A Stylish Contradiction: Furst’s Romantic Realism

Throughout his elegant and compact sequence of espionage novels set in the Europe of the 1930’s and 40’s— The Foreign Correspondent is the ninth—Alan Furst has been trying to marry romance and dread. This is not something that would have occurred to Eric Ambler who, in his prewar foreign-intrigue novels, wrote like a man hunkering Read More

A Stylish Contradiction: Furst’s Romantic Realism

Throughout his elegant and compact sequence of espionage novels set in the Europe of the 1930’s and 40’s—The Foreign Correspondent is the ninth—Alan Furst has been trying to marry romance and dread. This is not something that would have occurred to Eric Ambler who, in his prewar foreign-intrigue novels, wrote like a man hunkering down Read More