Midlake Revives Soft Rock; Touré’s Melodic Farewell

Revivals of long-gone genres are nothing unexpected. Even awkward, pretentious prog rock emerged from its attic hiding place some time ago, so it’s no surprise that its smoother 70’s sibling—lavishly produced, folk-inflected soft rock—is making a reappearance. The remarkable thing is that there’s a great album heralding that return, one that steers clear of ironic Read More

Midlake Revives Soft Rock; Touré’s Melodic Farewell

Revivals of long-gone genres are nothing unexpected. Even awkward, pretentious prog rock emerged from its attic hiding place some time ago, so it’s no surprise that its smoother 70’s sibling—lavishly produced, folk-inflected soft rock—is making a reappearance. The remarkable thing is that there’s a great album heralding that return, one that steers clear of ironic Read More

Youssou! That’s My Baobab! Super Sounds from Senegal

“World music,” a term for music made by everybody who doesn’t happen to look or sound like us, is a convenient but patronizing expression that comes in for a fair amount of high-minded abuse. But the release this month of a superb new album, Specialist in All Styles (World Circuit/Nonesuch) by the Senegalese group Orchestra Read More

In Noisy 1950′s Lounge Décor, Isla Serves Updated Cuban

It’s easy to walk straight past Isla without realizing it. The restaurant, which is tucked away on a quiet West Village street, has no sign hanging outside. With its stainless-steel-rimmed windows, white louvered shutters and tiled facade, it looks like a health clinic.

When you open the door, however, it’s like walking into a Read More

Brilliant Has-Beens Discovered At Buena Vista Social Club

Three years ago, American guitarist and record producer Ry Cooder went to Havana at the behest of the London-based World Circuit record label to capture something of the flavor of traditional Cuban music. The musicians he corralled were an assortment of has-beens, guitarist Compay Segundo and pianist Rubén González, and never-weres, singer Ibrahim Ferrer, but Read More

Po-Mo to the Rescue? Fans Just Love That ‘Fake Jazz’

For the past 15 years, the major jazz labels have been relying on the middle-of-the-road tastes of a silent majority of jazz fans that is so silent, it doesn’t in fact exist. Check Soundscan Inc.’s sales charts and you’ll notice that, in most instances, only a relative handful of people are actually buying Verve or Read More