The Importance of Seeing Ernst

Sometime in the late 1960’s, I asked Jean Renoir what he thought of Ernst Lubitsch. He raised his eyebrows and said, enthusiastically, “Lubitsch!? But he invented the modern Hollywood.” By “modern Hollywood,” Renoir meant American movies from about 1924 to the start of the ’60s. Before Lubitsch’s arrival to California from Germany in 1922 (to Read More

Tense, Exciting, Dangerous-Hollywood Homicide is Not

Ron Shelton’s Hollywood Homicide , from a screenplay by Robert Souza and Mr. Shelton, should have been a sharper action-comedy satire on the LAPD than it eventually turned out to be. Its failure was not the fault of the capable cast that was assembled for the project. The subject is not to blame, either-buddy-buddy cop Read More

What If God Was One of Us, And His Name Was … Jim Carrey

Tom Shadyac’s Bruce Almighty , from a screenplay by Steve Koren, Mark O’Keefe and Steve Oedekerk, plays out on the screen as a little movie of modest invention, but with mysteriously massive box-office returns-at least in that magical first week that determines bragging rights for a whole season, if not longer. Of course, vulgar commercial Read More

Martin Short, Showbiz Buzz Boy … Sitcoms Sag … Gay TV

Jim Rutenberg

Wednesday, Sept. 15

This is a given: There is nobody as in command of the old variety-show idiom as Marty Short. And he’s taken the next big step: Just as Rosie O’Donnell commandeered the spirits of Merv, Mike Douglas and Dinah Shore for her return-to-cuddly-showbiz talk show, Martin Short has commandeered the Read More