
City Ballet’s Ceaseless Work in Progress; Varone’s Meditation on Daniel Pearl
Why do so many of us still go obsessively to the New York City Ballet? Not, alas, to see Balanchine danced fully and expressively; it happens on occasion, but not nearly often enough. Not, certainly, for the procession of new works—“novelties,” as they’re called in the ballet business—that crop up every season and, with a Read More
