The Guilted Age of Opera

On a September evening of the late aughts, Karita Mattila was singing in Tosca at the Metropolitan Opera House in New York.

Fifty years from now, the next Edith Wharton, if she could have seen the crowd that gathered to see Ms. Mattila on the evening of Sept. 21, 2009, could easily begin her great Read More

Ari vs. Mata Hari

The night of April 8 is going be a big, big, BIG one for HBO. The Sopranos return (finally) for the beginning of the end of the eight-year-old series; parties will be given, volumes will be written, and hand-wringing will ensue over the prospect of a David Chase–free television future. But before we fall to Read More

Gotham’s Greats Get Super-Bios

It’s a season of cliffhangers. Who will emerge as top dog in a transatlantic face-off when Don DeLillo and Ian McEwan each publish a new novel on the very same day? Will anyone come up with a better title for a book about working moms than The Feminine Mistake, by Vanity Fair writer Leslie Bennetts Read More

The Shame of No Shame: Fawning, Sniping in Media Land

Autumn of the Moguls: My Misadventures with the Titans, Poseurs, and Money Guys Who Mastered and Messed Up Big Media , by Michael Wolff. HarperCollins, 381 pages, $25.95.

In 1980, George W.S. Trow, a veteran New Yorker staff writer and one of the founding editors of The National Lampoon, published a 25,000-word jeremiad decrying Read More

A Sinking Lily Bart and Her Unforgiving Circle

Terence Davies’ The

House of Mirth , from his own screenplay, based on the novel by Edith

Wharton, is one of several end-of-year releases that has made 2000 a better

movie-going year than anyone could have anticipated at the beginning of

December. The best movies, by and large, remain individualized productions that

seldom zoom into Read More