In Stoker, Deranged Gothic Overtones Stoke This Critic’s Sicker Side
“Just as a flower cannot choose its color, we are not responsible for what we’ve come to be. This is what it means to be free.” Stoker, the first English-speaking film by Korean horror-flick director Chan-wook Park (Oldboy), practically hemorrhages that kind of pretentious, dumbfoundingly meaningless writing. But it does have a dark, satisfyingly sinister Read More
