A Diva Who Resists Definition: The Met’s Faust May Have Provided Marina Poplavskaya’s Most Satisfying Lead Role Yet in New York
The question posed by the Metropolitan Opera’s new production of Gounod’s Faust, other than how long Peter Gelb intends for us to endure what increasingly seems like a willful parade of directorial incompetence, is what is to be thought about Marina Poplavskaya. Read More
