.observer.com/2008/arts-culture/starz-wins-hearts-signing-rudd-thomas-make-show-about-regular-guys-l">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/arts-culture/starz-wins-hearts-signing-rudd-thomas-make-show-about-regular-guys-l#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/27971">Paul Rudd</category>
 <category domain="http://www.observer.com/taxonomy/term/55303">Starz</category>
 <pubDate>Tue, 14 Oct 2008 15:36:27 -0400</pubDate>
 <dc:creator>Christopher Rosen</dc:creator>
 <guid isPermaLink="false">76956 at http://www.observer.com</guid>
</item>
<item>
 <title>The Wizard of W.</title>
 <link>http://www.observer.com/2008/arts-culture/wizard-w</link>
 <description><![CDATA[<!--paging_filter--><p>On the night of Monday, October 13, Oliver Stone was being chauffeured around downtown Manhattan, looking for the dinner party he was running late for, and talking about what the subject of his new film, <em>W.</em>, has in common with the Wizard of Oz<em>.</em> Connecting <em>W.</em>, which examines and chronicles the life of George W. Bush leading up to and including his presidency, to the 1939 Judy Garland flying-monkeys extravaganza might not seem all that intuitive. But in conversation about his latest subject, Mr. Stone was drawn back again and again to the moment that Dorothy discovers that the great and most powerful wizard was<br />
really just an ordinary man, hiding behind a curtain, desperately pressing buttons and pulling levers to keep up the illusion of his control. <span class='read-more'><a href="http://www.observer.com/2008/arts-culture/wizard-w">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/arts-culture/wizard-w#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/taxonomy/term/24737">Condoleezza Rice</category>
 <category domain="http://www.observer.com/people/george-w-bush">George W. Bush</category>
 <category domain="http://www.observer.com/taxonomy/term/51064">Josh Brolin</category>
 <category domain="http://www.observer.com/taxonomy/term/26610">Oliver Stone</category>
 <category domain="http://www.observer.com/taxonomy/term/57763">Thandi Newton</category>
 <pubDate>Tue, 14 Oct 2008 15:13:00 -0400</pubDate>
 <dc:creator>Sara Vilkomerson</dc:creator>
 <guid isPermaLink="false">76954 at http://www.observer.com</guid>
</item>
<item>
 <title>Boxer, in Brief: Welterweight Wants to Soar</title>
 <link>http://www.observer.com/2008/arts-culture/boxer-brief-welterweight-wants-soar</link>
 <description><![CDATA[<!--paging_filter--><p>Last month, Paul “Magic Man” Malignaggi vacated the International Boxing Federation junior welterweight champion title, which he’s held for the past year and successfully defended three times, so that he may fight the welterweight world champ, the great pug-faced hope of Britain, Ricky “The Hitman” Hatton. Nov. 22, MGM Grand, HBO. A seven-figure payday. He’s arrived.</p>
<p class="text c1">Only Little Paulie doesn’t see that way. He wants the world to know his name.</p>
<p class="text c1">Mr. Malignaggi, 27, has come a long way from throwing dice and cutting class at New Utrecht High School in Bensonhurst—starting with a pair of Golden Gloves in ’98—but the fact that everyone from back in the day had bet on him losing still weighs on him something awful. <span class='read-more'><a href="http://www.observer.com/2008/arts-culture/boxer-brief-welterweight-wants-soar">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/arts-culture/boxer-brief-welterweight-wants-soar#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/50457">Sports</category>
 <category domain="http://www.observer.com/channel/city">Style</category>
 <category domain="http://www.observer.com/taxonomy/term/57765">Boxing</category>
 <category domain="http://www.observer.com/taxonomy/term/50117">HBO</category>
 <category domain="http://www.observer.com/taxonomy/term/57764">Paul Malignaggi</category>
 <pubDate>Tue, 14 Oct 2008 14:58:19 -0400</pubDate>
 <dc:creator>Spencer Morgan</dc:creator>
 <guid isPermaLink="false">76952 at http://www.observer.com</guid>
</item>
<item>
 <title>David Milch to End Deadwood Verbally</title>
 <link>http://www.observer.com/2008/media/david-milch-end-deadwood-verbally</link>
 <description><![CDATA[<!--paging_filter--><p><em>The Hartford Courant</em>'s Roger Catlin <a href="http://blogs.courant.com/roger_catlin_tv_eye/2008/10/heres-your-conclusion-to-deadw.html">got a press release</a> touting HBO's 19-disc box set for its critically-acclaimed series <a href="http://www.hbo.com/deadwood/"><em>Deadwood</em></a>.</p>
<p>According to Mr. Catlin, it will sell for $179.97, which would be pretty steep even if people weren't about to start boiling their boots for soup, but the 36-hour disc contains something fans have been desperately waiting for: An end to the series. (Then again, it's a heckuva lot cheaper than HBO's <em>Sopranos</em> box which retails for $399.99. And we all know how frustratingly that series <a href="/2007/tony-s-blackout">en</a>—)</p>
<p>Writes Mr. Catlin:</p>
<blockquote><p>Among its two hours of bonus materials is something called &quot;The Meaning of Endings&quot; described as &quot;creator David Milch's discussion on what would have happened had the 'Deadwood' series continued' <span class='read-more'><a href="http://www.observer.com/2008/media/david-milch-end-deadwood-verbally">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p></blockquote>]]></description>
 <comments>http://www.observer.com/2008/media/david-milch-end-deadwood-verbally#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/29027">David Milch</category>
 <category domain="http://www.observer.com/taxonomy/term/57755">Deadwood</category>
 <category domain="http://www.observer.com/taxonomy/term/50117">HBO</category>
 <category domain="http://www.observer.com/taxonomy/term/49850">The Sopranos</category>
 <pubDate>Tue, 14 Oct 2008 14:13:49 -0400</pubDate>
 <dc:creator>Matt Haber</dc:creator>
 <guid isPermaLink="false">76945 at http://www.observer.com</guid>
</item>
<item>
 <title>Breaking Down the Kanye/Radiohead Mash-up</title>
 <link>http://www.observer.com/2008/arts-culture/kanye-radiohead-mash</link>
 <description><![CDATA[<!--paging_filter--><p><a href="http://stereogum.com/archives/mp3/the-inevitable-love-lockdownreckoner-mashup-is-here_027391.html">Stereogum</a> is right—a <a href="http://www.youtube.com/watch?v=5iATyUqGlYE">"Love Lockdown"/"Reckoner" mash-up</a> was "inevitable." But that doesn’t mean it isn’t worth five minutes of your time, particularly considering it’s both an audio mash-up (courtesy of DJ Earworm) and a video mash-up (courtesy of Instamatic). Furthermore, the original <a href="http://vids.myspace.com/index.cfm?fuseaction=vids.individual&amp;videoid=43774435">Radiohead video</a> actually isn’t by Radiohead at all. It’s by Frenchman <a href="http://www.aniboom.com/video/236453/Clement-Picon-In-Rainbows-Contest-SemiFinalist/">Clemont Picon</a>—the a winner of a <a href="http://www.aniboom.com/radiohead/?ref=/aniboomawards2008/article/">contest</a> hosted by Aniboom (the YouTube of the animation world) to select the best animated vidoes for a handful of <em>In Rainbows</em> tracks, including “Reckoner.” Thom and Co. liked Picon’s clip so much they decided to make it the official one.</p>
<p>All in all, though, the video splice is a bit of let down. <span class='read-more'><a href="http://www.observer.com/2008/arts-culture/kanye-radiohead-mash">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/arts-culture/kanye-radiohead-mash#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/35280">Kanye West</category>
 <category domain="http://www.observer.com/taxonomy/term/33072">Radiohead</category>
 <category domain="http://www.observer.com/taxonomy/term/35153">Thom Yorke</category>
 <pubDate>Tue, 14 Oct 2008 13:47:51 -0400</pubDate>
 <dc:creator>John S.W. MacDonald</dc:creator>
 <guid isPermaLink="false">76934 at http://www.observer.com</guid>
</item>
</channel>
</rss>
