What they all have in common is a cheering section of supporters, most of whom can put “Oscar nominated” or “member of the Academy” somewhere in their biographies. Read More
The co-op board at River House, once sufficiently exclusive to reject applications from Diane Keaton and Gloria Vanderbilt, has lately relaxed its standards in effort to attract more buyers amid an increasingly condo-friendly high-end market. (It also recently listed the River Club on the market as an ultra-luxe, standalone mansion.) In fact, things are so laid back these days that the gatekeepers at 435 East 52nd Street did not even look askance at Uma Thurman‘s application, despite the actress’s starring role in Lars Von Trier’s forthcoming Nymphomaniac, a two-part film oft-described as pornographic, and which features Ms. Thurman in—ahem—compromising positions.
Fortunately for the actress—and for any red-blooded male in residence at River House—Mr. Von Trier’s erotic epic remains in post-production, the chatter at whisper level, and Ms. Thurman has passed muster with the board. For the price of $10 million, she has become the proud new owner of a four-bedroom unit on the sixth floor, according to city records. (The sale was first reported in The Post.)
Failure is no disgrace at the movies. Rain falls so often in every first-rate director’s life and career it becomes part of the territory, and comebacks are inevitable. But when a veteran cast of wasted champions goes down for the count before the director even yells, “Action!” disappointment doubles.
Nobody survives a train wreck like Lawrence Kasdan’s Darling Companion without Band-Aids, but Diane Keaton, Kevin Kline, Dianne Wiest and Sam Shepard might need sutures.
In 1977, Dorothy Hall went to a screening to watch her daughter, Diane Keaton, star in a new Woody Allen film, Annie Hall. She wrote about the experience in her journal:
I only saw Diane, her mannerisms, expressions, dress, hair, etc, the total her. The story took second place … She looked beautiful … She Read More
The Eight-Day Week
After her series Tilda, about a powerful Hollywood blogger, fell through on the network, Diane Keaton still finds HBO a good business partner.
Wednesday, May 18
Most creative types have ambivalent memories of recess. While a respite from the strictures of the classroom were nice, the humiliations of dodgeball and other childrens’ “games” were for many the anvil on which a future of creative genius was hammered. But, hey, we’re past that now! Recess Activities Read More
Morning Glory, not to be confused with the 1933 classic starring Katharine Hepburn, is the smartest, sharpest, funniest and most consistently entertaining comedy since The Devil Wears Prada, and no wonder. Both films were written by Aline Brosh McKenna, and both deal with similar themes–the can-do spirit of fresh, indomitable newcomers in tough, jaded and Read More
A long competition over Diane Keaton’s memoir, which compelled some of New York’s busiest editors and publishers to clear their schedules last week and fly to Los Angeles to meet the actress, drew to a close Friday night.
The winner—sorry HarperCollins, Ecco, and Little, Brown—was the flagship imprint of Random House. David Ebershoff, who Read More
"Did you know Diane Keaton could sing?" asks Sharon Waxman, former New York Times Hollywood reporter and current proprietor of Waxword. Ms. Waxman was writing about a celebrity fundraiser for Barack Obama this weekend that featured Ms. Keaton, Larry David, Martin Short, and Steve Martin.
"She doesn’t, in public," Ms. Waxman continued. Read More