Audrey and Albert Share Swingin’ Memories of a Marriage
In 1967, a Time magazine cover story trumpeted “The Shock of Freedom in Films,” praising Hollywood’s belated embrace of the French New Wave. The article mostly paid enormous respects to Arthur Penn’s Bonnie and Clyde, but passing mention was made of how Mike Nichols’ The Graduate, John Boorman’s Point Blank and Stanley Donen’s Two Read More
