Marco Bellocchio’s Good Morning, Night (Buongiorno Notte) happens to be the 24th film that the 66-year-old Italian filmmaker has turned out in his 40-year-career, which began with a bang in 1965 with his critically acclaimed Fists in the Pocket (I Pugni in Tasca), a bizarre dissection of a family of incestuous epileptics at war with Read More
Marco Bellocchio’s Good Morning, Night ( Buongiorno Notte) happens to be the 24th film that the 66-year-old Italian filmmaker has turned out in his 40-year-career, which began with a bang in 1965 with his critically acclaimed Fists in the Pocket ( I Pugni in Tasca), a bizarre dissection of a family of incestuous epileptics at Read More
Mortgage payments, cobwebs and film festivals: Just when you think you’ve got one out of the way, another one shows up to take its place. Do not believe overpaid actors who cry poor mouth. Overstuffed programs in Venice, Montreal and Toronto have recently proved there is no such thing as a faltering economy in the Read More
