dancing the night away
The Eight-Day Week
With the holidays fast approaching, nothing brings us pirouetting into the snowflake season quite like the Alvin Ailey American Dance Theater (AAADT). At Wednesday’s Opening Night Gala, the limbs were flying around the stage with unfettered aplomb, flitting from grace to gusto whilst set to solos from the company’s A-List pals Anika Noni Rose, Brian Stokes Mitchell and Jessye Norman.
Now in its 54th year, the group’s rich cultural history was made evident throughout the selection of pieces performed throughout the evening, in particular Revelations, which was initially choreographed by Mr. Ailey himself. The piece had a special significance for Ms. Noni Rose, who told The Observer: “The AAADT was the first ballet that I saw, and Revelations was the piece that stuck in my mind so strongly. So it was a huge honor to be asked to perform here tonight – it was like the circle closed for me.”
The opening was also something of a landmark for dancer Renee Robinson, who was hand-picked by the company’s namesake some 32 years ago. Ms. Robinson is hanging up her dancing shoes this Christmas – for the AAADT at least. Speaking of her three decades with the company, she said, “What feels great is not only that I was chosen by Mr. Ailey, but that I had the opportunity to work under him and hear him speak about his vision and his legacy.”
The Eight-Day Week
If there’s one cultural experience that people enjoy far more during the holidays than they do the rest of the year, it’s the ballet—any number of kiddos citywide think that ballerinas play no roles other than little Clara and the Sugar Plum Fairy. Though its timing is perfectly in sync with our sentimental yearning for Read More
Wednesday, April 6
Youth and Beauty
Ah, Karen Russell. Or, as the Swamplandia! author might render it, Karen Russell! Never has a young author provoked such envy since that little minx Freudenberger. (Is it a girl thing?) But back to Ms. Russell: The 29-year-old phenom was pegged as an under-40 author to watch on that Read More
It’s amazing that choreographer Debbie Allen’s starry Broadway production of Cat on a Hot Tin Roof—the first all-black version—can have so much plain wrong with it, yet still delight me. But consider this: No great playwright ever wrote so badly and so beautifully within the same play as Tennessee Williams (unless it was Eugene O’Neill). Read More
Sunday, June 6, is, of course, the glittering night of the year when the entire nation reaches a fever pitch of excitement over the Tony Awards.
Here are my informed, utterly biased Tony tips for the big night. And the envelope, please …. Oh my goodness, we have a shock for Best Performance by a Read More