Looks from the spring 2013 collection.

Calvin Klein Delivers for the Conclusion of the “Oscars of Fashion”

We love the clean lines and abstract nature of Francisco Costa’s designs for Calvin Klein Collection. Of Brazilian descent, he has an unmatchable talent for creating wearable art that is minimal and wearable—perhaps the only one who provides a Parisian level of artistic thrills in New York.

We had some time to spare before the show began—a departure from our general habit of sprinting four blocks and arriving sweaty and out of breath at the last minute. We left our seat-mates Bianca Jagger, Julie Macklowe and Kelly Klein, to name a few, to explore the front rows.

Amy Adams, Diane Kruger, Emma Stone and photographer Patrick Demarchelier were all present, but our vigilant eyes sought out someone less obvious: W Magazine’s Fashion and Style Director, Edward Enninful. Read More

After parties

34 Photos

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After-Party Attire: Best of the Met Costume Institute’s Gala

While the Met was swarmed by A-listers Monday night, we only heard news about Beyonce‘s dress this morning. Upstaged by the attendance of Tim Tebow, these celebrities dispersed to three locations the Met in order to fully dance away the pain: the Ukrainian Institute of America, the Boom Boom Room, and Crown all hosted parties that were hit up by roaming models, actors, and musicians. Read More

The Oscars

Streep (Getty Images)

What Were the Best Oscar Moments?

Last night’s Oscars were as draggy as ever–perhaps it’s time to give up the ghost of the hope that they can magically become a breezy ceremony, or at least to stop complaining annually that the jokes are hackneyed and the show’s self-congratulatory. The jokes being hackneyed are kind of the point, and, given that this Read More

movies

Octavia Spencer and Viola Davis in 'The Help.'

In The Help, Searching for Depth in the Deep South

If fried chicken were really as restorative as the new movie The Help seems to think, Jim Crow laws probably wouldn’t have originated in the South. But in the world of Kathryn Stockett’s novel (and now film), Southern stereotypes are given a retro, glossy sheen, and ingrained racial tension can be resolved by a plucky Read More