Old Stars Bore at Lincoln Center; New Stars Shine at Glimmerglass
Like the weather, the operas at the proliferating summer festivals hereabouts have ranged from the torpid to the delightful. Leading the sluggards was Robert Wilson’s The Days Before: Death, Destruction & Detroit III , which, though not billed as an opera, seemed closer to the genre than any Wilson extravaganza since Einstein on the Beach Read More
