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	<title>Observer &#187; Andrew Phelps</title>
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		<title>Observer &#187; Andrew Phelps</title>
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		<title>Stephen Colbert Loves Slate Podcasts So Much</title>

		<comments>http://observer.com/2012/06/stephen-colbert-loves-slate-podcasts-so-much/#comments</comments>
		<pubDate>Fri, 08 Jun 2012 09:00:45 -0400</pubDate>
					<link>http://observer.com/2012/06/stephen-colbert-loves-slate-podcasts-so-much/</link>
			<dc:creator>Kat Stoeffel</dc:creator>
				
		<guid isPermaLink="false">http://observer.com/?p=244951</guid>
		<description><![CDATA[<p><a href="http://observer.com/2012/06/stephen-colbert-loves-slate-podcasts-so-much/71st-annual-peabody-awards/" rel="attachment wp-att-244965"><img class="alignleft size-medium wp-image-244965" title="71st Annual Peabody Awards" src="http://nyoobserver.files.wordpress.com/2012/06/144976583.jpg?w=199" alt="" width="199" height="300" /></a>Does this count as breaking character?  Stephen Colbert is such a huge fan of Slate's Gabfest podcast that he once called editor David Plotz to ask why an episode was late, according to <a href="http://www.niemanlab.org/2012/06/slate-doubles-down-on-podcasts-courting-niche-audiences-and-happy-advertisers/">a Nieman piece</a> on the economics of podcasting from earlier this week. (Mr. Colbert had previously showed his hand when he called guest Emily Bazelon "<a href="http://www.colbertnation.com/the-colbert-report-videos/411273/march-28-2012/march-28--2012---pt--2">a podcast superstar</a>.")</p>
<p>And apparently he's not the only fan-boy. Slate podcast downloads "typically reach five to six figures per episode."</p>
<p>General interest papers like <em>The Boston Globe</em> are abandoning podcasting—waste of time and resources, they say—publications with narrow audiences and opinion-driven content like Slate can make a killing, reports Nieman. Brand mentions in Slate podcasts are the most expensive ads the company sells and have the highest sell-through rate.</p>
<p>"What makes it work is not a groundbreaking format but an expertly arranged mix of personalities: editor David Plotz and writers Emily Bazelon and John Dickerson have an infectious rapport,"  Andrew Phelps wrote.</p>
]]></description>
		<content:encoded><![CDATA[<p><a href="http://observer.com/2012/06/stephen-colbert-loves-slate-podcasts-so-much/71st-annual-peabody-awards/" rel="attachment wp-att-244965"><img class="alignleft size-medium wp-image-244965" title="71st Annual Peabody Awards" src="http://nyoobserver.files.wordpress.com/2012/06/144976583.jpg?w=199" alt="" width="199" height="300" /></a>Does this count as breaking character?  Stephen Colbert is such a huge fan of Slate's Gabfest podcast that he once called editor David Plotz to ask why an episode was late, according to <a href="http://www.niemanlab.org/2012/06/slate-doubles-down-on-podcasts-courting-niche-audiences-and-happy-advertisers/">a Nieman piece</a> on the economics of podcasting from earlier this week. (Mr. Colbert had previously showed his hand when he called guest Emily Bazelon "<a href="http://www.colbertnation.com/the-colbert-report-videos/411273/march-28-2012/march-28--2012---pt--2">a podcast superstar</a>.")</p>
<p>And apparently he's not the only fan-boy. Slate podcast downloads "typically reach five to six figures per episode."</p>
<p>General interest papers like <em>The Boston Globe</em> are abandoning podcasting—waste of time and resources, they say—publications with narrow audiences and opinion-driven content like Slate can make a killing, reports Nieman. Brand mentions in Slate podcasts are the most expensive ads the company sells and have the highest sell-through rate.</p>
<p>"What makes it work is not a groundbreaking format but an expertly arranged mix of personalities: editor David Plotz and writers Emily Bazelon and John Dickerson have an infectious rapport,"  Andrew Phelps wrote.</p>
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			<media:title type="html">71st Annual Peabody Awards</media:title>
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