Something’s always going on in a Pina Bausch extravaganza. In the old days, it was inevitably something grim-you felt that Bausch had internalized the malign mutterings of old Aunt Ada Doom in Stella Gibbons’ Cold Comfort Farm: “I saw something nasty in the woodshed.” No more. Not that everything’s sweetness and light in the Pinaworld Read More
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