Time passes, which is the point of Christian Marclay’s much-talked-about installation The Clock. The work, a 24-hour cinematic loop composed of sequences appropriated from the last century of film, chronicles this passing in real time, as they say. An alarm clock sounds, a movie star eats breakfast; a wristwatch ticks, actors wait for a train. Some reviewers were surprised that watching time pass could be so captivating, although they might not have been if they’d thought back to any old New Year’s Eve, when the world’s citizens fixate on their clocks. Read More
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