Broadway

Shaud, Thomas and L

Speaking of Funny? Not Relatively Speaking

After suffering through the fetid Relatively Speaking, my pain must have shown in the scowl on my face as I trudged toward the exit at the Brooks Atkinson Theatre. “To get it, you have to be Jewish,” said a woman ahead of me. What nonsense. Since when do you have to be gay to see the truth in The Boys in the Band, or black to be moved by the universal humanity of Lorraine Hansberry or August Wilson? My date was Jewish, and she didn’t laugh either. Well, she later admitted over a badly needed post-theater nightcap, she did laugh at a couple of lines. O.K., two laughs in a 2½ hour evening of three alleged one-act “comedies” is not what I call much of a success, and Relatively Speaking is a vulgar, poker-faced failure of dire proportions. You don’t have to be Jewish to know bad writing, hysterical overacting and lame direction when you see it, even if the guilty perpetrators include Elaine May and Woody Allen, two of my heroes, actors such as Marlo Thomas and Steve Guttenberg, and director John Turturro, who should stick to acting. All of them have triumphed on previous occasions. This is not one of them. Read More

Public Theater Announces Upcoming Productions

The Public Theater’s 2008-2009 season will include work from Stephen Sondheim, John Guare, Danny Hoch, Christopher Durang, Craig Lucas, Mike Daisey, and Tracey Scott Wilson, Variety reports. The Sondheim musical, called “Bounce,” will be directed by John Doyle, who previously helmed the Sondheim hits “Company” and “Sweeney Todd.” The Guare piece, “A Free Man Read More

One Man, Four Shows, Three and a Half Raves

A while ago, I was in a pub in Dublin and a local guy, making conversation, turned to me and said, “What do you do for a living?”

I replied that I was a journalist, for anyone can be a critic. “I’m a journalist, sir!”

“Maybe so, sir!” he said. “But are you any Read More

Seinfeld Battles Actor Danny Hoch … Party of Jive … Ally McShut-Up-Already! … A Decadent S.A.G. Show

Peter Bogdanovich’s Movie of the Week

The 1941 Academy Awards are often denigrated as the year Orson Welles’ maverick Citizen Kane didn’t win best picture, and usually overlooked, therefore, is the movie that did win-one of the finest classic American films, though it’s about a Welsh coal-mining family, John Ford’s profoundly touching visualization of Read More