Apparently, New Yorkers are nicer than you thought they were.
More conscientious passengers than ever before are turning in lost property they’ve found stuffed under the subways and between bus seats, according to the New York Post. The uptick means that more forgetful riders are being reunited with their belongings.
The New York City Transit’s Lost Read More
Planes Trains & Automobiles
How many buses must be plodding along the streets of New York right now, showing up late, freezing out their riders as the weather turns toward winter? Too bad for those riders they do not have warmhearted elected officials preparing reports on their behalf. A pack of Brooklyn pols convened at a B61 bus stop at the corner of Fourth Avenue and Ninth Street in Park Slope this morning to take the M.T.A to task for failing riders of this lonesome shuttle.
“The results are clear and dramatic,” said Councilman Brad Lander, whose office produced the report. “More than half of B61′s don’t arrive on time during rush hour, that’s unacceptable and is failing riders.” The report, entitled “Next Bus Please” harnessed a gang of volunteers to gather the information during the three month period of July to September this year, surveying the peak hours.
Forget about getting annoyed at crazy weekend subway and bus schedules—apparently you’re actually quite satisfied with subway and bus service! Straphangers across the city told the M.T.A. their rides were not as bad as one might think, according to the agency’s 2011 Customer Satisfaction Survey, which was released today.
Trapped somewhere in the red tape of independent filmmaking between money and marketing, Anna Paquin delivers a very fine performance in the very odd starring role of a very bewildering film called Margaret. Written and directed by the excellent award-winning playwright Kenneth Lonergan (You Can Count on Me), which is one of its major draws, it was filmed in 2005, tied up for years in lawsuits, and hindered by the deaths of its two most illustrious producers, Anthony Minghella and Sydney Pollack. Six years later and 30 minutes shorter, it is finally being released in limited runs as a 2½-hour art film that is something of a well-intentioned mess. In the time between shooting Margaret, editing it down from its original three-hour director’s cut and Anna Paquin’s emergence in True Blood, we watched her grow up from troubled teenager to vamping vampire. Some things are better off left unchanged.