
Philip Pearlstein: A Drab Hand Flaunts a Keen Eccentric Streak
The more Philip Pearlstein keeps on doing what he does—painting dispassionate, starkly cropped studio set-ups pairing folk art with naked, usually female models—the more the usual complaints apply. It’s equally true, though, that the more he keeps on keeping on, the more unguarded and eccentric he becomes.
His recent efforts at the Betty Cuningham Gallery Read More